Concentrating on six plays in the 1610s, this thesis explores the ways theatrical visual effects described as “strange” channel the period’s moral anxieties about rhetoric, technology, and scepticism. It contributes to debates in repertory studies, textual and material culture, intellectual history, theatre history, and to recent revisionist considerations of spectacle. I argue that “strange” spectacle has its roots in the materialisation of morality: the presentation of moral ideas not as abstract concepts but in physical things. The first part of my PhD is a detailed study of early modern moral philosophy, scepticism, and material and textual culture. The second part of my thesis concentrates on Shakespeare’s Cymbeline (1609-10) and The Tempest (1611), John Webster’s The White Devil (1612), and Thomas Heywood’s first three Age plays (1611-13). These spectacular plays are all written and performed within the years 1610-13, a period in which the changes, challenges, and developments in both stage technology and moral philosophy are at their peak. I set these plays in the context of the wider historical moment, showing that the idiosyncrasy of their “strange” stagecraft reflects the period’s interest in materialisation and its attendant moral anxieties. This thesis implicitly challenges some of the conclusions of repertory studies, which sometimes threatens to hierarchise early modern theatre companies by seeing repertories as indications of audience taste and making too strong a divide between, say, “elite” indoor and “citizen” outdoor playhouses. It is also aligned with recent revisionist considerations of spectacle, and I elide divisions in criticism between interest in original performance conditions, close textual analysis, or historical-contextual readings. I present “strangeness” as a model for appreciating the distinct aesthetic of these plays, by reading them as part of their cultural milieu and the material conditions of their original performance.

M.A. (English) / Victorian studies is a field much-studied and, during the century that has passed since the end of Queen Victoria‘s reign, literary criticism on the subject has been extensive. In the main, however, criticism has tended to focus on the protagonists of Victorian novels, whether to argue that their journeys are immoral, or represent a warning against immorality, or to examine their behaviour and so arrive at conclusions regarding identity. Through a close reading of Oscar Wilde‘s The Picture of Dorian Gray (1891), Robert Louis Stevenson‘s The Strange Case of Doctor Jekyll and Mr Hyde (1886), and Bram Stoker‘s Dracula (1897), and by focussing on the reactions and responses of Victorian society (as the texts represent it) to the novel‘s transgressive characters rather than on those characters themselves (as has been the trend) this dissertation moves away from readings of duality and moral judgment and towards a greater understanding of the intricacies of late-Victorian society itself. In addition, and through this process, this dissertation interrogates the bifurcated and contradictory nature of the Victorian moral structure and destabilizes the binary oppositions of character judgment that were so fundamental in its creation. Furthermore, through a discussion of the historical context of the text‘s chosen for this study, this dissertation challenges the formulation and authenticity of Victorian morality by considering the manner in which power informed the behaviour and decisions of middle-class Victorians at the turn of the century. To this end, I will consider how the philosophies of Friedrich Nietzsche, especially those pertaining to power and morality, are invaluable in problematizing the binary system of categorization that so dominated the late-Victorian cultural space. Finally, I argue that the texts I have elected to study represent a climate of unrest and dissatisfaction with the Victorian moral climate at the fin de siècle (or turn of the century) and that they are instrumental in our understanding of that moral climate and the subsequent changes to it.

Les troubles anxieux sont les troubles psychologiques les plus prévalents chez les enfants et les adolescents. Les symptômes apparaissent rapidement dans le développement de l’enfant et persistent souvent jusqu’à l’âge adulte. Plusieurs recherches ont été réalisées sur les prédicteurs de l’anxiété. Certaines font ressortir une association entre l’attachement insécurisant et l’anxiété, particulièrement les attachements ambivalent et désorganisé. Depuis quelques années, un nouveau concept est utilisé pour évaluer la relation parent-enfant, la relation d’activation. Cette dernière est complémentaire à la relation d’attachement, car elle considère les dimensions de la discipline et de la stimulation à la prise de risque, alors que l’attachement est basé sur la dimension du réconfort. Plusieurs recherches ont aussi trouvé des associations entre l’anxiété et l’activation. De ce fait, le premier objectif de cette recherche est de déterminer quelle association est plus forte avec l’anxiété entre la relation d’attachement ou la relation d’activation. Le deuxième objectif est de vérifier si le sexe du parent est un modérateur de l’association entre l’anxiété et les deux relations. L'échantillon est composé de 38 parents et de leurs enfants, âgés de 3 à 5 ans. Les instruments de mesure utilisés sont l’échelle d’anxiété/dépression du questionnaire CBCL pour les scores d’anxiété, la situation étrangère pour l’attachement et la situation risquée pour la relation d'activation. Les résultats montrent que la relation d’activation est associée à l’anxiété, alors que ce n’est pas le cas pour la relation d’attachement. De plus, le sexe du parent n’est pas un modérateur des associations entre l’anxiété et les relations. / Anxiety disorders are the most prevalent disorders in children and adolescents. The symptoms appear quickly in the child's development and often persist into adulthood. Many researches have been conducted on the predictors of anxiety. Several studies show that there is an association between insecure attachment and anxiety, particularly ambivalent and disorganized attachment. In recent years, a new concept has been used to evaluate the parent-child relationship, the activation relationship. This new measure is complementary to the attachment relationship because it considers the dimensions of discipline and stimulation to risk taking, while attachment is based on the dimension of comfort. Several studies have also found associations between anxiety and activation. As a result, the primary goal of this research is to determine which association is stronger with anxiety: attachment or activation. The second objective is to understand if the parent's sex is a moderator of the association between anxiety and the two relationships. The sample is composed of 38 parents and their children, aged 3 to 5 years. The measuring instruments used are the anxiety/depression scale of the CBCL questionnaire for the anxiety scores, the strange situation for attachment and for the activation relationship, the risky situation. The results show that the activation relationship is associated with anxiety, whereas this is not the case for the attachment relationship. In addition, the parent's gender is not a moderator of the associations between anxiety and attachment or activation relationships.

