This diploma thesis examines the relationship between the Old Testament Saviour Samson and the ancient Greek hero Heracles. Their connection is firstly analysed from a literary point of view. The story of each hero is explored separately and, subsequently, common themes are compared. Furthermore, thesis addresses the historical context of the stories and deals with the history of their possible interaction. The aim of this thesis is to ascertain whether there is a connection between Samson and Heracles, and if so, what this connection is and to what extent we can observe it and trace it down.

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Ce texte accompagne les oeuvres qui ont fait fobjet d'une recherche création à la maîtrise en arts visuels. Maille par maille, il rend compte du processus qui a sous tendu mon travail ainsi que le parcours que j*ai emprunté pour y parvenir. Mes sculptures abordent les notions d'accumulation, d'empilement et de répétition. Elles ont fait l'objet d'une exposition dans un lieu intime transformé pour l'événement, à savoir mon propre atelier. Ce texte témoigne du lien affectif que j'entretiens avec l'oeuvre et de ma capacité à faire partager cette expérience avec les spectateurs.

Tableau d’honneur de la Faculté des études supérieures et postdoctorales, 2012-2013. / Le mémoire de maîtrise en recherche-création résulte de l’union entre une exposition et d’un texte d’accompagnement. Ainsi, le présent document décrit la réalisation du projet artistique Miroirs et merveilles, lequel sera en exposition du 14 octobre au 11 novembre 2012 à la salle d’exposition de la bibliothèque Francine-McKenzie (Lévis). Débutant par la démarche artistique de l’artiste, il présente le processus de création des quatorze photographies du corpus à travers une réflexion sur l’autoportrait, de la mise en scène ainsi que de la narration, l’objectif de cette recherche étant de mettre en lumière les relations établies entre ces notions dans ma production artistique. Pour ce faire sont analysés les concepts suivants : l’autofiction, le double, la distanciation, les références, les citations, les images dialectiques, les oppositions, les jeux de temporalité, le montage et la métaphore. En conclusion, un retour sur l’exposition et sur sa réception est proposé.

La Ruah YHWH joue un rôle important dans la transformation créative de l’univers et des entités actuelles; cependant, une réflexion concernant les modalités de ce rôle reste à développer. La théologie processuelle offre une plateforme à partir de laquelle sont examinées diverses facettes des rôles que peut jouer la Ruah YHWH dans un monde où le chaos semble dominer. L’objectif de ce mémoire est justement d’explorer la Ruah YHWH dans son rôle de transformation créative au service, ultimement de l’ordre, de la paix et de l’harmonie dans le monde, les communautés, la vie des entités actuelles, etc. Le Chapitre 1 passe en revue des notions clés de la théologie processuelle. Le concept des “entités actuelles” est d’abord défini. Sont ensuite examinées les différentes phases du devenir d’une entité actuelle. Finalement, les concepts de “créativité” et de “transformation”, dans une perspective de la Ruah YHWH font l’objet d’observations attentives avant d’aborder « trois natures » de Dieu, à savoir primordiale, conséquente, et superjective. Le Chapitre 2 s’intéresse à la péricope centrale de ce mémoire : Juges 13:24-14:20. Le découpage de la structure de cette péricope est basé sur des critères de critique textuelle et d’analyse syntaxique. La première analyse s’attarde aux difficultés que le texte hébreu présente, alors que la deuxième met l’accent sur l’organisation structurelle des propositions grammaticales des versets. Les deux analyses me permettent ensuite de proposer une traduction du péricope. Le Chapitre 3 se veut une application de ce qui a été élaboré au Chapitre 1 sur la péricope analysée au Chapitre 2. Ce troisième chapitre permet de mettre en pratique une approche processuelle originale développée par Robert David dans son livre Déli_l’ ÉCRITURE. Dans la foulée des chapitres qui le précèdent, le Chapitre 4 propose quelques principes herméneutiques contemporains pouvant éclairer le rôle de la Ruah YHWH dans l’avancée créative du monde : vie, amour, et paix. / The Ruah YHWH plays a key role in the creative transformation of both the universe and actual entities; however, that role has still to be developed. Process theology, of which I shall endeavour to define some important notions in Chapter 1, offers a platform I shall attempt to build upon in order to examine such an important role in a chaotic world. The aim of this dissertation is to explore the Ruah YHWH in Her role of creative transformation, which I argue to ultimately be that of bringing order, peace, and harmony in the world, communities, the life of actual entities, etc. Chapter 1 is an overview of some key notions of process theology: first, the concept of “actual entities” is defined. Secondly, I examine the phases of concrescence in the becoming of an actual entity. And finally, I look at the concepts of creativity and transformation in the perspective of the Ruah YHWH prior to examining the “three natures” of God, primordial, consequent, and superjective. Chapter 2 defines the pericope of this dissertation: Judges 13:24-14:20. The structure of the pericope is based upon the methods of textual criticism and syntactical analysis. While the first examination deals with some difficulties the original Hebrew text presents, the second deals with the structural organization of the verses grammatical propositions. The two examinations allow me to propose a translation of the pericope. Chapter 3 is an application of what was laid out in Chapter 1 on the pericope established in Chapter 2. In the course of the third chapter, I employ an innovative (original) processual approach developed by Robert David in his recent book Déli_ l’ÉCRITURE. Then, Chapter 4 proposes, out of the preceding chapters, some contemporary hermeneutical principles which enlighten the role of the Ruah YHWH in the creative transformation of the world: life, love, and peace.

