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1	The Rhetoric of Rape-Revenge Films: Analyzing Violent Female Portrayals in Media from a Narrative Perspective of Standpoint Feminism Turner, Rachel 09 July 2018 (has links) Indiana University-Purdue University Indianapolis (IUPUI) / In this study, narrative analysis, informed by the perspective of standpoint feminism, is applied to movies featuring female protagonists throughout the past five decades of the “rape and revenge” genre of filmmaking to understand the extent to which probability and fidelity function in these five films to create empathy for the victims of sexual violence. Narrative criticism is used to assess motives behind stories told in media texts, while standpoint feminism illuminates epistemological implications to cultivate intersectional viewpoints. This study provides a narrative analysis through standpoint feminism of five films that each consider female portrayals of violence as a central part of its plot. Each film represents their respective time frames over the past five decades, falls under the criteria of what constitutes a “rape and revenge” film, have been viewed overall by mainstream audiences as films that are relatively well known, and portrays women as protagonists in the plot lines. Using the theoretical insights of narrative criticism, this study investigates the common themes observed in the films that fit these specific criteria to illuminate violent female portrayals in film and identify the extent to which probability and fidelity function in these five films to create empathy for the victims of sexual violence. Standpoint feminism provides the framework to reveal the broader cultural implications of violent rhetoric in gendered media portrayals of films from the past five decades featuring female protagonists. rape-revenge film narrative analysis standpoint feminism violence violent female portrayals
2	“Suck it, bitch!” : En komparativ innehållsanalys av rape/revenge-filmerna I Spit on Your Grave från 1978 respektive 2010 / “Suck it, bitch!” : A comparative content analysis of the rape/revenge films I Spit on Your Grave from 1978 and 2010 Melchert, Simon, Nylander, Signe January 2022 (has links) I Spit on Your Grave is a low budget rape/revenge-movie released in 1978, directed by Meir Zarchi. The plot follows Jennifer Hills, who is brutally raped by a group of men and then left for dead. She survives and then proceeds to seek revenge on her rapists. In 2010, a new adaptation was released, with a similar plot and characters, directed by Steven R. Monroe. This study sets out to examine the differences between the portrayal of protagonist Jennifer Hills in the 1978 original and the 2010 version of I Spit on Your Grave. Using qualitative content analysis and a structuralist and semiotic perspective, the study also aims to explore what these differences can tell us about the societies responsible for producing the movies. The theories examined in order to properly answer these questions are mainly feminist film theory derived from acknowledged film theorists and scholars such as Carol Clover and Laura Mulvey. The material analyzed consists of scenes where Jennifer is present, and the results show that Jennifer in 1978 is portrayed in a more feminine manner, heavily influenced by the femme fatale from the 1940’s film noir. She uses her beauty and body to seduce the men in order to kill them, whereas Jennifer in 2010 is portrayed as a woman whose characteristics after the rape transforms into those of a man. In order to get revenge on her rapists, she has to behave more like them. Rather than a beauty, Jennifer is portrayed as a monster. Zarchis' film from the 1970’s seems to reward women behaving and looking like women, while Monroes film from 2010 encourages women to act like men, in order to survive. I Spit on Your Grave rape/revenge rape avenger feministisk filmteori skräckfilm fallos nyinspelad skräckfilm Media and Communications Medie- och kommunikationsvetenskap
3	Rape-revenge film: "empowering" eller förnedrande sexualisering av kvinnor? : en jämförande analys av Paul Verhoevens Elle gentemot tradition / Rape-revenge film: "empowering" or degrading sexualization of women? : a comparative analysis of Paul Verhoeven's Elle against the tradition Rosén, Rebecca January 2017 (has links) Denna uppsats handlar om rape-revenge film. Närmare bestämt undersöker den hur de kvinnliga karaktärerna representeras i de utvalda filmerna och om, och i så fall hur, de kan ses som ”empowering” eller om det endast handlar om en sexualiserande porträttering av våld mot kvinnor. Uppsatsen använder sig utav en film- och textbaserad analys och den grundläggande teorin för uppsatsen är den feministiska filmteorin, samt teorier om kvinnor i rape-revenge. De tre filmerna som står i fokus är I Spit on Your Grave (Meir Zarchi, 1978), Ms. 45 (Abel Ferrara, 1981) och Elle (Paul Verhoeven, 2016). Slutresultatet visar att de tre filmerna inte porträtterar deras våldtäktsscener på ett sexualiserat eller erotiskt sätt utan snarare framhäver brutaliteten i våldet för åskådarna i form av bland annat karaktärsidentifiering med offret istället för våldtäktsmannen. Däremot, skiljer sig filmerna i hur deras respektive kvinnliga karaktärer väljer att hämnas och huruvida deras agerande kan ses som empowering eller inte. Av de tre filmerna är Elle den som tydligast uppvisar olika versioner av empowering och hur det som stärker en person är väldigt individuellt. Rape-revenge exploitation film I Spit on Your Grave Ms. 45 The Last House on the Left The Virgin Spring Baise-moi Elle Rikke Schubart Carol J. Clover Jacinda Read Sarah Projansky gender representation feminist film theory representation of rape in film Rape-revenge exploateringsfilm exploitation I Spit on Your Grave Ms. 45 The Last House on the Left Jungfrukällan Baise-moi Elle Rikke Schubart Carol J. Clover Jacinda Read Sarah Projansky genusrepresentation feministisk filmteori våldtäkter i film våldtäktshämnare Studies on Film Filmvetenskap

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