Since the 1980s, Taiwan has been subjected to heavy foreign and global influences, leading to a marked erosion of its traditional cultural forms. Indigenous traditions have had to struggle to hold their own and to strike out into new territory, adopt or adapt to Western models. For most theatres in Taiwan, Shakespeare has inevitably served as a model to be imitated and a touchstone of quality. Such Taiwanese Shakespeare performances prove to be much more than merely a combination of Shakespeare and Taiwan, constituting a new fusion which shows Taiwan as hospitable to foreign influences and unafraid to modify them for its own purposes. Nonetheless, Shakespeare performances in contemporary Taiwan are not only a demonstration of hybridity of Westernisation but also Sinification influences. Since the 1945 Kuomintang (Chinese Nationalist Party, or KMT) takeover of Taiwan, the KMT’s one-party state has established Chinese identity over a Taiwan identity by imposing cultural assimilation through such practices as the Mandarin-only policy during the Chinese Cultural Renaissance in Taiwan. Both Taiwan and Mainland China are on the margin of a “metropolitan bank of Shakespeare knowledge” (Orkin, 2005, p. 1), but it is this negotiation of identity that makes the Taiwanese interpretation of Shakespeare much different from that of a Mainlanders’ approach, while they share certain commonalities that inextricably link them. This study thus examines the interrelation between Taiwan and Mainland China operatic cultural forms and how negotiation of their different identities constitutes a singular different Taiwanese Shakespeare from Chinese Shakespeare. In recognising this, the core of this thesis rests on how Shakespeare plays speak insightfully to Taiwan society across historical, geographical, and cultural boundaries. Many Shakespeare plays powerfully echo the political turmoil of contemporary Taiwan society, but it is the negotiation of the political and cultural dependency that constitutes a distinct Taiwanese Shakespeare identity that is different from Chinese Shakespeare. This study therefore focuses on Shakespeare performances in contemporary Taiwan between 1986 and 2003, emphasising political context as key factor in adaptation, as Taiwan society transited from a military age to post-millennium democracy after martial law was lifted in 1987.

The Moonwalker (Mwk) mouse is a mouse model of cerebellar ataxia that harbours a point mutation in the Trpc3 gene. TRPC3 is a non-selective cation channel, most highly expressed in the Purkinje cells of the cerebellum. The gain-of-function mutation in the TRPC3 protein affects the development of Purkinje cell dendrites by reducing their branching, and also leads to abnormal motor coordination and cerebellar ataxia in Mwk mice at the age of 3 weeks. The aim of this thesis was to determine how the mutation in the TRPC3 channel results in the observed pathology. Proper function of the TRPC3 channel relies on its interaction with other proteins, hence we investigated binding partners of TRPC3. The study revealed PI synthase and CaMKIV as novel interaction partners of TRPC3. PI synthase is implicated in the upstream signalling events leading to TRPC3 activation, whereas CaMKIV is activated by Ca²⁺, possibly due to TRPC3 activation. We have identified alterations in phosphorylation of several key Ca²⁺ signalling proteins (CaMKII, CaMKIV, CREB and ERK), which indicates that there are changes in Ca²⁺ homeostasis in Mwk cerebella. Down-regulation of CaMKIV and up-regulation of CREB phosphorylation occurs as early as P21, which indicates that their abnormal activity could contribute to the Mwk phenotype. Microarray analysis comparing wild-type and Mwk Purkinje cells has revealed gene expression changes, which are likely due to abnormal Ca²⁺ signalling. Genes Ipo5, Opn3 and Sv2c are up-regulated at P11; Car2 and Stk17b are down-regulated at P14; and Cntn3 is up-regulated at P18 in Mwk Purkinje cells. High quality RNA from Purkinje cells was extracted using an optimised laser-capture microdissection method. Work on the Mwk mice points to the importance of TRPC3 activity for the proper development of Purkinje cell dendrites and depicts TRPC3 as a possible target for cerebellar ataxia treatment.

