Global ETD Search

121	Shame and late Victorian gothic : The picture of Dorian Gray, The beetle, and The strange case of Dr Jekyll and Mr Hyde Paquin, Marianne 22 March 2024 (has links) Suite aux grands changements qui bousculèrent la société, la fin du dix-neuvième siècle fut une période de grande instabilité pour l’Angleterre. Les anxiétés créées par ces bouleversements se reflétèrent dans une prolifération de la littérature Gothique. Bien que le genre soit généralement étudié en relation avec la peur, ce mémoire soutient que le gothique tire son essence d’un large éventail d’émotions — et, tout particulièrement, de la honte. Étroitement liée à la notion de moralité, la honte est profondément ancrée dans les codes sociaux et les conventions. Dans une société aussi conservatrice et rigoureusement structurée que celle de la fin de la période victorienne, la honte révèle les conflits auxquels les individus faisaient face, ainsi que leur manière de les gérer. Pour comprendre les dynamiques de ces enjeux et les valeurs à leur fondement, ce mémoire explore trois romans importants de l’époque : The Picture of Dorian Gray, de Oscar Wilde, The Beetle, de Richard Marsh et The Strange Case of Dr Jekyll and Mr Hyde de Robert Louis Stevenson. En se concentrant particulièrement sur la figure du monstre gothique, cette étude considère deux types de honte : interne et externe. Tandis que le portrait de Dorian Gray illustre le conflit interne du protagoniste, la créature de The Beetle offre un exemple de honte externe comme châtiment; enfin, le double dans Jekyll and Hyde expose la mécanique de coexistence des hontes externe et interne. Au moyen de cet angle d’analyse, ce mémoire ouvre alors de nouvelles perspectives d’études sur la littérature gothique de la fin du dixneuvième siècle. / The end of the nineteenth century in England was a period of great instability as society experienced significant changes. These disruptions created anxieties, which were manifested in the proliferation of Gothic literature. While the Gothic genre is generally studied through the lens of fear, this thesis argues that it is governed by a range of affects, especially shame. Closely linked with morality, shame is deeply embedded in social codes and conventions. In a rigidly structured, conservative society such as that of late Victorian Britain, shame reveals much about the struggles that people faced and how they handled them. To understand the dynamics of these struggles and the values that underpinned them, this thesis explores three major novels from the fin de siècle period: The Picture of Dorian Gray by Oscar Wilde, The Beetle by Richard Marsh and The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson. With a particular focus on the figure of the Gothic monster, this study considers two different types of shame, internal and external. The portrait in Dorian Gray illustrates the internal conflict of the protagonist, while the creature in The Beetle offers an example of external shame as punishment. Meanwhile, the double in Jekyll and Hyde provides an opportunity to understand how internal and external shame coexist. In so doing, this thesis provides new insights into Gothic literature of the fin de siècle. PR 13.5 UL 2019 Marsh, Richard, -1915. Beetle. Honte dans la littérature. Monstres dans la littérature.
122	First Time Measurements of Polarization Observables for the Charged Cascade Hyperon in Photoproduction Bono, Jason S 06 June 2014 (has links) The parity violating weak decay of hyperons offers a valuable means of measuring their polarization, providing insight into the production of strange quarks and the matter they compose. Jefferson Lab’s CLAS collaboration has utilized this property of hyperons, publishing the most precise polarization measurements for the Λ and Σ in both photoproduction and electroproduction to date. In contrast, cascades, which contain two strange quarks, can only be produced through indirect processes and as a result, exhibit low cross sections thus remaining experimentally elusive. At present, there are two aspects in cascade physics where progress has been minimal: characterizing their production mechanism, which lacks theoretical and experimental developments, and observation of the numerous excited cascade resonances that are required to exist by flavor SU(3)F symmetry. However, CLAS data were collected in 2008 with a luminosity of 68 pb−1 using a circularly polarized photon beam with energies up to 5.45 GeV, incident on a liquid hydrogen target. This dataset is, at present, the world’s largest for meson photoproduction in its energy range and provides a unique opportunity to study cascade physics with polarization measurements. The current analysis explores hyperon production through the γp → K+K+Ξ− reaction by providing the first ever determination of spin observables P, Cx and Cz for the cascade. Three of our primary goals are to test the only cascade photoproduction model in existence, examine the underlying processes that give rise to hyperon polarization, and to stimulate future theoretical developments while providing constraints for their parameters. Our research is part of a broader program to understand the production of strange quarks and hadrons with strangeness. The remainder of this document discusses the motivation behind such research, the method of data collection, details of their analysis, and the significance of our results. Physics Weak Nuclear Polarization Hyperon Particle Baryon Meson Strange Quark Kaon Photoproduction Jlab Jefferson Lab Photon Lambda Production Gamma K P Xi Cascade Jason Bono Experimental Accelerator g12 CLAS Jason Bono Jason S. Bono Nuclear Physics Particle Physics Hyperon Polarization Weak Decay Cascade Polarization Xi Polarization Induced Transfered Cx Cz Induced Polarization Transfered Polarization FIU Jlab Jefferson Lab Hall b
