The aim of this qualitative study is to analyse, based on Erving Goffman's theory the dramaturgical perspective and with a narrative analysis of autobiographies, the configuration of roles by honour exposed women. In order to illuminate and increase the understanding of honour-related violence and oppression from the perspective of honour exposed women. There is a requirement of increased knowledge of honour-related violence and oppression, especially among social workers who need to know how to encounter honour exposed women. In the field of research increased knowledge is needed on an individual level, mainly to make the honour exposed women's perspective visible in social work. The results and analysis of the study shows that the honour exposed women perform with several roles in their family collective and in different public contexts. Moreover, numerous aspects in the roles of the honour exposed women emerge. In addition, the women struggle to seek help from the authorities, perform in roles backstage and the boundaries between front and backstage are ambiguous. Furthermore, the study also clarifies that the phenomenon of honour-related violence and oppression is complex with variative expressions.