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21	Making Manifest : Grounding Islam Josephson, Alexander 18 December 2009 (has links) The Caveat For many reasons, names have had to be concealed within this document. The events depicted are real and the discussions true. This is an attempt to legitimize the informal, seemingly mundane and sometimes personal: the author’s experiences bringing a folly to the physical, while trespassing into a new world: Islam. This thesis documents a series of interventions at different scales within that world. There is a book, the chair, and the city of Makkah. The events themselves are superimposed onto the traditional language, or professional conventions, used to justify them. Here, they are relegated to the margins of each page. This is akin to how some of the first books were produced, by students in the confines of dark cloisters or hot desert temples, struggling to maintain historical integrity while fighting the natural tendencies of youth. Their master’s voices always looking over the gutter from the opposite page. The sketches for a new Makkah and a monumental demonstration in Canada unfold in parallel to a body of formal research. Together, as seemingly independently as they are, they paint the portrait of an Islam, while building a personality between the lines. That being said: there isn’t a correct way to read it. Sculpture Islam Mecca Architecture Makkah Salaat Muybridge Josephson Design Manifest Perverse Revolution Scanning Queen's Park Ka'baa Ka'bah Design for Makkah Prayer Mat Bound in Sandpaper Alexander Josephson Design in Islam Islamic Architecture WTC September 11th Architecture in the age of righteousness post critical architectural theory architectural criticism Architecture
22	Červená královna / The Red Queen Králík, Martin Unknown Date (has links) Red Queen is a chess piece on the story of Alice in Wonderland, which is constantly running to hold it in place, because the world around it is constantly in motion. Therefore, it is a symbol of the theory of evolution, a constant necessity innovation and the eternal escape from competitors. Red Queen's Race is constructed into a miniature civilization, or rather one growing superorganism, which constantly oscillates between the digital and the physical world. The main consciousness of this association is black majestically looking server that supplies with his computing power and energy all attached printers. They are designed specifically for this purpose, such as abstraction of robotics industry, with an emphasis on a functionally aesthetic form, in yellow-orange color of heavy industrial machinery. The most important and largest part of this system, are entities which printers materialize. They are created according to a living creature of this world, generated by computer, based on a unique code, which is the result of calculating the evolutionary recombination, processed by the server, depending on the reactions of outside observers at the objects which are already created. Sense of each entity is attract attention. How much more, the greater is the chance to continue their code in future generations.
23	Peter Guthrie Tait : new insights into aspects of his life and work : and associated topics in the history of mathematics Lewis, Elizabeth Faith January 2015 (has links) In this thesis I present new insights into aspects of Peter Guthrie Tait's life and work, derived principally from largely-unexplored primary source material: Tait's scrapbook, the Tait–Maxwell school-book and Tait's pocket notebook. By way of associated historical insights, I also come to discuss the innovative and far-reaching mathematics of the elusive Frenchman, C.-V. Mourey. P. G. Tait (1831–1901) F.R.S.E., Professor of Mathematics at the Queen's College, Belfast (1854–1860) and of Natural Philosophy at the University of Edinburgh (1860–1901), was one of the leading physicists and mathematicians in Europe in the nineteenth century. His expertise encompassed the breadth of physical science and mathematics. However, since the nineteenth century he has been unfortunately overlooked—overshadowed, perhaps, by the brilliance of his personal friends, James Clerk Maxwell (1831–1879), Sir William Rowan Hamilton (1805–1865) and William Thomson (1824–1907), later Lord Kelvin. Here I present the results of extensive research into the Tait family history. I explore the spiritual aspect of Tait's life in connection with The Unseen Universe (1875) which Tait co-authored with Balfour Stewart (1828–1887). I also reveal Tait's surprising involvement in statistics and give an account of his introduction to complex numbers, as a schoolboy at the Edinburgh Academy. A highlight of the thesis is a re-evaluation of C.-V. Mourey's 1828 work, La Vraie Théorie des quantités négatives et des quantités prétendues imaginaires, which I consider from the perspective of algebraic reform. The thesis also contains: (i) a transcription of an unpublished paper by Hamilton on the fundamental theorem of algebra which was inspired by Mourey and (ii) new biographical information on Mourey. 510.92

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