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1	Gustav Mahler's use and cyclic integration of motivic and thematic quotations Zurflieh, Sharon E. (Sharon Elizabeth) 05 1900 (has links) All of Mahler's works may be divided into four distinct chronological groups, referred to as "symphonic cycles." Motives and themes from the songs within each symphonic cycle were quoted in symphonies in the same cycle. This system of self reference was unique to Mahler, although earlier composers such as Schubert and Wagner set precedents for some of the techniques used by Mahler. The quotations in the early periods appeared only on the surface and did not blend well with their surroundings, but as time progressed Mahler developed the ability to combine the seemingly incompatible elements more smoothly. Mahler's early fascination with distant sounds was also a factor in his use of quotations. The appendix contains a catalog of 100 quotations. plagiarism in music song cycles Gustav Mahler music history
2	Handel's notoriety as a borrower : plagiarism and English national identity / Murray, Nina M. January 2009 (has links) Thesis -- Departmental honors in Music. / Bibliography: ℓ. 88-92.
3	Contemporary perceptions of music piracy in South Africa Zulu, Thulani 19 January 2015 (has links) MAAS / Department of Music Perceptions CD music piracy internet music piracy Music industry Socio-economy 364.1640968 Piracy (Copyright) -- South Africa Copyright infringement -- South Africa Copyright -- Music -- South Africa Plagiarism in music -- South Africa
4	Investigating the socio-economic impact of music piracy on the careers of gospel musicians :a case study of Thohoyandou Madzivhandila, Meisie 12 February 2016 (has links) MAAS / Department of of Music Music piracy Gospel musicians Street vendors Government intervention Copyright 364.1640968257

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