Master of Music / Department of Music / Reginald Pittman / This Master’s Report contains extended program notes on the works performed on a graduate rectial of music for a Baritone. The text includes biographical information on each composer and an analysis of each piece performed. Text translations are included in the body of the discussions. The pieces discussed are Handel’s “See The Raging Flames Arise,” from Joshua, Poulenc’s Le Bestiaire, Strauss’s Zueignung, Nichts and Cäcilie, Puccini’s “Questo amor, vergogna mia,” from Edgar, Jason Robert Brown’s Moving Too Fast, The Next Ten Minutes, The River Won’t Flow and She Cries and lastly Jonathon Reid Gealt’s September of ’92. The graduate recital was given in partial fulfillment of the requirements for the Master of Music degree in vocal performance on April 7, 2014. It was performed in All Faiths Chapel at Kansas State University. It featured the piano talents of Amanda Arrington, Paul Meissbach and Norma Roozeboom, the vocal talents of Reginald Pittman, Elise Poehling and Patricia Thompson, and the insrumental talents of Nolan Groff and Craig Archer.

The aim of this diploma thesis is to expound the reality of the first Czechoslovak Republic through the foreign point of view, more precisely through the Vatican daily newspaper L´Osservatore Romano. Since the reality is immensely complex, individual chapters deal with topics of overall political development´s reflection, the personality of the first Czechoslovak president Tomáš Garrigue Masaryk and the situation of Catholic Church in the country from the perspective of Vatican press. Due to the influence of reporters´ Catholic orientation, the author used other journals and documents to achieve higher levels of the opinion plurality in the particular questions. For this purpose, he worked in his thesis with other Czech and Italian newspapers, pastoral letters which were written by Czechoslovak bishops, memories of contemporary events´ actors or different interviews and speeches of important political figures at the time. In the analysis, there is an attempt to answer the question of how the Holy See´s official periodical informed of the events in interwar Czechoslovakia.

The thesis contends that there is a dominant strand of thinking driving the prevailing metanarrative of American global hegemony. This strand, constructed here as Ameritocracy, taps into three interconnected and fundamental principles concerning the nature of America: that American values are universal, terminal and providential. However, this notion of American universality is contradicted by a troubling parochialism, one that reveals religious, racial and cultural particularities generated from American identity, and from the mythic, providential origin story of America. The thesis expands on the theory of Ameritocracy, its historical derivation and theoretical antecedents, and its application within the soft power realm of Hollywood film. Ameritocracy finds its apotheosis in the popular blockbuster films of the unipolar era. The global aspirations of the blockbuster conflate with the universality of the medium, and thereby function as the perfect conduit for expounding the presumed universality of the American nation, promoting and proselytising on behalf of American primacy, using Ameritocratic arguments to legitimise and normalise U.S. hegemony. Analysis of blockbuster texts reveals that the notions of universality they embed are often partial and particular, featuring an obfuscation of definitions, between ideals and interests, between ends and means, and between the universal and the American.

Submitted by admin tede (tede@pucgoias.edu.br) on 2018-05-03T17:55:16Z No. of bitstreams: 1 JOSÉ WILLIAM BARBOSA COSTA.pdf: 1309809 bytes, checksum: 752ffb769296f27c22b96b50eafb7ee5 (MD5) / Made available in DSpace on 2018-05-03T17:55:16Z (GMT). No. of bitstreams: 1 JOSÉ WILLIAM BARBOSA COSTA.pdf: 1309809 bytes, checksum: 752ffb769296f27c22b96b50eafb7ee5 (MD5) Previous issue date: 2018-02-19 / This research seeks to uncover the historical-ecclesial paths between the Brazilian Republic, and the Holy See and the Catholic Church in Brazil. Facts and events that led to the signing, approval and promulgation of the Brazil-Holy See Agreement in 2009. The theoretical framework adopted is the political conception of Roman Catholicism by Carl Schmitt and the research is conducted from a canonical-historical perspective. We seek to understand the diplomatic and ecclesial paths and its obstacles that led to the 119-year waiting between the proclamation of the Brazilian Republic and the signing of the Diplomatic Agreement. As research methodology, we used a bigliographical research approach, consultation to eclesiatical arquives, mainly in the Diocese of Santo André SP, and the analysis of texts from conferences which address the subject. / Esta tese objetiva mostrar os caminhos histórico-eclesiais entre a república brasileira e a Santa Sé e a Igreja Católica no Brasil que levaram à assinatura, aprovação e promulgação do Acordo Brasil-Santa Sé em 2009. O referencial teórico adotado parte da concepção política do catolicismo romano de Carl Schmitt e a pesquisa é de cunho histórico-canônico. Buscamos entender os caminhos diplomáticos e os entraves eclesiais brasileiros que levaram a 119 anos de espera entre a proclamação da república e a assinatura do Acordo diplomático. A metodologia usada é a pesquisa bibliográfica, consulta a arquivos eclesiásticos, principalmente na diocese de Santo André SP, e análise de textos de conferências sobre o tema.