La Ruah YHWH joue un rôle important dans la transformation créative de l’univers et des entités actuelles; cependant, une réflexion concernant les modalités de ce rôle reste à développer. La théologie processuelle offre une plateforme à partir de laquelle sont examinées diverses facettes des rôles que peut jouer la Ruah YHWH dans un monde où le chaos semble dominer. L’objectif de ce mémoire est justement d’explorer la Ruah YHWH dans son rôle de transformation créative au service, ultimement de l’ordre, de la paix et de l’harmonie dans le monde, les communautés, la vie des entités actuelles, etc. Le Chapitre 1 passe en revue des notions clés de la théologie processuelle. Le concept des “entités actuelles” est d’abord défini. Sont ensuite examinées les différentes phases du devenir d’une entité actuelle. Finalement, les concepts de “créativité” et de “transformation”, dans une perspective de la Ruah YHWH font l’objet d’observations attentives avant d’aborder « trois natures » de Dieu, à savoir primordiale, conséquente, et superjective. Le Chapitre 2 s’intéresse à la péricope centrale de ce mémoire : Juges 13:24-14:20. Le découpage de la structure de cette péricope est basé sur des critères de critique textuelle et d’analyse syntaxique. La première analyse s’attarde aux difficultés que le texte hébreu présente, alors que la deuxième met l’accent sur l’organisation structurelle des propositions grammaticales des versets. Les deux analyses me permettent ensuite de proposer une traduction du péricope. Le Chapitre 3 se veut une application de ce qui a été élaboré au Chapitre 1 sur la péricope analysée au Chapitre 2. Ce troisième chapitre permet de mettre en pratique une approche processuelle originale développée par Robert David dans son livre Déli_l’ ÉCRITURE. Dans la foulée des chapitres qui le précèdent, le Chapitre 4 propose quelques principes herméneutiques contemporains pouvant éclairer le rôle de la Ruah YHWH dans l’avancée créative du monde : vie, amour, et paix. / The Ruah YHWH plays a key role in the creative transformation of both the universe and actual entities; however, that role has still to be developed. Process theology, of which I shall endeavour to define some important notions in Chapter 1, offers a platform I shall attempt to build upon in order to examine such an important role in a chaotic world. The aim of this dissertation is to explore the Ruah YHWH in Her role of creative transformation, which I argue to ultimately be that of bringing order, peace, and harmony in the world, communities, the life of actual entities, etc. Chapter 1 is an overview of some key notions of process theology: first, the concept of “actual entities” is defined. Secondly, I examine the phases of concrescence in the becoming of an actual entity. And finally, I look at the concepts of creativity and transformation in the perspective of the Ruah YHWH prior to examining the “three natures” of God, primordial, consequent, and superjective. Chapter 2 defines the pericope of this dissertation: Judges 13:24-14:20. The structure of the pericope is based upon the methods of textual criticism and syntactical analysis. While the first examination deals with some difficulties the original Hebrew text presents, the second deals with the structural organization of the verses grammatical propositions. The two examinations allow me to propose a translation of the pericope. Chapter 3 is an application of what was laid out in Chapter 1 on the pericope established in Chapter 2. In the course of the third chapter, I employ an innovative (original) processual approach developed by Robert David in his recent book Déli_ l’ÉCRITURE. Then, Chapter 4 proposes, out of the preceding chapters, some contemporary hermeneutical principles which enlighten the role of the Ruah YHWH in the creative transformation of the world: life, love, and peace.

