The creative outcome of my Masters Degree is an extract of my manuscript for a novel. The extract is 40,000 words in length and represents approximately one half of the completed novel. Fissure is the title of the novel. It is a novel which is unconventional in relation to the mainstream understanding of what a traditional novel is. Fissure aims to position itself within a post modern framework. It consists of two primary narratives set apart in time.

The creative outcome of my Masters Degree is an extract of my manuscript for a novel. The extract is 40,000 words in length and represents approximately one half of the completed novel. Fissure is the title of the novel. It is a novel which is unconventional in relation to the mainstream understanding of what a traditional novel is. Fissure aims to position itself within a post modern framework. It consists of two primary narratives set apart in time.

The creative outcome of my Masters Degree is an extract of my manuscript for a novel. The extract is 40,000 words in length and represents approximately one half of the completed novel. Fissure is the title of the novel. It is a novel which is unconventional in relation to the mainstream understanding of what a traditional novel is. Fissure aims to position itself within a post modern framework. It consists of two primary narratives set apart in time.

Stuttgart, Universiẗat, Diss., 2008.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1965. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1975. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 161-175).

Thesis (Ph. D.)--Columbia University, 1915. / Vita. Published also without thesis note. "List of the plays, novels, romances and ballads": p. 211-229.

Universiẗat, Diss., 2005--Hamburg. / Erscheinungsjahr an der Haupttitelstelle: 2004.

Made available in DSpace on 2014-06-11T19:26:52Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-12-18Bitstream added on 2014-06-13T18:55:26Z : No. of bitstreams: 1 mesquita_mc_me_assis.pdf: 369808 bytes, checksum: 18ebed3362d72e57b7120e9521fe7209 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Este trabalho apresenta uma leitura do romance histórico Lealdade (1997), de Márcio Souza, que mostra a trajetória do protagonista Fernando Simões Correia em busca de sua identidade. O enredo relembra episódios do século XIX, na província do Grão-Pará e Rio Negro, quando a região combatia por sua independência. Assim, a luta pela identidade cultural que se estabelece na província dá-se paralelamente àquela do protagonista: ao lado do embate entre a identidade e a alteridade que vemos registrado na narrativa histórica da região, vemos o protagonista pender ora à identificação com o “outro”, ora ao afastamento dele, encarando-o como inimigo. A chegada da Corte portuguesa ao Brasil (1808) e a invasão de Caiena pelo exército português (1809) são fatos históricos que alteram a identificação que o protagonista, nascido em Belém, tem com os portugueses ou com os paraenses. Os procedimentos intertextuais, como aquele estabelecido com a trilogia do escritor gaúcho Érico Veríssimo, por exemplo, são destacados nesta leitura. / This essay presents an analysis of the historical novel Lealdade (1997), written by Marcio Souza, which shows the protagonist Fernando Simões Correia in search of his identity. The plot remembers episodes of the nineteenth century, in the province of Grão-Pará and Rio Negro, when the region was fighting for its independence. Thus, the fight for cultural identity that is established in the province occurs parallely to protagonist’s fight: there is the fight between identity and otherness, recorded in the historical narrative of the region, and a pendulum with the protagonist that sometimes has a identification with the other and sometimes he gets away from him, facing him as an enemy. The arrival of the Portuguese Royal Family to Brazil (1808) and the invasion of the Portuguese Army in Caiena (1809) are historical facts that change the identity of the protagonist, born in Belém-PA, has with the Portuguese or the people who were born in Pará. Intertextual procedures, such as that established with the trilogy of the Brazilian writer Erico Verissimo, for example, are featured in this reading.

This thesis explores the emergence and development of the Iraqi Kurdish novel between 1970 and 2011, aiming to demonstrate that it engages with political discourses, and that the political situation influenced the themes and structural development of the novel. It will seek to elucidate why, when we examine the history of Kurdish literature over the last fifty years, the first point that may attract our attention is its emergence from the political events. Based on this notion the current study has been divided into three historical phases; 1970-1991, 1991-2003 and 2003-2011. A chapter has been dedicated to each stage, examining two novels from each period, one from the Soranî and one from the Behdînî dialect. Chapter Two discusses the historical background of Iraqi Kurdistan and its influence on the emergence of the novel. Chapter One has been allocated to establishing the methodological background of the textual analysis, which has adopted Lucien Goldmann’s genetic structuralist theory. Such a theory, I will argue, proves helpful in order to discover the link between socio-political conditions and the form of literary works within a society, as Goldmann himself tried to do through his theoretical approach. Chapter Six discusses the results of the study. The thesis demonstrates how the political situation has formed the Iraqi Kurdish novel in terms of both formal and thematic structures, examining the notions of both the ’hero’ and the ‘world vision’ in the novels. It explores the reasons behind the dominant tragic world vision in the first stage, the hopeless worldview in the second, and the self-critical vision in the third phase. In addition, it examines the problematic nature of the hero in the novels, from their emergence until 2011.