李少恩. / "2002年1月" / 論文 (哲學碩士)--香港中文大學, 2002. / 參考文獻 (leaves 153-163) / 附中英文摘要. / "2002 nian 1 yue" / Li Shao'en. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2002. / Can kao wen xian (leaves 153-163) / Fu Zhong Ying wen zhai yao. / 撮要 --- p.iii / Abstract --- p.iv / Chapter 1. --- 導言 --- p.1 / Chapter 1.1 --- 論題定義 / Chapter 1.2 --- 研究範圍與目的 / Chapter 1.3 --- 過去的研究概況 / Chapter 1.4 --- 研究方法 / Chapter 2. --- 香港粤曲創作史略 --- p.14 / Chapter 2.1 --- 班本時期：鴉片戰爭至十九世紀末（1840-1900) / Chapter 2.2 --- 「理想班本」時期：辛亥革命前後（1900-1920) / Chapter 2.3 --- 粤曲時期：省港大罷工前至中華人民共和國成立後（1920-1960) / Chapter 3. --- 當代香港社會與粤曲撰曲者 --- p.55 / Chapter 3.1 --- 當代香港社會與粤曲發展 / Chapter 3.2 --- 三位當代撰曲者的簡介 / Chapter 3.3 --- 小結 / Chapter 4. --- 當代香港粤曲的創作 --- p.83 / Chapter 4.1 --- 撰曲者對粤曲的已有知識及撰曲動機 / Chapter 4.2 --- 從構思到首演 / Chapter 4.3 --- 個案研究：一次粤曲首演的觀察 / Chapter 4.4 --- 小結 / Chapter 5. --- 當代香港粤曲的結構分析 --- p.109 / Chapter 5.1 --- 當代粤曲的音樂素材 / Chapter 5.2 --- 板腔音樂素材的運用 / Chapter 5.3 --- 「小曲」的選用 / Chapter 5.4 --- 小結 / Chapter 6. --- 結論 --- p.134 / Chapter 6.1 --- 總結 / Chapter 6.2 --- 當代香港粤曲撰曲者的創作路向 / Chapter 6.3 --- 當代香港粤曲撰曲者及作品的承傳 / Chapter 6.4 --- 進一步研究的建議 / 附錄 --- p.144 / 參考書目 --- p.153

張琬琪. / "2008年2月". / "2008 nian 2 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 119-121). / Abstract also in English. / Zhang Wanqi. / Chapter 第一章 --- 導論 --- p.1-11 / Chapter 1. --- 粤語歌唱片的硏究價値 --- p.2-3 / Chapter 2. --- 本土粤語歌唱片硏究槪說 --- p.3-8 / Chapter 3. --- 歌唱片類型硏究的意義 --- p.8-11 / Chapter 第二章 --- 類型來源與構成 --- p.12-38 / Chapter 1. --- 香港電影史與「歌唱片」的起源 --- p.13-15 / Chapter 2. --- 解構「全部歌唱片」 --- p.15-25 / Chapter 3. --- 歌唱片戰後復興的外緣因素 --- p.25-30 / Chapter 4. --- 類型混合：「全部歌唱片」及其後之「歌唱喜劇」 --- p.30-37 / Chapter 5. --- 總結 --- p.37-38 / Chapter 第三章 --- 音樂風格與歌曲敘事 --- p.39-68 / Chapter 1. --- 粤曲：從舞台到電影 --- p.41-44 / Chapter 2. --- 全部歌唱：粤曲代替對白 --- p.44-49 / Chapter 3. --- 撰曲人在歌唱片中所扮演的角色 --- p.49-55 / Chapter 4. --- 電影與粤劇：從分裂到整合 --- p.55-58 / Chapter 5. --- 粤劇音樂的電影化 --- p.58-66 / Chapter 6. --- 總結 --- p.66-68 / Chapter 第四章 --- 角色典型化與演員形象 --- p.69-96 / Chapter 1. --- 演員、角色與類型電影 --- p.71-73 / Chapter 2. --- 粤劇對歌唱片角色塑造的影響 --- p.73-74 / Chapter 3. --- 芳艷芬：「賢妻良母」形象的一致性 --- p.75-80 / Chapter 4. --- 任劍輝：「女扮男裝」的戲迷情人 --- p.80-88 / Chapter 5. --- 演員形象的社會作用 --- p.88-95 / Chapter 6. --- 總結 --- p.95-96 / Chapter 第五章 --- 結論 --- p.97-109 / Chapter 1. --- 粤語歌唱片與粤劇文化 --- p.98-100 / Chapter 2. --- 歌唱片由盛轉衰的原因 --- p.100-102 / Chapter 3. --- 歌唱片對日後電影的影響 --- p.102-109 / 附錄：電影廣告 --- p.110-118 / 參考書目 --- p.119-121