La sécurité d’attachement joue un rôle significatif dans la gestion du stress. En effet, elle permet à l’enfant de se réguler, tant sur le plan comportemental, émotionnel que physiologique. Le présent mémoire, qui s’inscrit dans une optique de valorisation des données de recherche, vise à investiguer, d’un point de vue longitudinal, le lien entre la sécurité d’attachement et la synchronisation physiologique des mécanismes de stress chez les dyades mère-enfant. En étudiant la réactivité de l’axe hypothalamo-pituito-surrénalien (HPS) qui régule le cortisol, souvent désigné comme l’hormone du stress, cette étude cherche à comprendre les mécanismes d’harmonisation physiologique de la réponse de stress chez les dyades. Les données qui ont servi à ce projet de mémoire proviennent d’une étude longitudinale de 1995 qui portait sur des mères adolescentes. Bien que les résultats des analyses corrélationnelles ne permettent pas d’identifier des différences significatives entre les différents types d’attachement, les résultats des analyses de variances mixtes à mesures répétées suggèrent que chez les dyades mères-enfants, l’harmonisation du cortisol salivaire se développerait de façon significative entre le 9e et 15e mois, et ce, indépendamment du type d’attachement de l’enfant. Ces résultats suggèrent que, dans les contextes de réactivité au stress, l’harmonisation de l’axe HPS des dyades mères-enfants serait un mécanisme physiologique normatif qui se développe à travers le temps. / Attachment security plays a significant role in stress management. Indeed, it allows the child to regulate his behavior, emotions and physiology. The present dissertation, which is part of a research data valuation approach, aims to investigate, from a longitudinal point of view, the link between attachment security and the physiological synchronization of stress mechanisms in mother-child dyads. By studying the reactivity of the hypothalamo-pituitary-adrenal (HPA) axis that regulates cortisol, often referred to as the stress hormone, this study seeks to understand the mechanisms of physiological attunement of the stress response in dyads. The data for this dissertation project came from a 1995 longitudinal study of adolescent mothers. Although the results of the correlational analyses did not identify significant differences between the different types of attachment, the results of the repeated measures analysis of variance using mixed models, suggest that within mother-child dyads, the attunement of salivary cortisol would develop significantly between the 9th and 15th month of age, independently of the child's type of attachment. These results suggest that, in contexts of stress reactivity, the attunement of the HPS axis of mother-infant dyads would be a normative physiological mechanism that develops over time.

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For whom do we draw buildings? Why does contemporary architecture look the way it does?Why are certain aesthetics considered more valid than others? With this project, I propose Dirty Geometry: norm-bending design that could challenge conventions within the field of architecture. It is an investigation of concepts such as ugliness, beauty, architecture and the human body, interiority, femininity and ”bad taste”. The purpose is to, with the aid of parametric design processes, make Stockholm less boring and more dirty. Dirty Geometry is both the creative process sprung from one’s personal desires, and the resulting design. It aims to celebrate the weird, playful and colorful in an empowering way. This thesis project draws a lot of inspiration from camp aesthetics and drag culture, because of the way humour is used in a subversive way to question gender identities, power structures and norms.

The Swedish author Fredrika Bremer's novel Grannarne was published in 1837, and the English translation The Neighbours was published in London in 1842. This novel as well as other novels by Bremer which were published in English in the 1840s, were widely read and they were very popular with readers as well as with literary critics. As has been noted formerly, there are certain striking likenesses between The Neighbours and Charlotte Brontë's novel Jane Eyre, published in 1847. In this essay, a comparative study is made of motifs found in both novels, such as "The Byronic Hero", and "The Strange Woman" as well as structures such as "the acceptance of guilt", followed by "judgement" and the possibility of "mercy", which are also found in both novels. In the last chapter, there is a discussion of the characters' perception of their respective worlds as primarily conditioned by religion, and how this is manifested in the previous chapters of the essay. A connection between Bertha in Jane Eyre and Hagar in The Neighbours is explored and a suggestion is made of a possible connection between Hagar and the ancient poet Sappho.

The year 2014 will mark the centennial of the outbreak of World War I in August 1914. This historic anniversary will likely provoke several discussions from all fields in the humanities concerning the Great War's significance on contemporary culture through history, visual art, and in the case of this essay: literature. In light of this event, any serious discussion among scholars should undeniably begin with how the war continues to be represented today through a thorough, contemporary analysis of its many key literary texts. This essay will examine, in this regard, how past and contemporary discourses in literary theory-primarily concerned with how an individual combatant subject attempts to construct and understand their own traumatic experiences through poetic and literary discourse-can continue to incite discussion on why literature of the Great War and its influential role in defining how it has come to be understood in our cultural memory remains relevant even today. Under the guiding influence of Paul Fussell's classic The Great War and Modern Memory, I will discuss how three important works-a poetry collection, a memoir, and a modern work of historical fiction-all contribute to how the war has become represented as a tragic rupture in history that reversed the idea of human progress and left an entire generation disillusioned in its aftermath, regardless of the historical veracity of this legacy. The texts I will be examining include: select poems of Wilfred Owen, Goodbye to All That by Robert Graves, and Regeneration by Pat Barker. In addition to this, I will conclude with an analysis of how a contemporary reading of these texts can contribute to a larger discussion of the crisis of historicity in our current post-modern cultural landscape.