The greater visibility of Chinese films brought by the wider global access and circulation has not satisfied the culturally specific understanding of Chinese cinema. The subject/object power relations stemming from the legacy of colonial and postcolonial discourse hinders the arrival of a better-balanced cross-cultural reading. The visibility of cinema provides a visual spectacle, it also challenges the audience with a communication of the epistemic side of visibility which feeds the images meaning and imagination and facilitates a more balanced culturally specific understanding. However, the epistemic side of visibility remains invisible under power-engaged cross-cultural reading. This study suggests that the sentimental provides a possibility for a better-balanced cross-cultural understanding through its provision of empathic connection with the culture, history and the psyche. Home-longing/homecoming is claimed to the basis that the Chinese culture is built upon. Defined as the sentimental, this affective mode has been manifested across Chinese cinema abundantly through visual representation. The various articulations of the sentimental in face of the global and transnational homogeneous force further prove the deep-rootedness of the sentimental. The sentimental fashions as an affective link that establishes an empathic engagement in cross-cultural analysis. Through reading eight Chinese films made since the 1990, this study illustrates the relationship between the visual spectacle and the sentimental in Chinese cinema. Although the eight films are all from mainland Chinese directors, this study is carried out with the awareness of the sharing of Chinese culture within the Chinese language cinema where this study locates.

Das künstliche Radionuklid 137Cs wurde seit über einem halben Jahrhundert in die Natur eingebracht. Sein erstes Erscheinen in Sedimenten der zentraleuropäischen Seen korrespondiert mit den Nuklearwaffentests in den 60er-Jahren des 20. Jahrhunderts. Die stärkste Kontaminierung der europäischen Seen und Flüsse entstand als Folge des radioaktiven Niederschlags nach dem Unfall in Tschernobyl im Frühjahr 1986. In dieser Arbeit wurde das Migrationsverhalten des künstlichen 137Cs im Lago Maggiore und anderen Seen im Alpenvorland als Folge dieses Niederschlags untersucht. Der Lago Maggiore zählt zu den größten Trinkwasserreservoiren südlich der Alpen. Nach dem Unfall in Tschernobyl gingen ungefähr 20 kBq•m-2 des 137Cs auf die Oberfläche des Sees nieder. Im Zeitraum von 2003 bis 2005 wurden Sedimentkerne und Wasserproben an sieben unterschiedlichen Stellen des Lago Maggiore entnommen. Diese Arbeit beschäftigt sich mit Daten über die Verteilung des 137Cs in den Zuflüssen, dem Wasser des Sees, in Schwebstoffen und Bodensedimenten und mit der Assoziierung von 137Cs mit verschiedenen geochemischen Fraktionen. Um den Abfluss des 137Cs aus dem Wassereinzugsgebiet in den Fluss zu modellieren, wurde ein Compartmentmodell verwendet. Zur Modellierung der Aufnahmemenge von 137Cs im Sediment und der vertikalen Verteilung innerhalb dessen wurde ein Diffusions-Konvektions-Modell entwickelt. Dieses Modell berücksichtigt die Aufnahme von Aktivität durch Sedimentation, Fixierung und Rücklösung, retardierte Diffusion, die Verdichtung des Sediments sowie den Einfluss konkurrierender Ionen auf die retardierte Diffusion innerhalb des Sediments. Die Ergebnisse der Parameteroptimierung – im Wesentlichen die Sedimentationsrate und der 137Cs-Verteilungskoeffizient Kd, welcher die Aufnahme der Aktivität in das Sediment determiniert – werden erörtert und mit denen anderer europäischer Seen, die eine ähnliche 137Cs-Deposition, aber unterschiedliche limnologische Eigenschaften aufweisen, verglichen. Zur Beurteilung der Bioverfügbarkeit von 137Cs wurde die 137Cs-Aktivitätskonzentrationen von Fischproben aus dem Lago Maggiore gemessen. Aus bereits existierenden Daten und unseren Messergebnissen wurden 137Cs Fisch-Wasser Konzentrations-Verhältnisse errechnet und mit denen für andere Seen, die von ähnlichen 137Cs-Kontaminationen betroffen sind, verglichen. / Artificial Cs-137 has been introduced into the environment for more than half a century. Its first appearance in central European lake sediments corresponds to the nuclear weapons testing in the 1960s. The largest contamination of European lakes and rivers occurred as a consequence of the fallout after the Chernobyl accident in spring 1986. In this work the migration behaviour of artificial Cs-137 in Lago Maggiore and other pre-alpine lakes as a consequence of these fallouts was studied. Lago Maggiore is one of the largest drinking water reservoirs in the south of the Alps. After the Chernobyl accident roughly 20 kBq•m-2 of 137Cs were deposited onto the lake surface. From 2003 to 2005 bottom sediment cores and water samples were collected at 7 different locations of Lago Maggiore. Data on the 137Cs distribution in tributaries, lake water, suspended matter, bottom sediments, and the 137Cs association to different geochemical fractions are presented in this work. To model the run-off of 137Cs from the watershed into the lake a compartment model was used. For modeling the input of 137Cs into and the vertical distribution within the sediment a diffusion–convection type model was developed. This model takes into account the uptake of activity by sedimentation, fixation and redissolution, retarded diffusion, the influence of competing ions on the retarded diffusion within the sediments, and compaction of sediments. The results of the parameter optimization – mainly the sedimentation rate and the 137Cs distribution coefficient Kd, which determines the uptake of activity into the sediment – are discussed and compared with those of other European lakes characterized by similar 137Cs deposition levels but different limnological properties. To estimate the bioavailability of 137Cs, its activity concentrations in fish samples from Lago Maggiore were measured. Combining the existing data with our measurements, 137Cs fish–water concentration ratios were calculated and compared with those for other lakes which were affected by similar 137Cs contamination.

