The thesis has analytical - interpretative nature and focuses on paradigmatic dealing with body and bodiliness motive in the prose of Slovak author Leopold Lahola. The subject of analysis is Lahola's prose collection - Posledná vec (The Last Thing). The thesis also overlaps comparatively to broader Central European context. Texts of Arnošt Lustig (Czech Republic), Imre Kertész (Hungary) and Henryk Grynberg (Poland) are reflected. The subject of comparison is the motive of body and bodiliness, means of expression, narrative point of view, and the concept of fable and sujet. Key words: the category of body and bodiliness, narrative techniques, text composition

<p>The purpose of this essay was to do a research about if the language in Swedish role-playing books is used correctly and if the composition along with the possible language errors makes the books hard to understand.</p><p>This research was also about to find out why these problems occurs and if the authors are aware of them.</p><p>I choose books from two Swedish role-playing games, <em>Eon</em> and <em>Drakar och Demoner</em>. I read them trough, noted the mistakes made and put them together in a scoring table. I also did a LIX-test on the books and interviewed one of the authors.</p><p>The results shows that the books to <em>Eon</em> is harder to read than the books to <em>Drakar och Demoner</em> and this agrees with the vision the authors of the books claims to have.</p><p>The results also shows that it is not only the language mistakes and the composition that makes the books hard to read, but also the choice of difficult words and badly formulated rules.</p>

The purpose of this essay was to do a research about if the language in Swedish role-playing books is used correctly and if the composition along with the possible language errors makes the books hard to understand. This research was also about to find out why these problems occurs and if the authors are aware of them. I choose books from two Swedish role-playing games, Eon and Drakar och Demoner. I read them trough, noted the mistakes made and put them together in a scoring table. I also did a LIX-test on the books and interviewed one of the authors. The results shows that the books to Eon is harder to read than the books to Drakar och Demoner and this agrees with the vision the authors of the books claims to have. The results also shows that it is not only the language mistakes and the composition that makes the books hard to read, but also the choice of difficult words and badly formulated rules.