"Strange Neighborhoods" is a collection of short stories chronicling the petty disputes, semi-supernatural happenings, and longing for connection which dominate the lives of its' loners and outcasts. A father attempts to quell his daughter's night terrors through paranormal means; a deer in the house disrupts a man's depressive state; a woman attempts to replace her neighbor's dog with a doppleganger; a stolen pie recipe results in a bitter feud and a search through the phone book for women of the same name.

Renovations and Other Stories is a linked collection of ten fiction stories that examines the ways by which women renew or restore themselves. The collection is set in the imaginary city of St. Clair, South Carolina, a town balancing historical accuracy with the sensational tourist industry; Carolinians who trace their ancestries back to the American Revolution with suburban newcomers; and the notion of cherishing the past with moving forward. Many of the characters struggle with identity, whether it is regional or feminine individuality. The protagonists must challenge self-image when faced with situations that make them reconsider their places in their marriages, schools, jobs, and in their lives. Relationships among women, especially mother-daughter bonds, are an important motif throughout the collection. These stories cover the lifetimes of two generations of Carolinian women. A baker struggles to break free of her Northern transient upbringing. A history student yearns to escape her past as a victim of bullying to form a new, confident identity while saying goodbye to her estranged mother. Another girl explores the confused social politics of the South which alienate her from a childhood friend. I intend to examine, through fiction, how people come to appreciate one another, often a moment too late, and how sometimes we completely misunderstand ourselves.

The Natural Order of Things is a collection of unrelated short stories that focuses on the love, despair, happiness and sorrow prevalent in relationships. Another common thread is how the lack of communication between family, friends and lovers can create burdens that, in some cases, are simply too heavy to lift. Some of the stories have a humorous voice while dealing with those burdens. Many others deal with the complexities of those emotions in a more somber tone. These fictional stories are completely unrelated to each other, and yet they all aim to shine a light on life's conflicts--and on the ramifications of how we deal with those conflicts.

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This research is investigating how one can use narrative tools in the field of interior architecture. Its projects explore different approaches of communicating about and with interiors. Communications, imaginable in the form of conversations, which can take place between the interiors, the interior architects and the users. It’s about learning from an existing space. A knowledge I think we should have before we start to change it. A knowledge that can lead to a deeper understanding and respect towards the interiors and their previous history. It’s about expanding the interior architect’s toolbox with narrative tools. Tools we can use on our own but also in form of workshops, involving the users. It’s about an additional type of understanding of interiors. An understanding that goes beyond the materials, colours, forms and objects it is composed of. It’s about the stories and characters behind the interiors, the narratives. / <p>The full thesis contains copyrighted material which has been removed in the published version.</p>

The aim of this research was to explore the alternative stories of a group of black adults who survived the apartheid years in South Africa. In common parlance it is held that there are two sides to a story and surely, there must have been alternative stories of how people in the black community survived the apartheid years, other than only the dominant stories of suffering that came to the fore during the Truth and Reconciliation Commission (TRC) hearings. It was surmised that the lives of many of the black adults, who experienced the atrocities of the apartheid years, might have been shaped by the dominant stories of hardship and that alternative stories of survival may not have played the important role in the shaping of their lives, that they should have played. The motivation for this research is that the data that were elicited may lead to further research and the possible planning of programmes to help people that experienced the atrocities during the apartheid era to incorporate their alternative stories of survival with their dominant stories of suffering. Fifteen black participants, aged thirty-seven and older participated in the research project. A qualitative research design, more specifically narrative analysis, was used in the form of the categorical-content approach. Two methods were used to obtain data, namely a question in the biographical questionnaire, as well as an unstructured individual interview with the participants. Analysis of the data yielded eight prevalent themes, namely support, religion, role models, education, the struggle, culture, positive experiences facilitated hope, and acceptance. Results indicated that the eight themes are closely linked Suggestions for future research projects were made. / Thesis (M.A. (Clinical Psychology))--North-West University, Potchefstroom Campus, 2006.

The aim or this research was to explore a group of black South Africans' experiences of telling their untold stories of survival about the apartheid era. The expectation was that if they did become more aware of these alternative stories, it could have a far-reaching effect on their lives. Research indicates that when attention is given to these narratives they may be a powerful tool in not only recovering the story but also in focusing on the survivors' own consciousness and growth. Consequently personal meaning may be elicited by focusing on memories, and that which can be narrated afterwards. This may mean that by sharing these narratives the narrator may be enabled to construct a happier future via a positive rather than dissociative perspective simultaneously supplying the researcher with multifaceted data. A qualitative study was conducted with a group of seven black South African survivors of the apartheid era, ranging in age from 42 - 62 years. These participants formed part of an earlier study of Van der Merwe (2005) investigating their perceptions regarding factors that helped them to survive the apartheid era. For the present study, unstructured interviews were conducted focusing on their subjective experiences after the initial study. Analysis of the data yielded seven prevalent themes namely, a positive experience that made a difference, gaining of a positive attitude, not all white people are bad, transcending the past and moving on, awareness of personal strengths, forgiveness and starting to talk to family and friends. Recornmendations are made concerning future research. / Thesis (M.A. (Clinical Psychology))--North-West University, Potchefstroom Campus, 2007

This collection contains a preface entitled "Of Other Worlds" and the following short stories: "The Mind's Eye," "Waking," "The Conquest of the World," "Persephone," and "Extradition." This creative thesis includes a blend of science fiction and literary realism short stories, which are collectively concerned with questions of time, narration, and the use of language. As well, the preface discusses science fiction theory, narrative strategies such as the use of the first person perspective, and the author's theory of composition.

This thesis contains five short stories, "The Playground at the End of the Neighborhood," "The Daylight Monster," "Union, Justice, and Confidence," "Traction," and "Exercise." The five stories presented here seek to utilize the freedom of the "tale." They vary in degree of employment of the fantastic, are the product of another culture and a different outlook, and utilize the freedom of the short story to operate on strengths other than reader-protagonist identification. A theme of caution serves as a unifying thread for these five tales

The critical interest in Henry James and his relationship with the "Gilded Age," or the "golden age of American business," indicates that a chronological study of the American businessman, as this character appears in James's fiction, may have some value. The term businessman in this study will simply be understood to mean a maker of money. To consider in detail all of James's writings would exceed the scope of this study; only those novels and stories which deal most obviously and directly with American businessmen will be included.