黃小蓉. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 411-430) / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Huang Xiaorong.

一貫道已成當代的顯學，雖其學術研究成果尚不豐富，但其參與各種社會活動卻相當活躍，而信徒人數也佔臺灣人口相當高的比率。其在臺灣的發展，從早年政府、社會各方的打壓，而至登記為合法宗教並向海外傳播，至今在國內外蓬勃發展，秉持的是什麼樣的修行觀？宗教實踐的內涵為何？兩者的關聯性如何？這些都是本論文要探討的問題。 　　本論文採取的研究方法包括文本分析、田野調查與問卷調查。先從《皇 訓子十誡》訓文本中提出一貫道的修行觀，並從中歸納一貫道信仰的核心價值為無生老 的概念，由此概念才能推展出其他的修行觀。再從田野調查中觀察一貫道的宗教實踐，分為宗教儀式、個人修辦與社會公益三類。最後則以問卷調查分析的方式來探討修行觀與宗教實踐的關聯性，從寶光崇正道場中對特定族群做不分年齡、性別、學歷的抽樣調查，分析結果發現，宗教實踐確實和修行觀有所關聯，而影響最多的選項為「行功了愿」的修行觀，這也和研究觀察的發現相符，但其內在的觀念仍是無生老 。

University of Macau / Faculty of Social Sciences and Humanities / Department of Chinese

