Global ETD Search

1	Raiding the Inarticulate: Postmodernisms, Feminist Theory and Black Female Creativity Hennessy, C. Margot 01 May 2010 (has links) This is an investigation into the ways that postmodern theories and feminist theories have both failed to learn from each other and yet also reveal the blindness' implicit in each other. Postmodern theory has consistently failed to engage gender in any significant way and feminist theory has consisted failed to find the usefulness of the methods and questions posed by postmodern theorists. Both approaches have failed to address the very real and important perspectives of the post colonial others who have been addressing the questions of race, gender, history, and agency for hundred of years. The second half of this investigation looks specifically at the work of three African American women writers, Toni Morrison, Gloria Naylor and Gayle Jones, in their most recent work. All three novels, Beloved, Mama Day and Corregidora are historical novels concerned with the legacy of slavery, and these narratives themselves exceed all the expectation for postmodern theory and feminist theory in inviting us to understand the relationship between history, memory and the now. In effect the work of these writers succeeds in "theorizing the present" in ways that both feminism and postmodernism fail. African American Feminist Morrison Postcolonial Postmodern rememory English Language and Literature
2	Intersections of History, Memory, and “Rememory:” A Comparative Study of Elmina Castle and Williamsburg Bowden, Ashley Camille 15 December 2009 (has links) No description available. African Americans African History Cultural Anthropology History Library Science Museums History Memory Rememory Slavery Slave Trade Elmina Ghana Williamsburg Virginia Museums Historic Sites Sites of Memory Representations of Slavery
3	Orifice of Return Ankong, Honora Awamie 15 June 2022 (has links) Orifice of Return is a collection of poetry that posits Black femme bodies as living and breathing archives, corporeal manifestations of intuitive and intellectual claims at survival. The poems in this collection illustrate the multifaceted nature of my craft, through which the personal, the collective, and the political are commingled, but wrestling forces. As Audre Lorde declares, there are many kinds of open, the poems of this collection are orifices, textual portals, spatial and temporal fissures, and entryways into Black past, present, and future. These poems use received forms (the ghazal, the ode, the cento, the obverse, litany, etc.) and employ stylistic devices like (direct address, song lyrics, colloquial speech and slang, etc.) These poems interrogate histories and imagine speculative futures for Black folks. They exist in lineage— familial, imagined, literary ancestral, and with the theoretical underpinnings of Black feminist hauntology and Toni Morrison's "rememory." Some of these poems are lyrically driven, while others are performance and rhythmically driven— all facing inwards and outwards, aware of the world they exist in. / Master of Fine Arts / ORIFICE OF RETURN is a poetry collection. Immigration exile Black joy speculative naming lineage Black pop culture the Middle Passage Queerness desire ghosts grief white supremacy music home and homelands Black womxn's bodies transatlantic ancestors rememory Black feminis

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