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個人認為必須將皮日休與前、後時代及同期文人縱橫加以考察，以宏觀的角度來總結皮日休的整體表現，並綜合他的思想、文學理論與創作，才能全面地探討他在晚唐文學中的地位。論文的架構先以皮日休的生平事蹟與思想內涵為出發點，進而將他與古文運動、新樂府運動的傳承與聯繫加以論述，再以皮日休與晚唐同期文人的共同表現為主，最後總結皮日休的地位與影響。研究內容的重心如下：第一章「皮日休的生平事蹟與思想內涵」以整個時代環境的轉變為影響的關鍵。他的生平事蹟一直眾說紛紜，其死亦無法確考，本章只作合理的推斷。而皮日休的思想內涵則是傳統的儒家觀念，他延伸孟子的民本思想，提出許多深具改革性的意見，又其本著尚用的思想，而要求文學以及行為上的實用。第二章「皮日休與古文運動的傳承」中唐的古文運動在晚唐並未完全衰落，從古文家的傳承中可以尋得皮日休與前人的關連，尤其在文與道的觀念和踵武前賢的習作上，充分地了解他意欲傳承古文運動的理論與創作方向。第三章「皮日休與新樂府運動的聯繫」皮日休自覺地承襲新樂府運動的使命，他所創作的正樂府，延伸了元結系樂府、白居易新樂府的精神和意涵。另外，他與陸龜蒙的唱和詩也接續元稹、白居易的唱和詩型態。第四章「皮日休與同期文人的共同表現」因為所處環境的相同，所以皮日休在小品文以及詩歌的領域裡，與同期文人有著一致的特色，他們的小品文的確是魯迅所謂「一榻糊塗的泥塘□的光彩和鋒鋩」，在小品文的形式中充分地反映現況、針砭時風。而皮日休晚唐詩人創作的現實主義，表達了田耕宇所言「深沉的反思意識」，他們藉由歷史、現實、、自然四個主題的反思，深化了詩歌的內涵與層面。第五章「皮日休的地位與影響」此章為論文的總結。從皮日休對傳承古文運動、聯繫新樂府運動的努力，以及他與同期文人共同的傑出表現，肯定皮日休在晚唐文學中的地位，最後再由他的思想及創作論及皮日休對宋以後的影響和啟發。

Siling Poems consists of poetry written by Xuezhao (namely Linghui), Xueji (Lingyuan), Ongjuan (Lingshu) and Zhaoshiiu (Lingxiu). The four poets had the same interests and they were good friends with each other. In their names there¡¦s the word, ¡§Ling¡¨, and their styles were quite similar, therefore the poems they created were called the Siling Poems (They were also called the Yongjia Siling). The Yongjia Siling was a famous and unique poetry group after Jianxi poetry group in South-Song. Their styles mainly focused on the restoration of the late Tang Dynasty style. They wanted to correct the impropriety of Jianxi poetry. The four poets valued Jiadao and Yaoheyi very much and they liked their style of chanting and writing poetry. Their literary evolution developed in a logical way, same as the Siling. They adopted the styles of the middle and late Tang Dynasty, the nine monks in the Song Dynasty and the styles of the late Tang Dynasty in North-Song (such as Weiyie, Linbu and Kouzhun). They even influenced the poets in the Jiahu poetry group. The four poets had ordinary family backgrounds and their talents were mediocre, but still some interesting poems can be found in their work. Yet the scholars did not focus on them, and only fewer relevant studies can be seen. This study aims to understand the performing characteristics of the four poets. There are seven chapters in the thesis. Chapter I: The introduction. The study motivation and purpose, literature review and research, as well as the study scope and methods are introduced. Chapter II: Time background. From viewpoints of politics and social environments and literature thought; relevant influences from South-Song to the Siling Poems are discussed. Chapter III: The biographies of the four poets and their styles. The styles of Jiadao and Yaoheyi, the styles of late Tang Dynasty and late Tang Dynasty in North-Song are also discussed. Chapter IV: The introduction of Siling Poems. Introduction of its subject orientation, literature concept and analysis of the forms. Chapter V: The art performance of Siling Poems (part I). The application in rhetoric, i.e. the allusion, metaphor and reiterative. Poems are analyzed. Chapter VI: The art performance of Siling Poems (part II). The application in rhetoric such as the antithesis, connection, words with double meanings and polished words. Samples are introduced. Chapter VII: The status of Siling Poems in the history of literature. Discusses the influence of the Siling Poems on the Jiahu poetry group and later generations.