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Some economics of the classical music record industryChoi, Ka-fai. January 2005 (has links)
Thesis (Ph. D.)--University of Hong Kong, 2005. / Title proper from title frame. Also available in printed format.
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Music retailing in Hong Kong /Goh, Man-fat, Joseph. January 1994 (has links)
Thesis (M.B.A.)--University of Hong Kong, 1993. / Includes bibliographical references (leaves 62-65).
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Towards a political economy of the Canadian recording industry.Papizzo, Brian O'Shea (Brian Thomas O'Shea), January 1993 (has links)
Thesis (M.A.)--Carleton University, 1994. / Also available in electronic format on the Internet.
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Atlanta's digital music industry implications for workforce and economic development /Stephens, Alexa Renee-Marie. January 2007 (has links)
Thesis (M. S.)--City Planning, Georgia Institute of Technology, 2008. / Greene, Todd, Committee Member ; Sawicki, David, Committee Member ; Clark, Jennifer, Committee Chair.
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Some economics of the classical music record industryChoi, Ka-fai., 蔡家輝. January 2005 (has links)
published_or_final_version / abstract / Economics and Finance / Doctoral / Doctor of Philosophy
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The history of Cuca Records, 1959-1973 a case study of an independent record company /Filzen, Sarah. January 1998 (has links)
Thesis (M.A.)--University of Wisconsin--Milwaukee, 1998. / Online version produced by the University of Wisconsin-Madison Libraries. Title from title screen (viewed Nov. 8, 2001). Includes bibliographical references (leaves 178-183). Online version of the print edition.
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An historical survey of technology used in the production & presentation of music in the 20th century /Lubin, Tom, January 1997 (has links)
Thesis (M.A.)(Hons)--University of Western Sydney, 1997. / Includes index and appendices. Bibliography: p. 219-223.
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The art of recording the American wind bandGenevro, Brad. January 2006 (has links)
Thesis (D.M.A.)--University of North Texas, 2006. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 10, 1997, July 17, 1997, Mar, 3, 1998, and Nov. 14, 2005. Includes bibliographical references (p. 40-41).
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Structural change in the music industry : the evolving role of the musicianBurgess, Richard James January 2010 (has links)
The recording industry is little more than one hundred years old. In its short history there have been many changes that have redefined roles, enabled fortunes to be built and caused some to be dissipated. Recording and delivery formats have gone through fundamental conceptual developments and each technological transformation has generated both positive and negative effects. Over the past fifteen years technology has triggered yet another large-scale and protracted revision of the business model, and this adjustment has been exacerbated by two serious economic downturns. This dissertation references the author’s career to provide context and corroboration for the arguments herein. It synthesizes salient constants from more than forty years’ empirical evidence, addresses industry rhetoric and offers methodologies for musicians with examples, analyses, and codifications of relevant elements of the business. The economic asymmetry of the system that exploits musicians’ work can now be rebalanced. Ironically, the technologies that triggered the industry downturn now provide creative entities with mechanisms for redress. This is a propitious time for ontologically reexamining music business realities to determine what is axiological as opposed to simply historical axiom. The primary objective herein is to contribute to the understanding of applied fundamentals, the rules of engagement that enable aspirants and professionals alike to survive and thrive in this dynamic and capricious vocation. The secondary goal is to empower creative practitioners to circumvent systemic injustices that have been perpetrated and perpetuated by the oligopolistic market conditions that have prevailed for most of the century of recorded sound.
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跨國唱片公司壟斷下之香港粤語流行樂壇. / Kua guo chang pian gong si long duan xia zhi Xianggang Yue yu liu xing yue tan.January 1991 (has links)
黃志偉. / 手稿本影印本. / Thesis (M.A.)--香港中文大學傳播學部, 1991. / Shou gao ben ying yin ben. / Includes bibliographical references (leaves i-iv). / Huang Zhiwei. / Thesis (M.A.)--Xianggang Zhong wen da xue Chuan bo xue bu, 1991. / Chapter 壹 --- 導 論 --- p.1 / Chapter 貳 --- 文獻參閱 --- p.11 / Chapter (一) --- MISC´ؤ小國音樂工業研究計劃 --- p.11 / Chapter (二) --- 媒介帝國主義 --- p.33 / Chapter (三) --- 跨國公司 --- p.41 / Chapter (四) --- 其他有關文獻 --- p.54 / Chapter 参 --- 研究方法 --- p.66 / Chapter (一) --- 研究目的 --- p.66 / Chapter (二) --- 基本概念 --- p.73 / Chapter (三) --- 研究方法 --- p.80 / Chapter 肆 --- 歐美流行音樂與五大國際唱片集團 --- p.99 / Chapter (一) --- 歐、美流行音樂發展概況 --- p.101 / Chapter (二) --- 五大唱片集團壟斷下之國際唱片業 --- p.115 / Chapter 伍 --- 跨國唱片公司的發展、業績及組織結構 --- p.131 / Chapter (一) --- 五大跨國唱片公司在香港之發展 --- p.131 / Chapter (二) --- 跨國唱片公司的組織結構及其輸入外國流行音樂信息之模式 --- p.158 / Chapter (三) --- 五大跨國唱片公司壟斷下之粤語流行樂壇 --- p.183 / Chapter (四) --- 跨國唱片公司組織結構對粤語流行曲改編歌曲之影響 --- p.202 / Chapter 陸 --- 香港粤語流行曲的外來成份 --- p.216 / Chapter (一) --- 五、六十年代作品分析 --- p.228 / Chapter (二) --- 七、八十年代作品分析 --- p.248 / Chapter 柒 --- 總結 --- p.271 / Chapter (一) --- 研究成果摘要 --- p.271 / Chapter (二) --- MISC 互動模型的分析結果 --- p.285 / Chapter (三) --- 討論 --- p.305 / 參考書目 --- p.i / Chapter 附錄 --- 附件(一):香港電台中文歌曲龍虎榜 一九七七年至八九年 每周榜首歌曲名單 --- p.v / 附件(二):歷屆十大中文金曲入選作品(1978-1989) --- p.xii / 附件(三):個人訪問之基本問題(1)´ؤ作曲家、樂評人、電台工作者 --- p.xviii / 附件(四):個人訪問之基本問題(2)´ؤ跨國唱片公司國際部行政人員 --- p.xx
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