Thesis (MPhil)--University of Stellenbosch, 2003. / ENGLISH ABSTRACT: Responsibility is either linked to duties and expectations, or it is linked to the freedom of an agent. These links are questionable. It is therefore necessary to investigate the freedom and context of commission and omission. There are numerous difficulties in evaluating suicide: - The problem to distinguish between successful suicide and failed pseudo suicide. - The problem of the mind: The limited accessibility of the emotions and attitudes despite its expressibility And the unexpressibility of the experiences despite its immediate accessibility. And the problem of other minds. - The problem of the freedom of the will. Prove is given that no aspect of the mind is free - despite our illusions of freedom. - The problem of the cause, origin and extent of an act. - The problem of the relation between brain and mind. This problem is important when we consider the origin of acts and the concept of the self. The important issues when solving the difficulties pertaining to suicide are: - Agency: The self is owner of all acts and instances of mind. The self is also the subject of all physical acts and acts of the mind. - The self is an open complex system. The self is entangled in relations of differences, conflict and deferment of meaning. The important conclusions when evaluating suicide are: - The agent is the owner and the subject of his acts. The agent has illusions of freedom. The agent is inseparable from his circumstances. - Acts originate in the context of these circumstances. - Responsibility exists in the context of power in society. - The answers to the questions of Why? Are logical reconstruction and politically correct confabulations - whatever the answer is, it is shared by all participants of the context.The evaluation of suicide: - The self-murderer`s act originates from the context of the circumstances of which he is a participant. - Suicide happens within the context of a pancheiria with aspects of autocheireō and heterocheireō. - The pancheiria started before the autocheireō. - The pancheiria continues after the autocheireō. The autocheireō is but an indication of the seriousness van the larger pancheiria. The self-murderer (autocheir) and his autocheireō persist as a silhouette in our midst. - The possibility of the self-murderer`s illusion of freedom does not liberate us from the silhouette`s accusations. - Neither does se sharing of guilt give as relieve from the silhouette`s accusations. - Neither will we benefit from any rationalization. Finally we can do nothing but to utter these statements of denial and confession : - Suicide is wrong. - But we have not done it. / AFRIKAANSE OPSOMMING: Verantwoordelikheid word óf aan verpligtinge en verwagtinge, óf aan die vryheid van die agent verbind. Hierdie verbindings word betwyfel. Daarom is dit nodig dat die vryheid van handeling en nie-handeling sowel as die konteks waarin die handeling en nie-handeling gebeur ondersoek word. Verskeie probleme ten opsigte van die beoordeling van die selfmoord word uitgewys: - Die probleem om die werklike geslaagde selfmoord te onderskei van die gefaalde selfmoordpoging. - Die probleme van die verstand. Naamlik die beperkte toeganklikheid van die emosies en houdings, alhoewel dit uitdrukbaar is. En die onmiddelike toeganklikheid van die ervarings wat dit te spyt nie uitdrukbaar is nie. Asook die probleem om ander verstande te ken. - Die probleem van die vryheid van die wil. Dit word aangetoon dat geen aspek van die verstand vry is nie. Dit nie teenstaande het ons steeds die illusie van vryheid. - Die probleem van die oorsaak, die oorsprong en die reikwydte van handelinge. - Die probleem van die verhouding tussen die brein en die verstand. Hierdie probleem is belangrik by die oorwegings van die oorspong van handeling en die siening van die self. Belangrike elemente by die oplossing van die beoordeling van selfmoord is: - Die agentskap: naamlik dat die self die eienaar van alle verstandsitems en handelinge is, en dat die self die subjek van alle verstandshandelinge en sigbare handelinge is. - Die self as `n oop komplekse stelsel wat in wederkerige verhoudings is van verskil, geskil en uitstel van betekenis.Gevolgtrekkings wat belangrik is by die beoordeling van selfmoord: - Die agent is eienaar en subjek van sy handelinge, het die illusie van vryheid, is deel van sy omstandighede. - Die handeling ontstaan in die konteks van hierdie omstandighede. - Verantwoordelikheid bestaan in die konteks van mag in die samelewing. - Die antwoord op Hoekom? en Waarom? is logiese herkonstruksies en politiese korrekte konfabulasie - maar wat ookal die antwoord is, dit word gedeel deur al die deelnemers aan die konteks. Die beoordeling van selfmoord: - Die selfmoordenaar se handeling ontspring uit die konteks van sy omstandighede waaraan hy `n deelnemer is. - Die selfmoord gebeur eerder binne die konteks van `n pancheiria met aspekte van autocheireō en heterocheireō. - Die pancheiria was reeds voor die autocheireō. - Die pancheiria duur voort na die autocheireō. Die autocheireō toon aan ons die erns van die oorkoepelende pancheiria. Die selfmoordenaar (autocheir) en sy autocheireō bestaan voort as silhoeët in ons midde. - Die moontlike illusie van vryheid van die selfmoordenaar kan ons nie die aanklag deur die silhoeët ontsnapping bied nie. - Net so min kan die verdeling van skuld ons van die aanklag laat ontsnap. - Enige rasionalisering van ons kant is nutteloos. Laastens kan ons net sê: - Selfmoord is verkeerd. - Ons het dit nie gedoen nie. Hierdie stellinge dien as ontkennings sowel as skuldbeleidenisse.

