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Imaging Fourier transform spectroscopy from a space based platform : the Herschel/SPIRE Fourier transform spectrometerSpencer, Locke Dean, University of Lethbridge. Faculty of Arts and Science January 2009 (has links)
The Herschel Space Observatory (Herschel), a
flagship mission of the European
Space Agency (ESA), is comprised of three cryogenically cooled instruments commissioned
to explore the far-infrared/submillimetre universe. Herschel's remote orbit at the second
Lagrangian point (L2) of the Sun-Earth system, and its cryogenic payload, impose a need
for thorough instrument characterization and rigorous testing as there will be no possibility
for any servicing after launch.
The Spectral and Photometric Imaging Receiver (SPIRE) is one of the instrument
payloads aboard Herschel and consists of a three band imaging photometer and a two band
imaging spectrometer. The imaging spectrometer on SPIRE consists of a Mach-Zehnder
(MZ)-Fourier transform spectrometer (FTS) coupled with bolometric detector arrays to
form an imaging FTS (IFTS). This thesis presents experiments conducted to verify the
performance of an IFTS system from a space based platform, i.e. the use of the SPIRE
IFTS within the Herschel space observatory. Prior to launch, the SPIRE instrument has
undergone a series of performance verification tests conducted at the Rutherford Appleton
Laboratory (RAL) near Oxford, UK. Canada is involved in the SPIRE project through
provision of instrument development hardware and software, mission
flight software, and
support personnel. Through this thesis project I have been stationed at RAL for a period
spanning fifteen months to participate in the development, performance verification, and
characterization of both the SPIRE FTS and photometer instruments.
This thesis discusses Fourier transform spectroscopy and related FTS data process
ing (Chapter 2). Detailed discussions are included on the spectral phase related to the FTS
beamsplitter (Chapter 3), the imaging aspects of the SPIRE IFTS instrument (Chapter 4),
and the noise characteristics of the SPIRE bolometer detector arrays as measured using the
SPIRE IFTS (Chapter 5). This thesis presents results from experiments performed both on
site at the RAL Space Science and Technology Department (SSTD) Assembly Integration
Verification (AIV) instrument test facility as well as from the Astronomical Instrumentation
Group (AIG) research laboratories within the Department of Physics & Astronomy at the
University of Lethbridge. / xxiii, 243 leaves : ill. (some col.) ; 29 cm
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SHIFTS : simulator for the Herschel imaging fourier transform spectrometerLindner, John Vyvyan, University of Lethbridge. Faculty of Arts and Science January 2006 (has links)
The Spectral and Photometric Imaging Receiver (SPIRE) is one of three scientific instruments on the European Space Agency's (ESA's) Herschel Space Observatory (HSO). The medium resolution spectroscopic capabilities of SPIRE are provided by an imaging Fourier transform spectrometer (IFTS). A software simulator of the SPIRE IFTS was written to generate realistic data products, making use of available qualification and test data. We present the design and implementation of the simulator. Component and end-to-end simulations were compared to results from the first SPIRE instrument proto-flight model (PFMI) test campaign conducted at the Rutherford Appleton Laboratory (RAL) in Oxford, England in 2005. Final characterization of the simulator involved the determination of astronomical quantities from the synthetic data products of a simple molecular cloud. / xix, 213 leaves : ill. (some col.) ; 29 cm.
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Spectral characterization of the Herschel SPIRE photometerSpencer, Locke Dean, University of Lethbridge. Faculty of Arts and Science January 2005 (has links)
The European Space Agency's Herschel Space Observatory is comprised of three cryogenically cooled instruments commissioned to explore the far infrared/submillimetre universe. The Spectral and Photometric Imaging REceiver (SPIRE) is one of Herschel's instruments and consists of a three band imaging photometer and a two band imaging spectrometer. Canada is involved in the SPIRE project through provision of instrument development hardware and software, mission flight software, and support personnel. This thesis discusses Fourier transform spectroscopy (FTS) and FTS data processing. A detailed discussion is included on FTS phase correction, with results presented from the optimization of an enhanced Forman phase correction routine developed for this work. This thesis discusses the design, verification, and use of the hardware and software provided by Dr. Naylor's group as it relates to SPIRE verification testing. Results of the photometer characterization are presented. The current status of SPIRE and its future schedule is also discussed. / xvii, 239 leaves : ill. (some col.) ; 28 cm.
