No description available.

Thesis (Ph. D.)--Eastman School of Music, University of Rochester, 1943. / Photolithograph of composer's manuscript. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/3781

Thesis (M.A.)--Marshall University, 2008. / Title from document title page. Includes abstract. Document formatted into pages: contains 1 score (44 p.)

Thesis (D.M.A.)--University of Texas at Austin, 2009. / Title from PDF title page (University of Texas Digital Repository, viewed on Sept. 16, 2009). Vita. Includes bibliographical references.

Thesis (D.M.A.)--University of Texas--Austin, 2003. / Includes program and performance notes, music analysis. Vita. Includes bibliographical references (leaf 117).

"SINFONIETTA" is constructed on a free usage of the traditional Sonata-form. It has an introduction; an Exposition, with two principal themes; a Development, in which both principal themes are used; and a Recapitulation, in which both principal themes are combined.

Symphony in Three movements is an orchestra work scored for two flutes, two oboes, two clarinets in Bb, two bassoons, two horns in F, three trumpets in Bb, three trombones, one tuba, percussion and strings. The percussion consists of timpani, vibraphone, temple block, tom-tom, suspended cymble, bass drum, and gong. The piece is not based on any non-musical image. The three movements of this work, I.(variation-like) II.(ternary) III.(fantasia-like), are based on the combination of the solemn ceremonial atmosphere of Korean music and early twentieth-century Western music.

Symphony no. 2 is a three-movement work for band. Each movement is dedicated to a pivotal figure in my development as a composer. The first movement is a march/scherzo based on octatonic collections, the second movement is a passacaglia modeled after the style of Philip Glass, and the third movement is a theme and variations written in my own personal style. Additionally, all three movements contain references to the hymn "Blessed Assurance" in gradually more obvious forms as the work progresses, although only the third movement includes an outright statement of the tune. This treatise consists of the full score for the symphony, followed by a discussion of the programmatic, formal, harmonic, and motivic elements of the music. / text

No description available.

Typescript (photocopy). / Digitized by Kansas Correctional Industries