published_or_final_version / Architecture / Master / Master of Architecture

「中華禪法鼓宗」的創辦人聖嚴法師，以宏揚及復興漢傳禪佛教為使命與責任，為中國禪宗兩大法脈臨濟宗與曹洞宗之傳承者，將中國禪法傳播至美洲、歐洲、亞洲及世界各地，被譽為當代重要之國際級中國禪師。 其所教導之禪修體系及方法，因應現代人的需要已不同於傳統禪修方法。主要呈現在兩個方面上：一方面於禪堂正式教導之禪修方法有所轉變，如話頭禪與默照禪兩種禪法合流傳授、分階段及分次第以達頓悟之禪修體系；另一方面以適應現代人容易接受之語言、文字及方法轉化傳統之禪修方法，將之生活化，成為可以利益世人之方法與教導，如「心靈環保」、「心五四」及「心六倫」等社會運動。(取「新」與「心」之諧音) 聖嚴法師晚年因未能見到漢傳禪佛教之快速復興，為期勉僧俗四眾弟子宏揚漢傳禪佛教，以之利益世間大眾。因此，以其畢生所學及所教授之禪佛教，整理出明確之淵源、內容、方法與實踐，於2005年正式創立「中華禪法鼓宗」。這在禪宗史上有著劃時代的意義，實具研究探討之價值。 本論文以「中華禪法鼓宗」的禪修教育為主軸，探討其所創設禪修教育體系之歷史背景、禪修教育方法演進、禪修方法內容、組織體系、推廣活動、及因應現代社會之禪修教育方式轉變等相關問題。主要之研究方法為文獻蒐集與探討分析，並進行人物之訪談與田野調查。 研究結論為聖嚴法師會通「話頭禪」與「默照禪」，建立「頓中開漸」的禪修方法，將禪修過程與層次開出次第，將古代禪法靈活運用、現代化詮釋，融入現代人的日常生活中。中華禪法鼓宗的禪修教育內容及方法豐富、完整而全面，並呼應現代社會需要。目前法鼓山的禪修推廣組織健全，禪修活動課程分次第架構完整，致力將佛法、禪法實用化，讓現代人能得到佛法及禪法的利益。另檢視法鼓宗之立宗要件具足，有其歷史必然性，在聖嚴法師禪師捨報後，仍可理解「中華禪法鼓宗」的運作原則與其歷史重要性。 / Venerable Master Sheng Yen, the founder of the “Dharma Drum Lineage of Chan Buddhism”, had committed himself to transmit and promote the revival of Chan Buddhism as his life’s mission and responsibility. By inheriting both mainstream Chan lineages, the Caodong and Linji lineages, he redefined the Chinese Chan meditation and introduced it to the Americans, Europe, and Asians, as the first Chinese Chan master in the western world. His teaching of meditation, responded to the needs of modern people. This thesis will investigate his way of incorporating and transforming traditional Chan into a systematic education for contemporary followers. First, I will introduce the official teachings in his meditation hall, including how he integrated two methods of Huatou and Silent Illumination in terms of dividing the courses of Chan practice into sequential stages. Moreover, he simplified and assimilated traditional Chan language into more friendly modern vocabularies in spreading his meditation method to modern-day people and provided it in more adaptable way. Consequently, he proposed a series of social movements to internalize Chan practice into daily life. These campaigns include Spiritual Engagement (literally, Protecting the Spiritual Environment), the New May Fourth Movement (here, “New” is pronounced as “mind” in Mandarin in signifying the Spiritual Renaissance ), and the New Six Ethics enlarging the Five Confucius Ethics from socio-family relation to spiritual cultivation. Master Sheng Yen had completed his meditation education system in his very late days, leaving relatively uncertainty and creativity to his disciples. This explains the reason for him to initiate the Dharma Drum lineage in 2005. To put the responsibility on his monastic and lay followers of spreading Chinese Chan Buddhism to benefit people in the world, Master Sheng Yen integrated his lifelong learning and teaching Chan Buddhism experiences into a new Lineage of Chan Buddhism. This thesis will discuss the origin, contents, methods and practice of the “Dharma Drum Lineage of Chan Buddhism. That Master Sheng Yen founded his lineage and referred it as Chinese Chan Buddhism has enlarged the scale of Chinese and world history of Chan. This thesis mainly explores the historical background of "Dharma Drum Lineage of Chan Buddhism” in terms of its meditation educational system, especially the meditation within a modern society. In spite of historical analysis, I will also conduct

[Truncated abstract] Conventional historical research on the tea trade focussed on the trade between the United Kingdom and China up to 1937. Very little has been done on the tea trade between China and other regions such as colonial Singapore. In addition, the focus on the overseas Chinese community in Singapore has concentrated on two opposite ends of the social ladder the rich traders or merchants who came to dominate the political, economic and social life of the community, and the coolies or those in the working class and how the harsh reality of life in colonial Singapore often quashed any dreams they had of a better life. The key focus of this dissertation is a study of the trading links between a group of Chinese traders in Singapore and commodity producers in China. To date, research into Chinese traders in Singapore has focussed on their trade in products from British Malaya such as rubber and tin. This dissertation aims to steer away from this approach, and study the relationship between Fujian tea production and trade and the Chinese tea traders in Singapore . . . This dissertation, therefore, takes a two-pronged approach. First, it examines the conditions in Fujian tea production and trade since they were the key trading concerns of the Chinese tea traders in Singapore. Secondly, the dissertation examines the political beliefs and sense of patriotism among the Chinese tea traders in Singapore and their response to major events in their lives such as the Sino-Japanese War (1937-1945), the Japanese Occupation of Singapore (1942-1945), the Chinese Civil War (1945-1949) and self-government for Singapore from June 1959.

Thesis (M.S.W.)--University of Hong Kong, 1992.

Thesis (Ph. D.)--University of Hong Kong, 1999. / Includes bibliographical references.