The use of social media has experienced an extraordinary growth in Morocco, along with the introduction of Internet at the end of the 20th century. The booming of Internet users with the quick spreading of both devices and connectivity has created a new area of expression far different than the official discourse the Moroccan public was used to. The take-over of the online space in Morocco has shown new types of communication and protest that are completely in opposition with the official media discourse. Among the various social media tools that are used in Morocco today, YouTube is a one of the most popular, for both producing and watching content. This thesis investigates the use of YouTube in Morocco, both in an official way and as a counter-power tool, mainly highlighting the emerging of oppositional popular cultural discourse and its diverse aspects. / Användningen av sociala medier har upplevt en extraordinär tillväxt i Marocko, samtidigt som Internet började sprida sig vid slutet av 90-talet. Höjningen av Internetanvändare samt den snabba spridningen av båda enheterna och anslutningen har skapat ett nytt uttryckssätt annorlunda än den officiella diskursen som den marockanska publiken brukade. Övertagandet av Online utrymmet i Marocko har visat nya kommunikation och proteststekniker som är helt motsatta till den officiella mediediskursen. Bland de olika sociala medierna som används i Marocko, är YouTube en av de mest populära, både för att producera och titta på innehåll. Denna avhandling undersöker YouTubes användning i Marocko, både officiellt och som ett motkraftsverktyg, som lyfter fram den framväxande oppositions populära kulturella diskursen och dess olika aspekter.

This essay examines the representation of evil in the Star Wars prequel film series. The starting point of the study comes from a narrative analysis of the protagonist Anakin Skywalker. Using Gerard Genette's three-part model of narrative, Anakin's narrative is examined and presented based on the model's first part, story; which highlights what the narrative is portraying through structure, characters, setting and themes. The analysis shows that Anakin got underlying attributes that create tension in him that leads him to his downfall. Turning points and events in his narrative are presented that reinforce his climax where he allies himself with the dark lord of the Sith, Darth Sidious. The presentation of the narrative chisels out three overarching themes (self-esteem, love, and fear) that are discussed to find out what Anakin's narrative implies concerning the representation of evil in the Star Wars prequel. The final analysis suggested that Anakin's feels hindered in advancing in the Jedi-orders hierarchy but also that he is met with scepticism that affects his self-esteem. The analysis also implies that Anakin's fear of losing his loved ones is disregarded by the Jedi-order that rather encourage him the let go than giving him tools to work it through. Furthermore, the analysis concludes that Anakin does not ally himself with the dark side of the Force because it is evil, but because it – in his mind – offers him, not just power but also the possibility to save Padmé from dying.   Through a presentation of Anakin's narrative and his fall to the dark side, evil in Star Wars is discussed. Evil, then, is not represented as one might expect, dualistic with a good and a bad, light, and dark. But rather shifting alongside Anakin's moral compass when he allies himself with the dark side. The dark side that initially represented evil, will therefore become good and its counterpart the light side of the Force and the Jedi-order who fights for peace and justice in the galaxy, will for Anakin represent evil instead.