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Aktivismus mládežnických politických organizací / Activism in youth political organizationsForétková, Pavlína January 2019 (has links)
The thesis focuses on the activism of youth political organizations in the Czech Republic. The aim of this work is to monitor their activities between 2013 and 2017 due to activism in general but also to political parties. A protest event analysis based on document analysis was created to monitor activities. The second type of research data was interviews with representatives of youth organizations. This type develops results from protest event analysis. Research has shown differences in attitude to activism between left-wing and right-wing organizations. The left-wing focused on protest more than right-wing organization and also often cooperated with non-profit organizations. While right-wing organizations are quite active, they prefer institutional channel and orderly decency before protest arena. Youth organizations have little to do with events before elections. Though they also support political parties or protest against them, they have realized most of the events because of their own agendas. Most organizations appreciate mutual cooperation in protests, with one exception when cooperation is rejected from both sides.
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EXPANDED CHOREOGRAPHY : Shifting the agency of movement in The Artificial Nature Project and 69 positionsInvartsen, Mette January 2016 (has links)
Through two books and a series of video documentations of live performances Mette Ingvartsen makes choreography into a territory of physical, artistic and social experimentation. The Artificial Nature Series focusses on how relations between human and non-human agency can be explored and reconfigured through choreography. By investigating and creating a ‘nonhuman theater’ questions regarding material agency, ecology, natural disasters, the Anthropocene and non-subjective performativity are posed. The resulting reflections are closely related to the poetic principles utilized to create the performances, while also drawing connections to territories outside theater. By contrast, 69 positions inscribes itself into a history of human performance with afocus on nudity, sexuality and how the body historically has been a site for political struggles. By creating a guided tour through sexual performances – from the naked protest actions of the 1960’s, through an archive ofpersonal performances into a reflection on contemporary sexual practice – this solo work rethinks audience participation and proposes a notion of soft and social choreography. The contrasting performative strategiesarticulate a twofold notion of expanded choreography: on the one hand movement is extended beyond the human body by including the agency of nonhuman performers, and on the other hand, movement is expanded into animaginary and virtual space thanks to ‘language choreography’. / <p>LINKS</p><p>https://vimeo.com/164552586</p><p>https://vimeo.com/164558381</p>
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