Through the concept of slow design, particularly the principle of compressed refuse, the project aims to explore the potential of using temporary structures to store artificial waste. Moreover, it investigates the role of architects as community activators by creating spaces that propose questions and encourage dialogues. This process, referred to as TimeCycling, involves abstracting materials from regular cycles, utilizing them as building materials for a limited time, and then reintegrating them into recycling processes, thus extending their lifespan and avoiding landfills. I have proposed a building system for temporary structures, using discarded newspapers. The construction of a pavilion and furniture pieces made from newspapers serves both as a practical demonstration of sustainable construction techniques and a symbolic representation of democratic values. By engaging the public in the building process, the project seeks to foster a sense of response-ability, encourage localized action, facilitate informal discussions, and promote knowledge sharing within the community.

The main issue when designing libraries of Lausanne was an environment in which the library is located. The city is relatively steeply sloping from the Lac Léman and because they offer interesting views of the lake from many places in the city. In this system, when the views are oriented south toward the lake, is a territory that differs in structure from the rest of the city. The valley in which the river flowed Flon in the 19th century were filled on a flat surface vzikly industrial buildings with rational structure that crossed the railroad.

Le travail de recherche vise à encadrer la figure de Lequeu dans le paysage culturel et architectural de la Révolution française, en proposant une prise de distance critique et une mise à part des célèbres dessins des Figures lascives, à lesquels la figure de l'architecte a été parfois grossièrement éclairée. Au contraire, notre analyse se concentre sur ce qui constitue le cœur de son œuvre graphique: les planches numérotées de l'Architecture civile, que Lequeu rédige à partir de 1778, et qui sont aujourd'hui, conservées au Cabinet des estampes de la Bibliothèque nationale de France. Visionnaire dans sa tentative de créer une nouvelle conception du dessin architectural, qu'il élabore conjointement au caractère de son architecture, les plus amères des contradictions du XVIIIe siècle se concentrent en lui inévitablement attiré par le moderne, il en a systématiquement horreur et tourne son regard vers un passé idéalisé, rêvé comme un port salvateur mais insaisissable. C'est dans cette juxtaposition d'éléments qui de la littérature chevaleresque aboutit aux traités théorico-pratiques de la Renaissance, redécouvre les mouvements humains et entre en contact, pour la première fois avec l’introspection psychologique, décrit donc le rôle de Lequeu, dans l'histoire de l'architecture européenne. Les planches de !"Architecture civile interprètent à la fois les angoisses d'un artiste aux prises avec l'ancien, et la modernité de la culture technique française du XVIIIe siècle. / The research aims to explore the figure of Lequeu in the cultural and architectural panorama of the French Revolution, proposing a critical distance from the famous drawings named Figures lascives. Our analysis focused on what constitutes the core of his graphic work: the numbered drawings of Architecture Civile, that Lequeu drafts from 1778 and now conserved at the Cabinet des estampes of Bibliothèque nationale de France (Paris). Visionary in its attempt to create a new conception of architectural drawing, Lequeu developed the character of its architecture, where the most of eighteenth century's contradictions are concentrated. lnevitably attracted to the modern, it has systematically horror oh that, and turns his eyes to an idealized past, dreamed but elusive port. lt is in this juxtaposition of elements, which of place of Lequeu: no architect before him has tried such a great mix of different interests and skills. The link with the art of his time, who discovers, for the first lime, the psychological introspection, describes the role of Lequeu in the history of European architecture. The drawings of Architecture Civile interpret both the anguish of an artist struggling with the old, and the modernity of the French technical culture of the eighteenth century.