Charles Jennens (1700-1773), the librettist of 'Saul', 'Messiah', 'Belshazzar', the final part of 'L'Allegro, il Penseroso ed il Moderato', and probably 'Israel in Egypt', amassed a huge library of music that forms the bulk of what is now known as the Aylesford collection. Jennens's collection of Handel's music was unique among those of his contemporaries, not only because it includes part-books, but also because it is unusually comprehensive. The dissertation focuses on his copies of the sacred oratorios beginning with 'Saul' (1739) because most of the collection was copied in the 1740s, the sacred oratorios were the works that Jennens was most interested in, and 'Saul' was his first collaboration with Handel. As many of these manuscripts have not been the focus of modern scholarly attention, I first establish how, when, and by whom each manuscript was copied, in order to achieve a greater understanding of how and when Jennens assembled his collection, and what his reasons were for doing so. This close study of the manuscripts reveals that Jennens made extensive alterations to the verbal text, the structure, and the music of several oratorios in his collection. His amendments to 'Saul' and 'Belshazzar' shed light on his collaboration with Handel; and his amendments to 'Samson' and 'Joseph and his Brethren' provide insights into his attitude to Handel in the mid-1740s, his approach to word-setting, his views on the adaptation of Scripture for oratorio, and his beliefs and commitments. Jennens was a highly educated man whose activities were informed by two deeply held, conflicting allegiances: to the Anglican Church and to the deposed Stuarts. An examination of how he harnessed Handel's music to deliver his religious and political messages leads to a richer and more profound understanding of the works, of the relationship between Jennens, Handel, and Handel's music, and of their place in the religious and political context of the mid-eighteenth century.

This Master thesis deals with synchronization of sensor nodes in wireless sensor net. It is used event ordering by the implementation of logical clocks . Lamport's algorithm is used here for synchronization, which is trying to order events within the given system. The thesis also evaluates how appropriate this principle for synchronization is. The implementation has been carried out in agent-oriented language AgentSpeak on the Jason platform. Samson environment has been used and modified for observation of this synchronization's behaviour and testing purposes.

Discipline was an enduring concept in the works of John Milton (1608-1674), yet its meaning shifted over the course of his career: initially he held that it denoted ecclesiastical order, but gradually he turned to representing it as self-willed pious action. My thesis examines this transformation by analysing Milton’s complex engagement in two distinct periods: the 1640s and the 1660s-70s. In Of Reformation (1641), Milton echoed popular contemporary demands for a reformation of church discipline, but also asserted through radical literary experimentation that poetry could discipline the nation too (Chapter 1). Reflecting his dislike for intolerant Presbyterians in Parliament and the Westminster Assembly, the two versions of The Doctrine and Discipline of Divorce (1643 and 1644) reconsider discipline as a moral imperative for all men, rooted in domestic liberty (Chapter 2). Although written long after this period, the long poetry that Milton composed after the Restoration reveals his continued interrogation of the concept. The invocations of the term ‘discipline’ by Milton’s angels in Paradise Lost (1667) sought to encourage dissenting readers to faithfulness and co-operation (Chapter 3). Paradise Regained and Samson Agonistes (1671) advance the concept in the language of ‘piety,’ emphasising that ‘pious hearts’ are the precondition for godly action in opposition to contemporary Anglican ‘holy living’ (Chapter 4). In analysing Milton’s shifting concept of discipline, my thesis contributes to scholarship by showing his sensitivity to contemporary mainstream religious ideas, outlining the Christian—as opposed to republican or Stoic—notions of praxis that informed his ethics, and emphasising the disciplinary aspect of his doctrinal thought. Overall, it holds that in discipline, as word and concept, Milton expressed his faith in the capacity of writing to change its reader, morally and spiritually.