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From execration texts to quarry inscriptionsvan der Perre, Athena 20 April 2016 (has links) (PDF)
In the previous years, 3D imaging has found his way into the world of Egyptology. This lecture will present two case studies where 3D technology is used for the documentation of hieratic inscriptions. The inscriptions, painted in (red) ochre or black paint, were applied on different carriers, and required a different methodology. The Egyptian collection of the Royal Museums of Art and History (RMAH Brussels) contains a large number of small decorated and/or inscribed objects. Some of these objects are currently in a bad condition - any operation carried on them can result in considerable material losses -, making it necessary to document them in such a way that it allows future scholars to study them in detail without handling them. The EES Project therefore aims to create multispectral 3D images of these fragile objects with a multispectral ‘minidome’ acquisition system, based on the already existing system of the multi-light Portable Light Dome (PLD). The texture/colour values on the created 2D+ and 3D models are interactive data based on a recording process with infrared, red, green, blue, and ultraviolet light spectra. Software tools and enhancement filters have been developed which can deal with the different wavelengths in real-time. This leads to an easy and cost-effective methodology which combines multispectral imaging with the actual relief characteristics and properties of the physical object. The system is transportable to any collection or excavation in the field. As a case study, the well-known Brussels “Execration Figurines” (Middle Kingdom, c. 1900 BC) were chosen. These figurines are made of unbaked clay and covered with hieratic texts, listing names of foreign countries and rulers. The study of this type of collections is mostly hampered by the poor state of conservation of the objects, but also by the only partial preservation of the ink traces in visible light. The method has also been applied to other decorated objects of the RMAH collection, such as a Fayoum portrait, ostraca and decorated objects made of stone, wood and ceramics. The final goal will be to publish the newly created multispectral 3D images on Carmentis (www.carmentis.be), the online catalogue of the RMAH collection, making them accessible to scholars all over the world. The second case study presents the quarry inscriptions of the New Kingdom limestone quarries at Dayr Abu Hinnis (Middle Egypt). These gallery quarries contain hundreds of hieratic inscriptions, written on the ceiling. The texts are mainly related to the general administration of the quarry area. In documenting the abundance of ceiling inscriptions and other graffiti, we had to decide upon a practice that would allow not only to capture the \"content\", but also to document the location and orientation of each record. Every inscription can be photographed in detail, but this is insufficient to provide the reader access to vital information concerning the spatial distribution of the inscriptions, which may, for instance, relate to the progress of work. After experimenting with a variety of other methods, we adopted a photogrammetric software for 3D modelling photographs of the quarry ceilings, AGISOFT PHOTOSCAN, which uses structure from motion (SFM) algorithms to create three-dimensional images based on a series of overlapping two-dimensional images. The ultimate goal of this whole labour-intensive process in the quarries is not the creation of pure threedimensional models, but rather to generate an orthophoto of the entire ceiling of a quarry. Based on these images, each graffito could be analysed in context.
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From execration texts to quarry inscriptions: combining IR, UV and 3D-imaging for the documentation of hieratic inscriptionsvan der Perre, Athena January 2016 (has links)
In the previous years, 3D imaging has found his way into the world of Egyptology. This lecture will present two case studies where 3D technology is used for the documentation of hieratic inscriptions. The inscriptions, painted in (red) ochre or black paint, were applied on different carriers, and required a different methodology. The Egyptian collection of the Royal Museums of Art and History (RMAH Brussels) contains a large number of small decorated and/or inscribed objects. Some of these objects are currently in a bad condition - any operation carried on them can result in considerable material losses -, making it necessary to document them in such a way that it allows future scholars to study them in detail without handling them. The EES Project therefore aims to create multispectral 3D images of these fragile objects with a multispectral ‘minidome’ acquisition system, based on the already existing system of the multi-light Portable Light Dome (PLD). The texture/colour values on the created 2D+ and 3D models are interactive data based on a recording process with infrared, red, green, blue, and ultraviolet light spectra. Software tools and enhancement filters have been developed which can deal with the different wavelengths in real-time. This leads to an easy and cost-effective methodology which combines multispectral imaging with the actual relief characteristics and properties of the physical object. The system is transportable to any collection or excavation in the field. As a case study, the well-known Brussels “Execration Figurines” (Middle Kingdom, c. 1900 BC) were chosen. These figurines are made of unbaked clay and covered with hieratic texts, listing names of foreign countries and rulers. The study of this type of collections is mostly hampered by the poor state of conservation of the objects, but also by the only partial preservation of the ink traces in visible light. The method has also been applied to other decorated objects of the RMAH collection, such as a Fayoum portrait, ostraca and decorated objects made of stone, wood and ceramics. The final goal will be to publish the newly created multispectral 3D images on Carmentis (www.carmentis.be), the online catalogue of the RMAH collection, making them accessible to scholars all over the world. The second case study presents the quarry inscriptions of the New Kingdom limestone quarries at Dayr Abu Hinnis (Middle Egypt). These gallery quarries contain hundreds of hieratic inscriptions, written on the ceiling. The texts are mainly related to the general administration of the quarry area. In documenting the abundance of ceiling inscriptions and other graffiti, we had to decide upon a practice that would allow not only to capture the \"content\", but also to document the location and orientation of each record. Every inscription can be photographed in detail, but this is insufficient to provide the reader access to vital information concerning the spatial distribution of the inscriptions, which may, for instance, relate to the progress of work. After experimenting with a variety of other methods, we adopted a photogrammetric software for 3D modelling photographs of the quarry ceilings, AGISOFT PHOTOSCAN, which uses structure from motion (SFM) algorithms to create three-dimensional images based on a series of overlapping two-dimensional images. The ultimate goal of this whole labour-intensive process in the quarries is not the creation of pure threedimensional models, but rather to generate an orthophoto of the entire ceiling of a quarry. Based on these images, each graffito could be analysed in context.
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