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1	Shootin Up the Past: Terministic Frontiers in Angle of Repose and High Noon Dalrymple, James C. 18 June 2009 (has links) (PDF) The West has long been an important geographic and symbolic space for the United States. In the 19th and 20th centuries that space became the subject of numerous popular works of fiction, first in print and later in the cinema. These texts eventually formed a specialized genre, the Western, which had its own conventions, styles, and themes. Wallace Stegner's Angle of Repose and Fred Zinnemann's High Noon, both seminal western texts from the mid-twentieth century, seek to reinterpret those conventions. While the Western is often characterized as a genre of violent masculinity and rugged individualism, these two texts employ conventional Western motifs in an effort to articulate a metafictional criticism of those ideas. Ultimately, they posit a reality in which traditional portrayals of the West lead to alienation, while also advocating an escape from that alienation. West Western Angle of Repose High Noon Wallace Stegner Fred Zinnemann Kenneth Burke Terministic Screen de Certeau English Language and Literature
2	A Grammar of Consubstantiality: A Burkean Feminist Rhetorical Analysis of Third-Person Identity Constitution in Science-Fiction Television Chambers, Leslie Ann B 13 September 2018 (has links) No description available. Rhetoric rhetoric feminism science fiction television Kenneth Burke invitational rhetoric Buffy the Vampire Slayer Angel Firefly Dollhouse Farscape Battlestar Galactica constitutive rhetoric, identification consubstantiality terministic screen

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Shootin Up the Past: Terministic Frontiers in Angle of Repose and High Noon

A Grammar of Consubstantiality: A Burkean Feminist Rhetorical Analysis of Third-Person Identity Constitution in Science-Fiction Television