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The Scriabin Mystic Hexachord as a Structural Harmonic and Motivic Device in Three <i>Parables</i> for Solo Instruments by Vincent PersichettiSpivey, Zachary James Rogner 10 September 2021 (has links)
No description available.
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Vincent Ludwig Persichetti's Parable for Solo Flute (Alto or Regular): A Study of Its Compositional Elements: Together with Recitals of Selected Works of Beethoven, Devienne, Handel, Hummel, Kreutzer, and OthersZoloth, Alan Gary 12 1900 (has links)
This dissertation focuses on the first Parable of Vincent Ludwig Persichetti, written for alto flute in 1965. Persichetti spent from 1965 to 1986 (almost the last twenty years of his life) composing twenty-four additional Parables for various solo instruments, instrumental combinations, and even one in the form of an opera.
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Eclecticism and the American piano sonata: the assimilation of neoclassicim and the twelve-tone technique in the piano sonatas of Roger Sessions, Vincent Persichetti, and Ross Lee FinneySchumann, Michelle Vera 28 August 2008 (has links)
Not available / text
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Eclecticism and the American piano sonata : the assimilation of neoclassicim and the twelve-tone technique in the piano sonatas of Roger Sessions, Vincent Persichetti, and Ross Lee FinneySchumann, Michelle Vera 08 August 2011 (has links)
Not available / text
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An analytical look at trumpet solo works by Eugène Bozza, Vincent Persichetti, Halsey Stevens, Alexander Arutunian, Eric Ewazen, and Ernest BlochCaldwell, Deborah January 1900 (has links)
Master of Music / Department of Music, Theatre, and Dance / Gary C. Mortenson / This report is an analysis and exploration of the following works: Eugène Bozza’s Caprice, Vincent Persichetti’s The Hollow Men, Halsey Stevens’s Sonata for Trumpet and Piano, Alexander Arutunian’s Concerto for Trumpet, Ernest Bloch’s Proclamation, and Eric Ewazen’s Grand Valley Fanfare.
The purpose of this report is to aid performance preparation of these pieces by providing thematic and formal analysis as well as identifying general unifying elements for each piece. Once identified, these patterns will help the performer communicate the broad musical ideas to the audience by finding a balance between the technical aspects and musical statements in each work.
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