This dissertation constructively explores the implications for natural theology of (especially) John McDowell’s anti-Cartesian philosophy of mind and perception. Traditionally, an important element within natural theology is the idea that nature testifies to its creator, thereby making knowledge of a creator available to humans. In traditional accounts, the relevant knowledge is usually conceived as inferential. From observations of “the things that have been made” (Rom 1: 20), we may reason our way to the existence of a creator. The dissertation presents an alternative construal of creation’s testimony. It argues that biological nature may have expressive properties of a similar kind as human behaviour and art seem to have. We may be able to perceive nature as creation, i.e., as expressive of the mind of a creator. The knowledge of a creator acquired from nature is, according to this construal, perceptual rather than inferential. The viability of the dissertation’s suggestion depends, however, on the rejection of certain common and fundamental assumptions about the nature of mind and perception – assumptions that may rightly be called “Cartesian.” In chapters 1-3, a radically anti-Cartesian outlook on mind and perception, drawn mainly from McDowell’s work, is presented. The outlook (labelled “open-mindedness”) conceives the mind as a system of essentially world-involving capacities. One such capacity is perception, which is portrayed as (when all goes well) a direct, cognitive openness to the world. Chapter 4 argues that open-mindedness makes an attractive construal of our knowledge of “other minds” available. Human behaviour may, as McDowell suggests, be construed as having expressive properties, i.e., perceivable properties the instantiation of which logically entails the instantiation of certain mental properties. The main problem confronting this idea is the so-called “argument from pretence” – a version of the more general “argument from illusion.” The fact that behaviour that is the result of pretence can be indistinguishable, for an observer, from behaviour that is genuinely expressive of the mental property pain, can seem to entail that it is impossible to perceive that somebody else is in pain. It is argued that accepting the outlook of open-mindedness and the view of perception it includes dissolves this problem and makes it possible to construe (some of) our knowledge of the mental states of other people as perceptual rather than inferential knowledge. Chapter 5 argues that the same philosophical moves that dissolve the “problem of other minds” also can be used to overcome the problems confronting the (from a Christian perspective) attractive idea that nature may be perceptibly expressive of the mind of a creator. It is argued that the idea that other phenomena than human behaviour can be genuinely expressive of mind is not at all counter-intuitive. Artworks have, for instance, (according to a common view) expressive properties that make something of the mental life of the artist available to others. Furthermore, many people seem to have experiences in which natural structures appear to them as intentionally created. Even atheists report that biological organisms strike them as “designed.” Experiences in which natural phenomena appear to the subject as intentionally created or “designed” are candidates for being veridical perceptions of expressive properties in nature. It is argued that the suggested construal of biological nature as expressive of the mind of a creator is completely compatible with the fact that biological species have evolved by natural selection. Chapter 6 briefly reflects on the consequences of the dissertation’s argument for Christian theology.

Made available in DSpace on 2016-03-15T19:48:11Z (GMT). No. of bitstreams: 1 Christian David Soares Bitencourt.pdf: 891899 bytes, checksum: 810cbaf0da70b6609701449a81495ab3 (MD5) Previous issue date: 2011-03-02 / Instituto Presbiteriano Mackenzie / This study addresses the postliberal theology of George Lindbeck, presented in his book The Nature of Doctrine, as a theory of religion and religious doctrine. It presents the life, thought and work of Lindbeck, reflecting on his three key influences: Ludwig Wittgenstein, and the importance given to language; Clifford Geertz, and semiotic perspective of culture; and Hans Frei, and the role of narrative. It discusses the culturallinguistic proposal of a non-theological theory of religion as an option to cognitivepropositional and experiential-expressive approaches. It introduces the regulative theory of religious doctrines, which is constructed from the two models as opposed to traditional theories of the doctrine, called by Lindbeck propositionalist and symbolist. It reflects on the postliberal theology, which is presented as the successor to both the classical model pre-liberal, and of theological liberalism, as judged by three criteria: fidelity as intratextuality, applicability as futurology, and intelligibility as a skill. It analyzes, finally, the various arguments presented by Lindbeck favorable to its culturallinguistic approach, and the critical reception to the project, suggesting contributions of his approach to a theory of religion. / Este trabalho aborda a teologia pós-liberal de George Lindbeck, apresentada em seu livro The Nature of Doctrine, como uma teoria da religião e da doutrina religiosa. Apresenta a vida, o pensamento e a obra de Lindbeck, refletindo sobre suas três influências fundamentais: Ludwig Wittgenstein, e a importância dada à linguagem; Clifford Geertz, e a perspectiva semiótica de cultura; e Hans Frei, e o papel fundamental da narrativa. Discute a proposta cultural-lingüística de uma teoria não-teológica da religião como opção às abordagens cognitivo-proposicional e expressivo-experiencial. Introduz a teoria regulativa das doutrinas religiosas, que é construída a partir da oposição aos dois modelos tradicionais de teorias da doutrina, denominados por Lindbeck proposicionalista e simbolista. Reflete sobre a teologia pós-liberal, que se apresenta como sucessora tanto do modelo clássico pré-liberal, quanto do liberalismo teológico, sendo julgada por três critérios: fidelidade como intratextualidade, aplicabilidade como futurologia, e inteligibilidade como habilidade. Analisa, por fim, os vários argumentos apresentados por Lindbeck favoráveis à sua abordagem culturallingüística, bem como a recepção crítica ao projeto, sugerindo contribuições de sua abordagem a uma teoria da religião.

