Master thesis concerns reflection of Sociology of Housing in Photography. It is divided into three sections with different approach. Introduction section examines mutual relation between sociology and photography as two modern research fields. The second chapter addresses sociological approach of photographers and movements in history of photography. Concluding chapter attempts detailed sociological analysis of work of contemporary photographers and artist from our geographical area, which reflects housing theme. This analysis employs sociology of housing knowledge.

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Thesis conceptualises the artictic and activist practice of tactical media as a place of convergence of media, activism, technology and art field, emphasising their place within the discourse of art theory and history.

A comparement of art and pornography from a theoretical and philosofical point of view.

My final diploma thesis represents the theme "Image Seen by Touch." with subtitle "Blind Art Focusing on Photography." I define art for blind people and its history focusing primary on the contemporary art and its perception. My interest is how to transform Art for blind people and its technical parameters. I focus on authors dealing with such artworks and their contribution to the Blind Art. My aim is to find out whether I can succeed as a photographer for the blind people. It is a kind of photography that cannot be seen but can be touched - i.e. visual medium.

Diploma work focuses on the use of a photocopy process as an art form.

Cílem práce je ukázat, jak firmy přistupují k volbě své kapitálové struktury, které faktory berou v úvahu a jak tyto faktory ovlivňují jejich finální mix použitých kapitálových zdrojů. Práce popisuje nejvýznamnější soudobé teorie kapitálové struktury podniku a zkoumá jejich využití podnikovou praxí na vzorku podniků z několika evropských zemí, včetně ČR. Srovnání teoretických přístupů s reálnou podnikovou volbou kapitálové struktury ústí v nalezení v současnosti hlavních determinant kapitálové struktury podniku.

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