The aim of this diploma thesis called The dependent work is to assess a current legal regulation of the dependent work and consequences of its performance outside a labour law relationship. This practice that is also known as a so-called švarcsystém, i.e. the mutual relationship between two parties in which a natural person performs the dependent work for another natural person or legal entity on grounds of a commercial- law or civil law agreement and therefore outside a labour-law relationship, has been as of 1 January 2012 regarded as illegal work. The regulation of labour law in the Czech Republic has been significantly changed as of 1 January 2012, including amendments to Labour Code and Act on Employment. The amendment to the Labour Code changed a legal definition of the dependent work that is one of the main terms of the Czech labour law. The performance of the dependent work outside the labour law relationship has been regarded as the illegal work due to the amendment of the Act on Employment. In this diploma thesis the definition of the dependent work as well as of a related term, a dependent activity, is explained based on the current legal regulation as well as the decision-making practice of the Czech courts. These terms are crucial for regarding a certain activity as an illegal work....

My diploma thesis deals with the topic of overtime work and demands connected with this issue. The thesis is divided into a theoretical and a practical part. The theoretical part describes basic terminology of working time and its division. Also, records of working hours, required working hours that are closely related with overtime work. Next, this part deals with overtime pay, with its remuneration and defines who cannot perform the overtime work according to law. And last but not least, it deals with problems of labour inspectorate that monitors compliance of overtime work. The partical part focuses on interviews (concerning overtime work) with individual workers and employers of selected companies.The aim of the thesis is to compare attitudes of various companies in the area of overtime work and its comparison and evaluation. I would also like to acquaint a reader with a new proposal to amend the remuneration for overtime work. The end of my thesis includes evaluation of results derived from interviews with workers and employers from particular companies.

This diploma thesis investigates the topic of Unemployment in Ústecky region. Diploma thesis is divided into two parts and it is the theoretical and practical part. The theoretical part is dedicated to a definition of a labour market, economic models of a labour market, types and impacts unemployment and employment policy. The practical part includes charakteristics the Ustecky region and then defines supply in the labour market. Supply is defined through analyses of the demografic trends, structure of the unemployed labour force, risk groups, graduates and their unemployment. Demand on the labour market is defined by the bussinesses, major employers, major businesses and job structures.

Dance gymnastics is a special teaching subject, taught at dance conservatories which serves for preparation of all dance techniques. It is an essential preparation technique, which increases pupil´s physical dispositions and moving versatility and develops his artistic personality. It uses the natural movement possibilities of human body. In the thesis, I firstly try to introduce to the current state of dance gymnastics, focusing on its importance and approaches. I also specify relations to other techniques, by which dance gymnastics should be influenced. In the next part, I propose how to enrich dance gymnastics with elements of contemporary dance and point out specific components, which should be part of this kind of dance.

The master thesis named Theatre layering attemps to reflect the specific moments during the preparation of theatre performance, that could influence the interpretation of dramatic text. The author of this thesis is concerned with using of text, image and music for theatre work bordering the interpretative and non-interpretative approach. In the analysis she used the experience of her own directing-dramaturgical work during the studies at DAMU.

During my directing mentorship I have come to understand how to work in collaboration with most of the different facets of filmmaking that contribute to making successful films. With practical analysis of major films and filmmakers of our history and with the instillment of visual theory, it is clear that filmmaking is never as easy as it looks. My aim is to enlighten some techniques used by the old and new in different variations. My take is directed specifically on how to work with actors. Through exercises, situations, techniques and practical examples, I attempt, with this study, to help developing directors understand the individual variations of working with actors and non-actors. The path of a director is one of countless obstacles, but with intuition and a developed technique the director can be prepared for the unexpected.

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