Thesis (doctoral)--Rijksuniversiteit te Utrecht, 1982. / Summary in German. Includes indexes. Includes bibliographical references (p. 207-208).

During this project I have studied piano music by Franz Schubert (1797-1828) to thereafter use a couple of his harmonic structures as a foundation for composing music for piano trio. To write music that encourages improvisation and interaction between the band members has been a central focus while the broad goal of the project has been to develop myself as a musician and person. The project started in the fall of 2017, a senior recital was performed in Lilla Salen at KMH the 28th of February and was followed by time for reflection which can be found documented in my paper.             Something I wanted to try with this project was to create according to a partially predetermined method. I wanted Schubert’s music to have an impact on my compositions and from there I decided to transcribe harmonic structures on four of his works to rework these into new compositions. I hoped that this method would bring a forward motion to the work and in retrospect I believe it did. Composing with a few guidelines contributed with a sense of comfort to the process and made me stay on track through passages of low inspiration.             Reflecting on my work I feel that it became a good closure to my studies at KMH. A hybrid process showcasing different musical expressions, skills and sides to my personality with a work method that felt exciting. / <p>Examenskonsert</p>

Thesis (Ph. D.)--University of Oregon, 2003. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 477-487).

Thesis (Ph. D.)--University of Oregon, 2003. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 477-487). Also available for download via the World Wide Web; free to University of Oregon users.

This document will examine how Schubert's songs can be used to increase the existing bass trombone solo literature. The primary focus is on the process of selecting, organizing, and arranging songs for the purpose of creating an original instrumental performance edition. The document will discuss elements that influence individual song selection, compositional attributes of the music, the drama represented through the text, and the boundaries these expressive components impose on the arranging process. The arranging process is discussed for nine individual songs including compositional elements which might influence the ordering of songs in a specific performance. A brief historic discussion overviews the role of the bass trombone in early nineteenth-century classical music, Schubert's life in regards to his contribution to song literature, and the influence of politics and economics during Schubert's life. An extensive Appendices contains a recommended list of Schubert lieder recordings, detailed text translations, bass trombone solo parts and full piano scores for all nine songs arranged for this document.

Diss.--Philosophie--Universität Düsseldorf, 1989.

Thesis (M.A.)--University of Iowa, 2009. / Thesis supervisor: Marian Wilson Kimber. Includes bibliographical references (p. 152-162).

Inaug.-Diss.--Heidelberg. / Lebenslauf. "Die vorliegende arbeit versucht, eine geschichtliche darstellung des klavierbegleiteten deutschen sololiedes ... zugeben."--Vorwort.

Treatise (D.M.A.) Florida State University, 2007. / Advisor: Michael Buchler, Florida State University, College of Music. Title and description from dissertation home page (viewed 2007). Document formatted into pages; contains 133 pages. Includes biographical sketch. Includes bibliographical references.

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