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1	Schöpferisches Leiden : die theologische Beurteilung des Leidens in der Seelsorge von Erich Schick / Kim, Nahamm. January 1900 (has links) Inauguraldissertation--Theologische Fakultät--Heidelberg--Karl-Ruprechts-Universität, 2003. Schick, Erich, Souffrance
2	A Comparison of five radiographic systems to D-speed film in the detection of artificial bone lesions Hadley, David Lloyd 01 January 2008 (has links) The purpose of this study was to compare three direct digital sensors (Kodak 6100, Schick CDR, and Dexis PerfectSize), a phosphor plate system (OpTime), and F-speed film to standard D-speed film in the detection of artificial bone lesions prepared in mandible bone sections. Multiple artificial bone lesions were prepared at varying depths in the cortical bone. Specimens were imaged with six different radiographic systems. Radiographs were randomly presented to nine different observers. A logistic regression analysis indicated that the ability of the different radiographic systems to detect the bone lesions was significantly different at the mean percentage of cortical bone remaining. The Kodak filtered, Schick filtered, OpTime unfiltered, Schick unfiltered, and Dexis filtered images were significantly better at lesion detection compared to D-speed film. Also, all filtered digital images were significantly better at lesion detection than D-speed film. comparison radiographic systems D-speed film intraoral detection artificial simulated bone lesions cortical filtered unfiltered dexis schick kodak optime Dentistry Endodontics and Endodontology Medicine and Health Sciences
3	Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds Licata, Julie M. 12 1900 (has links) Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization was composed in 1995 by Pulitzer prize-winning composer Roger Reynolds. This work is a 25-minute choreographed music drama for one multiple-percussionist, in which Reynolds incorporates the musical transformation of percussion instrument families, the physical gestures of the performer, and the spatialization of processed sounds around the audience. This dissertation addresses several aspects of Watershed, which include: the expressive intent and extra-musical concepts; the formal organization, and several non-musical tools that Reynolds utilized in designing the piece (e.g. logarithmically derived sequences); the primary musical motives; the instrument setup and how the resulting physical gestures contribute to the musical intent; and the real-time computer spatialization. Throughout the document, specific musical passages are demonstrated with notated musical examples and embedded video/audio clips. In addition, transcripts of my interviews with composer Roger Reynolds, percussionist Steven Schick (premiere performer of Watershed) and engineer/technician Greg Dixon (engineer for my performances of Watershed IV) are also included. Multiple-percussion instrument families computer spatialization Steven Schick Roger Reynolds Reynolds, Roger, 1934- Watershed. no. 1. Reynolds, Roger, 1934- Watershed. no. 4.

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