Panel presentation includes topics on publications and proposals, practicums, internships, capstone and exhibitions, clinical experiences, and research ethics. Pamela Mims discussed research ethics.

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Book Summary: Beyond New Media: Discourse and Critique in a Polymediated Age examines a host of differing positions on media in order to explore how those positions can inform one another and build a basis for future engagements with media theory, research, and practice. Herbig, Herrmann, and Tyma have brought together a number of media scholars with differing paradigmatic backgrounds to debate the relative applicability of existing theories and in doing so develop a new approach: polymediation. Each contributor’s disciplinary background is diverse, spanning interpersonal communication, media studies, organizational communication, instructional design, rhetoric, mass communication, gender studies, popular culture studies, informatics, and persuasion. Although each of these scholars brings with them a unique perspective on media’s role in people’s lives, what binds them together is the belief that meaningful discourse about media must be an ongoing conversation that is open to critique and revision in a rapidly changing mediated culture. By studying media in a polymediated way, Beyond New Media addresses more completely our complex relationship to media(tion) in our everyday lives.

Excerpt:Globally, recent discussion has focused on research, policy, and practice in the development and structuring of teacher education programs (OECD, 2005).

The present study examined if a conceptual change intervention would decrease pre-service teachers’ beliefs in four prevalent brain-based myths in education, including Visual-Auditory-Kinesthetic (VAK) learning styles, Gardner’s multiple intelligences theory, left- or right-brained hemispheric dominance, and that humans only use 10% of their brains. Participants included 87 college students from one large, comprehensive university who were enrolled in an educational psychology course. All participants received the conceptual change intervention, which consisted of reading an article refuting the brain-based myths, submitting a paper showcasing evaluative thinking and reflection about the brain-based myths, and discussing cognitive development and the brain-based myths in class. All participants completed a measure of demographics and a pre-test, post-test, and delayed post-test measuring their beliefs in each of the brain-based myths. Cochran’s Q Test revealed that there was a significant difference in the change of proportion of believers and non-believers between at least two of the tests. Results of McNemar’s Test indicate that there was a significant difference in the change of proportion from believers to non-believers from the pre-test to the post-test, but not from the post-test to the delayed post-test. The relevance of these findings to current research, the implications for teacher education programs, limitations, and future directions are discussed.

Please note: this work is permanently embargoed in OpenBU. No public access is forecasted for these. To request private access, please click on the lock icon and filled out the appropriate web form. / The meeting of poets Friederike Mayröcker and Ernst Jandl in 1954 changed the course of their own lives as well as post-war German-language poetry in Vienna, in Austria, and in Europe. This selected critical edition charts their creative processes from April 1954 through April 1957, which spans Mayröcker’s composition and editing of the core of her first poetry collection, and Jandl’s decisive turn away from a narrative into a visual and aural poetic structure. The poems included were critical to the foundational work of their seminal collections of 1966, and to the growth of the distinctive writing styles that would later bring each international renown. This dissertation presents the first known genetic editorial work on these poems, written as they were negotiating the development of their relationship and recommitting themselves to their lives and practices as artists. Illustrating their experimentation, their linguistic inventiveness, and their revision processes, as well as evidencing each poet’s evolution in style, this edition shows each poet’s synthesis and stylistic development surrounded by patterns and mysteries. Both Jandl and Mayröcker demonstrate specific types of manuscript or typescript variants that distinguish their composition and revision styles. In addition to the catalogues of these variants, correspondence and other paratextual material by both poets place their revisions in historical, anecdotal, and creative research contexts. Presenting their typescripts, manuscripts, and letters shows the relevance of extant archival material, and of Jandl and Mayröcker’s revision processes, to their poetry. Each poem is accompanied by my English-language translation, and by a catalogue of variants when available. / 2031-01-01T00:00:00Z

This thesis examines the outcomes associated with women’s participation in development scholarship schemes. These schemes, which provide citizens from Third World countries with opportunities to undertake tertiary training abroad, have featured prominently within the development assistance programmes of many Western nations. However, the longer-term impact of this type of educational experience on the lives and communities of individuals who take up this form of aid remains under-studied. This is particularly the case for female development scholars, who have been both historically excluded from opportunities to take part in these schemes, as well as marginalised within academic evaluations of their outcomes. This research provides an in-depth qualitative exploration of the experiences of twenty women who have completed a tertiary qualification through a development scholarship scheme. The participant sample is diverse, and includes a group of New Zealand-based female doctoral students who have participated in several of these programmes, as well as two groups of women from Thailand who have returned home after taking part in a scholarship scheme funded by the New Zealand Agency for International Development. This research identifies a number of positive and negative outcomes for women associated with this distinct type of educational experience. Beneficial outcomes include greater emotional autonomy, increased cross-cultural knowledge, new professional networks, new work skills, and improved English-language competency. Participants within this research report that these benefits have translated into increased respect within their workplaces; new opportunities to represent their organisations at home and abroad; greater participation in international research and policy forums; increased control over negotiations with foreign consultants; and an enhanced commitment to collaboration with other professionals in the ASEAN region. Negative outcomes to arise out of the scholarship experience include role tension and relationship conflict for married women; career disruption associated with employment bonding and job restructuring during the period of absence abroad; new unwanted work responsibilities; and dissatisfaction with some aspects of quality of life in their country of origin. This thesis provides rich narrative material that increases our understanding of the concrete ways that this form of educational aid is ‘lived out’ in the lives and communities of female development scholars.

