Texte remanié de: Diss--Universität Augsburg, 1998. / Bibliogr. p.[259]-273.

Thesis (M.A.)--University of Canterbury, 2007. / Typescript (photocopy). Includes bibliographical references (p. 111-115). Also available via the World Wide Web.

Thesis (M. A.)--University of Hong Kong, 2007. / Title proper from title frame. Also available in printed format.

The purpose of this thesis was to examine the mouth imagery (images of eating, tasting, swallowing, and devouring) in the poetry of Sylvia Plath in terms of its meaning of Plath's art. An examination of Plath's Collected Poems reveals that both the prevalence and specific nature of the mouth imagery make it a significant part of her poetic vision. The mouth imagery differs from the other threatening imagery in Plath's poems because, unlike the threat of death presented by the moon or sea, the mouth imagery describes a threat humans cannot detach themselves from; they must contribute to the "gross eating game." Because existence depends upon consuming food, and new life builds upon decay, the threat represented by the mouth imagery is hoplesslessly recognized as necessary by its victims in Plath's poems. The mouth imagery expresses the paradox in the interdependence of life and death through metaphors which convey a sense of threat as well as necessity. / Department of English

Thesis (M.A.)--West Virginia University, 2000. / Title from document title page. Document formatted into pages; contains iv, 91 p. Includes abstract. Includes bibliographical references (p. 85-91).

Female identity in Sylvia Plath’s Ariel collection (first published in 1965) is a complex site of being and becoming within a 1950s culture of performance. From a twenty-first century perspective, this dissertation bridges traditional and contemporary readings of Plath and the Plath archive through a referencing of motifs such as celebrity, ‘the gaze’, ventriloquism and clothing. The inter-discursive approach used – literary, psychoanalytic, cultural – attempts to underline the ongoing significance of Plath’s place as a woman poet in literary studies. / Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2010.

Thesis (M.A.)--University of Alabama at Birmingham, 2009. / Additional advisors: Sue Kim, Christopher Metress, Kieran Quinlan. Description based on contents viewed June 4, 2009; title from PDF t.p. Includes bibliographical references (p. 87-91).

This introductory chapter aims to briefly address the theoretical approach used in my dissertation, situating Julia Kristeva in relation to Sylvia Plath's work, as well as to place my work among particular psychoanalytic studies of Plath. 'Initiation' further continues by briefly discussing the way primary and secondary data are utilized in the dissertation and developing the rationale behind juxtaposing biographical material (mostly journals and letters) and creative work, life and art. The chapter finishes by giving an overview of the dissertation organization. The purpose of this dissertation is to discuss the notion of motherhood in Sylvia Plath's work in light of Julia Kristeva's theory of subject formation. For Kristeva, as subjects, we are never the absolute masters of our own experiences, but split subjects divided between unconscious and conscious motivations, inhabiting both nature and culture. The subject is not only split, but is also a 'subject in process' ( sujet en proces); s/he is always on trial, tested in a way against his/her various contexts (Revolution in Poetic Language 22,58,233 ). Kristeva is concerned with discourses that call up a crisis in identity and for her the discourse of motherhood is such a discourse. Motherhood is also characterized by an instability as it takes place at the level of the organism, not the subject : 'It happens but I'm not there' ( 'Motherhood According to Giovanni Bellini' 237 ). The maternal body is a place of splitting; it is more of a filter than anything else - a thoroughfare where nature meets culture ( ibid. 238 ). Neither parturition nor the birth itself are final. They are, as it were, beginnings of something other than themselves - the onset of maternity for the woman, the beginning of life for the child (Robbins 138 ).

Thesis (Ph.D.)--York University, 2007. Graduate Programme in Education. / Typescript. Includes bibliographical references (leaves 222-233). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR29322

Thesis (doctoral)--Ruhr-Universität Bochum, 1981. / Includes bibliographical references (p. 345-363).