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1	Benátské vlivy na dílo Boccaccia Bocaccina / Venetian influances on the Boccaccio Boccaccino's work Jiráková, Hana January 2013 (has links) (in English) The key theme of my thesis are venetian influences on the Boccaccio Boccaccino's work, who was one of the most important exponents of the Cremonese school of painters. Initially he worked in Genoa, Cremona and Milan and he was influenced by the painters as Leonardo, Bramantino and Boltraffio. In the years 1497-1500 Boccaccino is documented in Ferrara. In this period he executed so-called tondo Gronau, The Christ on the way to Calvary, The Virgin and Child, now in Boston, The Virgin and Child, now in Padua, The Adoration of the Shepherds, now in Naples and Dead Christ supported by an Angel. This works show the influence of Bramantino, umbrian school but also early influence of venetian art. In 1500 or 1501 he painted the altarpiece with Virgin and Child with Sts Peter, Michael, John the Baptist and John the Evangelist for the church of S. Giuliano in Venice. Models of this composition are the S. Cassiano altarpiece of Antonello da Messina and Virgin and Child with Saints which Giovanni Bellini executed for the church of S. Giobbe. Boccaccino's image in S.Giuliano is also inspired by Ercole de'Roberti and Lorenzo Costa. His colours show the influence of Giorgione. In 1506 is Boccaccino documented in Venice but also in Cremona. In the years 1500-1506 he stayed probably in Venice, but he...
2	'Seek the Eyes of Mary': A Widow and a Virgin's Illuminating Invitation Kryscynski, Kristina Gayle Heiss 09 April 2020 (has links) A deep visual analysis of Ludovico Carracci’s 1588 Madonna and Child, Angels, and Saints Francis, Dominic, Mary Magdalene and the Donor Cecilia Bargellini Boncompagni with an emphasis on the role of the patron, the significance of the locality, and the visual semiotics of the Virgin Mary’s gaze in prompting conversion in the repentant prostitutes of the Carmelite convertite convent associated with Ss. Filippo and Giacomo in Bologna, Italy. Including a commentary on contemporary social expectations of modest behavior and the painting’s deliberate incorporation of inappropriate female behavior towards a religious purpose. A discussion of uniquely Carmelite iconography, the use of Ignatian mental prayer in convents, and self-determination in imagery by a Bolognese aristocratic woman. The Bargellini Madonna Ludovico Carracci Donna Cecilia Bargellini Boncompagni Bologna convertite Carmelite Madonna and Child Virgin Mary sixteenth-century Italy prostitute Mary Magdalene social reform discalced sacra conversazione patronage Spiritual Exercises St. Ignatius mental prayer laude St. Martha enthroned Madonna Madonna di San Luca mendicant scapular Marian devotion convent Caterina de Vigri gaze lute convent music reception performativity Arts and Humanities

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Benátské vlivy na dílo Boccaccia Bocaccina / Venetian influances on the Boccaccio Boccaccino's work

'Seek the Eyes of Mary': A Widow and a Virgin's Illuminating Invitation