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1	Evolution of the Scherzo Through Beethoven Dower, Tamara 07 1900 (has links) It would be impossible to trace the evolution of the form of the scherzo without treating also to some extent the history of the minuet, as the scherzo would hardly have come into being in the way it did had there not been the minuet, even though as the scherzo grew to maturity it resembled less and less its parent-form. This thesis examines the early use and origin of the scherzo, and its use and evolution in the works of Beethoven. Ludwig van Beethoven music theory music history scherzo Scherzo.
2	Scherzo Frederick, Andrew N. 04 May 2020 (has links) No description available. Music music music composition concert band band piece scherzo contemporary music scherzo for band march
3	Liszt, Cultural Identity, Sonata Form, and the Scherzo und Marsch Saffle, Michael 03 September 2020 (has links) No description available. info:eu-repo/classification/ddc/780 ddc:780
4	A study of J. S. Bach’s Toccata BWV 916; L. van Beethoven’s Sonata Op. 31, No. 3; C. Debussy’s Images Book One; F. Chopin’s Scherzo No. 2, Op. 31: historical, theoretical and stylistic implications Hua, Ye January 1900 (has links) Master of Music / School of Music, Theatre, and Dance / Slawomir Dobrzanski / This Master’s Report is a study of four piano compositions performed on April 10, 2016 at the author’s Master’s Piano Recital. These discussed pieces are including Johann Sebastian Bach’s Toccata in G major, BWV 916; Ludwig van Beethoven’s Sonata in E-flat major, Op. 31, No. 3; Claude Debussy’s Images Book One; Fryderyk Chopin’s Scherzo No. 2, Op. 31. This study focus on historical, theoretical and stylistic implications of each composition. Bach Toccata BWV 916 Beethoven Sonata Op. 31, No. 3 Debussy Images Book One Chopin Scherzo No. 2, Op. 31
5	A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications Li, Yiqi January 1900 (has links) Master of Music / School of Music, Theatre, and Dance / Slawomir Dobrzanski / This report is a study of Johann Sebastian Bach’s Partita in C minor, BWV 826; Ludwig van Beethoven’s Sonata in F-sharp major, Op.78; Fryderyk Chopin’s Scherzo in B Minor, Op.20; M. Ravel’s “Miroirs”: II. Oiseaux tristes, IV. Alborada del gracioso, V. Vallee de cloches; These compositions are part of the author’s Master’s Piano Recital given on April 12, 2017. The study mainly discusses from historical, theoretical and stylistic perspectives. Bach’s Partita in C Minor BWV 826 L Van Beethoven's Sonata Op.78 F. Chopin's Scherzo Op.20 M. Ravel's Miroirs
6	Comparing Formal Analyses of Dmitri Shostakovich’s <i>Symphony No. 5, Op. 47</i> Through the Theories of James Hepokoski, Warren Darcy, and William Caplin Walden, Joseph P. January 2014 (has links) No description available. Music Fine Arts Dmitri Shostakovich Symphony No 5 Dmitri Shostakovich Symphony No 5 Symphony No 5, Opus 47 James Hepokoski Warren Darcy William Caplin Sonata Theory Sonata Form Scherzo and Trio Minuet and Trio Comparing formal analyses

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