123	The doppelganger in select nineteenth-century British fiction : Frankenstein, Strange case of Dr Jekyll and Mr Hyde, and Dracula Romero, Holly-Mary 19 April 2018 (has links) Ce mémoire étudie les épitomés de la figure doppelganger en trois romans britanniques gothiques du XIXe siècle: Frankenstein de Mary Shelley, Strange Case of Dr. Jekyll and Mr. Hyde de Robert Louis Stevenson et Dracula de Bram Stoker. En utilisation avec les sources secondaires dont The Origin of Species et The Descent of Man de Charles Darwin, et The Uncanny de Sigmund Freud, je soutiens que le doppelganger symbolise les conventions sociales et les angoisses des hommes britanniques dans les années 1800. Grâce à un examen des représentations physiques et métaphoriques de la dualité et de la figure doppelganger dans la littérature primaire, je démontre que la duplicité était courante au XIXe siècle à Londres. En conclusion, les doppelgangers sont des manifestations physiques gothiques de terreur qui influencent les luttes avec bien séance, des répressions des désirs et des craintes de l'atavisme, de la descente et de l'inconnu dans le XIXe siècle. / This thesis investigates the representations of the doppelganger figure in three nineteenth-century British Gothic novels: Mary Shelley’s Frankenstein, Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde, and Bram Stoker’s Dracula. Using Charles Darwin’s The Origin of Species and The Descent of Man, and Sigmund Freud’s The Uncanny, I argue that the doppelganger symbolizes social conventions and anxieties of British men in the 1800s. By examining the physical and metaphorical representations of duality and the doppelganger figure in literature, I demonstrate that duplicity was commonplace in nineteenth-century London. I conclude that the doppelgangers are physical Gothic manifestations of terror that epitomize nineteenth-century struggles with propriety, repression of desires, and fears of atavism, descent, and the unknown. PR 13.5 UL 2013 Stoker, Bram, 1847-1912. Dracula Doubles dans la littérature Frankenstein (Personnage fictif) Dracula (Personnage fictif) Jekyll-Hyde (Personnage fictif)
124	Chaos / Chaos Vogelová, Tereza January 2012 (has links) The existing world is becoming more disrupted and is falling apart. For its resurrection and restoration, a new way of thinking is necessary. This new type of thinking is needed to be able to open up its mind and to think about the process of thinking itself; it must understand what is happening in other systems, where processes seem to be taking place by themselves without any other visible interference. First Chaos is the title for an intermedia installation which contains 90 black and white photographs, both digital and analogue, all of which were taken between the years 2008 and 2012. Together, the photographs create one coherent piece – a kind of sculpture. They can evoke a "still film" with a non-linear, cyclical storyline, whilst the images can simultaneously function individually, without any connection to other photographs.
125	A case for memory enhancement : ethical, social, legal, and policy implications for enhancing the memory Muriithi, Paul Mutuanyingi January 2014 (has links) The desire to enhance and make ourselves better is not a new one and it has continued to intrigue throughout the ages. Individuals have continued to seek ways to improve and enhance their well-being for example through nutrition, physical exercise, education and so on. Crucial to this improvement of their well-being is improving their ability to remember. Hence, people interested in improving their well-being, are often interested in memory as well. The rationale being that memory is crucial to our well-being. The desire to improve one’s memory then is almost certainly as old as the desire to improve one’s well-being. Traditionally, people have used different means in an attempt to enhance their memories: for example in learning through storytelling, studying, and apprenticeship. In remembering through practices like mnemonics, repetition, singing, and drumming. In retaining, storing and consolidating memories through nutrition and stimulants like coffee to help keep awake; and by external aids like notepads and computers. In forgetting through rituals and rites. Recent scientific advances in biotechnology, nanotechnology, molecular biology, neuroscience, and information technologies, present a wide variety of technologies to enhance many different aspects of human functioning. Thus, some commentators have identified human enhancement as central and one of the most fascinating subject in bioethics in the last two decades. Within, this period, most of the commentators have addressed the Ethical, Social, Legal and Policy (ESLP) issues in human enhancements as a whole as opposed to specific enhancements. However, this is problematic and recently various commentators have found this to be deficient and called for a contextualized case-by-case analysis to human enhancements for example genetic enhancement, moral enhancement, and in my case memory enhancement (ME). The rationale being that the reasons for accepting/rejecting a particular enhancement vary depending on the enhancement itself. Given this enormous variation, moral and legal generalizations about all enhancement processes and technologies are unwise and they should instead be evaluated individually. Taking this as a point of departure, this research will focus specifically on making a case for ME and in doing so assessing the ESLP implications arising from ME. My analysis will draw on the already existing literature for and against enhancement, especially in part two of this thesis; but it will be novel in providing a much more in-depth analysis of ME. From this perspective, I will contribute to the ME debate through two reviews that address the question how we enhance the memory, and through four original papers discussed in part three of this thesis, where I examine and evaluate critically specific ESLP issues that arise with the use of ME. In the conclusion, I will amalgamate all my contribution to the ME debate and suggest the future direction for the ME debate. 174

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