The genre affiliation is a postmodern study: Virtual Reality (VR) becomes a comprehensive concept, in the face of modernism's illusion, when rhetoric validates all discourses. All is VR. The study is in three sections with an overall introduction and conclusion: the first section introduces VR in its postmodern setting, the second section establishes the postmodern timeless/spaceless paradigm of HyperReality in which all Hermeneutics are being done from, the last section draws the paradigm into the Creatio Ex Nihilio discourse of the Scriptures. The proposed theological model is an intratextual theological model, however when YAHWEH precedes language then all discourses become intratextually part of the Biblical discourse. Human creativity is a metaphorical journey; the Fall was the outset of two languages, one in the presence of YAHWEH, while the other one void of this presence led to a nihilistic abstract constellation. Sin in VR is the unbiblical appropriation of this constellation. / Thesis (M.Th.)

The genre affiliation is a postmodern study: Virtual Reality (VR) becomes a comprehensive concept, in the face of modernism's illusion, when rhetoric validates all discourses. All is VR. The study is in three sections with an overall introduction and conclusion: the first section introduces VR in its postmodern setting, the second section establishes the postmodern timeless/spaceless paradigm of HyperReality in which all Hermeneutics are being done from, the last section draws the paradigm into the Creatio Ex Nihilio discourse of the Scriptures. The proposed theological model is an intratextual theological model, however when YAHWEH precedes language then all discourses become intratextually part of the Biblical discourse. Human creativity is a metaphorical journey; the Fall was the outset of two languages, one in the presence of YAHWEH, while the other one void of this presence led to a nihilistic abstract constellation. Sin in VR is the unbiblical appropriation of this constellation. / Thesis (M.Th.)

The medium is the message in the first place: the medium as presence, as the author. His contribution to the academic world is his academic Holographic Memoirs. His story, the author's memoirs, is a fictive-narrative discourse with an organic ubuntu open-endedness. The Hologram is both an autobiography, but also all the information at all places simultaneously – nonlocal in quantum physical terms - within an intense hallucinating dream: no illusion, but rather a HyperReality with all its Virtual Identities. The invention of tram hopping is the plot of the story. The plot is like an hourglass where the first part of the story is the emptying of the sand, the deconstruction of modernism, but while the top chamber runs empty and the bottom chamber fills up, so the deconstruction is simultaneously a dependent arising/(social) construction/ubuntuing to revival – the synagogal Shekinah presence of YAHWEH. The top chamber is the unreasonable Newtonian physics and the bottom chamber reasonable quantum physics. The metaphysics (before the physics) of the top chamber is poststructuralism and deconstruction, while the bottom chamber is the virtual Hebraic worldview that delutively merges ubuntu and Buddhism. The long narrow neck in the middle is the moonily narrative that lives us with psychology (Psycho-logic) lost in sociology (Social-physics). Hermeneutics is set forth in the same contrasting hourglass of the top chamber, the inherited tradition, emptying to what it should accomplish – (virtual) presence. / Philosophy & Systematic Theology / D. Th. (Systematic Theology)

The medium is the message in the first place: the medium as presence, as the author. His contribution to the academic world is his academic Holographic Memoirs. His story, the author's memoirs, is a fictive-narrative discourse with an organic ubuntu open-endedness. The Hologram is both an autobiography, but also all the information at all places simultaneously – nonlocal in quantum physical terms - within an intense hallucinating dream: no illusion, but rather a HyperReality with all its Virtual Identities. The invention of tram hopping is the plot of the story. The plot is like an hourglass where the first part of the story is the emptying of the sand, the deconstruction of modernism, but while the top chamber runs empty and the bottom chamber fills up, so the deconstruction is simultaneously a dependent arising/(social) construction/ubuntuing to revival – the synagogal Shekinah presence of YAHWEH. The top chamber is the unreasonable Newtonian physics and the bottom chamber reasonable quantum physics. The metaphysics (before the physics) of the top chamber is poststructuralism and deconstruction, while the bottom chamber is the virtual Hebraic worldview that delutively merges ubuntu and Buddhism. The long narrow neck in the middle is the moonily narrative that lives us with psychology (Psycho-logic) lost in sociology (Social-physics). Hermeneutics is set forth in the same contrasting hourglass of the top chamber, the inherited tradition, emptying to what it should accomplish – (virtual) presence. / Philosophy and Systematic Theology / D. Th. (Systematic Theology)