Simulated mirror displays have a promising prospect in applications, due to its capability for virtual visualization. In most existing mirror displays, cameras are placed on top of the displays and unable to capture the person in front of the display at the highest possible resolution. The lack of a direct frontal capture of the subject's face and the geometric error introduced by image warping techniques make realistic mirror image rendering a challenging problem. The objective of this thesis is to explore the use of a robotic camera in tracking the face of the subject in front of the display to obtain a high-quality image capture. Our system uses a Bislide system to control a camera for face capture, while using a separate color-depth camera for accurate face tracking. We construct an optical device in which a one-way mirror is used so that the robotic camera behind can capture the subject while the rendered images can be displayed by reflecting off the mirror from an overhead projector. A key challenge of the proposed system is the reduction of light due to the one-way mirror. The optimal 2D Wiener filter is selected to enhance the low contrast images captured by the camera.

This thesis presents an empirical investigation of the problems of including pictorial digital art in the context of Digital Libraries (DLs). The rational for this work is that digital art material is a significant source of learning and research, provided that it is systematically collected and maintained in structured electronic repositories. The thesis addresses a fundamental question: How to provide description and retrieval services, which are based on the needs of digital art user communities? This raises three research issues. One is the need to combine DL collections into meaningful and functional content. The second is the importance of a user-oriented approach to designing and developing Digital Libraries. The third is the requirement for continuing access to digital art as a record of modern culture. These questions are explored through a needs assessment targeted to Arts & Humanities scholars, digital artists and representatives of the DL community. A data collection methodology is developed, based on the principles of Social Informatics and a case study of evaluation efforts in extant projects. The results from this process demonstrate that the scholarly value of digital art can be established by aggregating material from various repositories into a unified dataset. The results also identify specific documentation and retrieval issues deriving from inclusion of digital art in a DL environment that necessitate further investigation. To this end, a review of sixteen digital art online resources is conducted which reveals ad-hoc collection strategies and metadata deficiencies. The work presents a prototype Digital Library for enhancing the educational outcome of digital art. The application is used as an implementation platform for material aggregation and augmented documentation through the Media Art Notation System (MANS). The summative evaluation findings confirm that the suggested solutions are highly rated by the targeted audiences. The thesis makes a contribution to academic knowledge in situating the representation of digital art within modern society. By critically examining the unique requirements of this material using the resources of social theory, the thesis represents a contemporary and pragmatic perspective on digital media art. In a well-structured Digital Library, the scholarly potential of digital art is much greater than the currently employed ad-hoc context. This work offers a sustained reflection and a roadmap for selecting and consistently applying a strategy that aims to continually improve the quality of digital art provision.