Doctor of Philosophy / This is a study of the composition of three Modernist first editions: Ulysses (1922), The Making of Americans (1925) and A Draft of XXX Cantos (1930). The bibliographical and figurative commitments made to being in print by Ulysses, A Draft of XXX Cantos and The Making of Americans set a coherent program for reading Modernist texts in their perfected form: in print. The editorial reception of the Modernist book has proceeded, however, with reference to the editorial and bibliographical principles established by the New Bibliographers. In deferring to the authors and manuscripts of Modernist books as the highest source of textual authority, the vital significance of being in print to literary Modernism is obscured. The figure of the ideal Book concentrates the central aesthetic, intellectual and bibliographic problem posed the Modernist book: the making of literature. The rhyme with The Making of Americans is appropriate: this book intensifies and consolidates the propositions made about objective and autonomous composition made more hesitantly by Ulysses and A Draft of XXX Cantos. These three books display a gradual refusal to equate inscription and intention; their composition effaces all traces of a sovereign creative subjectivity. The vision of the book guides Modernist composition, and requires a critical distinction be drawn between manuscripts and printed letters. Modernism must be read in print. The vestigial nostalgia for Romantic modes of textual production and creation in Ulysses is repeated on the placards and proof-pages for the book. Printed drafts are revised and reformed by the pen of the author. The finality asserted by the printed letter is only reluctantly ceded on the publication of Ulysses. The composition of A Draft of XXX Cantos represents a further transition away from the script economy of Romanticism. The interplay between authorial typescripts, early publications and the first edition of A Draft of XXX Cantos assert an intermediate order of Modernist textuality which takes the printed page as its foundation. The Making of Americans relies on the absolute objectivity and anonymity of its composition for the effect of its narrative. Objectivity is the intellectual and aesthetic strategy which produces literature rather than the personality and memory of the author. The impersonality of the apparently automatically written manuscripts and scarcely revised typescripts for The Making of Americans severs the visible links between the writing author and her page. In their unwillingness to corroborate the modes of textual generation described by the New Bibliographers, these three books thematise their own composition as the exemplary Modernist and modern mode of textual generation. The Modernist book attenuates or denies a Romantic connection between the creative hand of the author and the surface image of the page: the mechanisms of print deliberately detach the author from the literary text. The distance of the author from the scene of textual reproduction is measured by the printed book. The composition of this analytical object is not a fallacy but an actuality, commemorated in the archive, enacted by the book. Modernism is the literature of the imprimatur rather than of authorial inscription and accordingly it is towards the first editions of Modernist texts that the attentions of editors and textual scholars must be directed.

<p>This two years master´s thesis examines how books and literature can strengthen the contact between imprisoned fathers and their children, and the connection between the treatment of offenders and education in Sweden. The methods used are interviews and textual analysis. The theoretical starting points are influenced by Bernt Gustavssons works concerning the concept of education (the Swedish term “bildning”) and Foucaults thoughts on the subject of power and its relation to knowledge and resistance.</p><p>Through history many attempts have been made to “cure” those who commit criminal acts by educating them, at first to enable them to get employed after serving their sentence, the education thus being for the greater good of the society in general, but since the 1940’s the aim has shifted towards education for the individuals own personal development and readjustment to society.</p><p>The findings indicate that the service provided to prisons by public libraries play an important role for the inmates, as a source of books for amusement and diversion as well as providing the means for education. This thesis examines four reading programmes in prison, in order to establish their place in the tradition of education within the Swedish penal system. In the prison reading programs the fathers choose a children’s storybook and either reads it during the child’s visits or make a recording on DVD or CD to send to their child on the outside. The Swedish example, <em>Godnattsagor inifrån, is influenced by its English and American precursors in its attempt </em>to create or strengthen the bonds between fathers and children through the reading experience. Many fathers taking part in the study circle organized by Malmö public library claim the experience has taught them not only to dare read aloud to their children, but also to appreciate literature for themselves.</p><p>My conclusion is that the reading programmes have effects beyond the individual inmate, as it to a certain extent can be a bond to keep a broken family together and as such actually prevent the father from committing further crime. The library service in prison is also greatly needed and appreciated by the incarcerated fathers.</p>

Thesis (M.A.)--Trinity International University, 2006. / Abstract. Includes bibliographical references (leaves 117-120).