This thesis (i) presents a critical analysis of the political allegory and dramatic elements employed by Antón Arrufat in Los siete contra Tebas in order to comment upon the conflict in Cuban society during and immediately after the Cuban revolution; and (ii) further analyzes that conflict using an anthropological approach in order to establish partial reintegration as an additional final phase in the rites of passage journey.

Esta tese estuda a adivinhação nas sete tragédias supérstites de Ésquilo entendendo-se a adivinhação não no sentido estrito de revelação de fatos futuros, mas no sentido mais amplo de um diálogo que se estabelece entre as instâncias divina e humana valendo-se de formas e recursos variados. Assim, a análise e interpretação destas tragédias priorizam os diversos aspectos deste diálogo divinatório para mostrar a adivinhação como fundamento da construção de estratégias dramáticas na tragédia esquiliana, por informar e definir tanto a peculiaridade desta poética quanto sua visão do mundo. / This thesis studies divination in the seven surviving tragedies of Aeschylus. Divination is taken here not in the strict sense of revelation of future events, but in the broader sense of a dialogue that is established between divine and human levels through a variety of forms and resources. Thus, the analysis and interpretation of these tragedies prioritises the different aspects of this divinatory dialogue, in order to show that divination is the basis for constructing the dramatic strategies in the tragedies of Aeschylus, since it informs and defines both the particular features of this poetics and its view of the world.

Submitted by Sandra Pereira (srpereira@ufrrj.br) on 2016-10-18T10:49:20Z No. of bitstreams: 1 2016 - Jorge Gabriel Rodrigues de Oliveira.pdf: 1803407 bytes, checksum: 14d3e313e5d9cd8d6206d683acccc3ca (MD5) / Made available in DSpace on 2016-10-18T10:49:20Z (GMT). No. of bitstreams: 1 2016 - Jorge Gabriel Rodrigues de Oliveira.pdf: 1803407 bytes, checksum: 14d3e313e5d9cd8d6206d683acccc3ca (MD5) Previous issue date: 2016-04-20 / This research aims to demonstrate the process of developing a martyr stereotype for the hermit Copts monks, through which we believe we can analyze the hagiographic representation drawn to these religious, from textual traces found in primary sources Vita Antonii (357) and Vita Pauli (374-379), written, respectively, by Athanasius of Alexandria (296-373) and Jerome of Stridon (347-420), about the desert monks Anthony the Great (251- 356) and Paul of Thebes (228-330). We understand that the martyrdom of the content is present in this stereotype monastic hermit Copt, introduced by the authors of the sources, this will allow us greater strength in proving our hypothesis about the development of a patristic representation, which aimed to raise the monks as the authentic successors of the martyrs and establishes guidelines and patristic models defined for these religious and those who followed them. / Nesta pesquisa pretende-se demonstrar o processo de elabora??o de um estere?tipo de m?rtir para os monges eremitas coptas, atrav?s do qual acreditamos ser poss?vel analisar a representa??o hagiogr?fica elaborada para esses religiosos, a partir de vest?gios textuais encontrados nas fontes prim?rias Vita Antonii (357) e Vita Pauli (374-379), de autoria, respectivamente, de Atan?sio de Alexandria (296-373) e Jer?nimo de Estrid?o (347-420), acerca dos monges Ant?o do deserto (251-356) e Paulo de Tebas (228-330). Entendemos que se o conte?do do mart?rio estiver presente neste estere?tipo mon?stico erem?tico copta, introduzido pelos autores das fontes, isto nos permitir? maior solidez na comprova??o de nossa hip?tese acerca da elabora??o de uma representa??o patr?stica, que visava al?ar os monges como os aut?nticos sucessores dos m?rtires, al?m de estabelecer diretrizes e modelos patr?sticos definidos para esses religiosos e aqueles que os seguiam.

Esta tese estuda a adivinhação nas sete tragédias supérstites de Ésquilo entendendo-se a adivinhação não no sentido estrito de revelação de fatos futuros, mas no sentido mais amplo de um diálogo que se estabelece entre as instâncias divina e humana valendo-se de formas e recursos variados. Assim, a análise e interpretação destas tragédias priorizam os diversos aspectos deste diálogo divinatório para mostrar a adivinhação como fundamento da construção de estratégias dramáticas na tragédia esquiliana, por informar e definir tanto a peculiaridade desta poética quanto sua visão do mundo. / This thesis studies divination in the seven surviving tragedies of Aeschylus. Divination is taken here not in the strict sense of revelation of future events, but in the broader sense of a dialogue that is established between divine and human levels through a variety of forms and resources. Thus, the analysis and interpretation of these tragedies prioritises the different aspects of this divinatory dialogue, in order to show that divination is the basis for constructing the dramatic strategies in the tragedies of Aeschylus, since it informs and defines both the particular features of this poetics and its view of the world.