Thesis (doctoral)--Tübingen, 1970. / eContent provider-neutral record in process. Description based on print version record.

Tesi rielab. Univ. di Genova, 2006. / Homer (ca. 8th-7th cent. B.C.). Includes bibliographical references (p. 341-365).

Thesis (Ph. D.)--University of Texas at Austin, 1999. / Vita. Includes bibliographical references (leaves 269-293). Available also in a digital version from Dissertation Abstracts.

Thesis (Ph. D.)--University of California, Santa Cruz, 1981. / Typescript. Includes bibliographical references (leaves 523-530).

Thesis--Chicago. / At head of title: The University of Chicago. Presents "proof of political influence in the literary world of Queen Anne and the first two Georges ... as a partial explanation of current literary standards." Discusses Addison, Swift, Defoe, Harley, Steele, Walpole, Bolingbroke in particular. Also issued by Banta, Menasha, Wis., 1916. Includes bibliographical references (p. [135]-145) and index.

Thesis (doctoral)--Rheinische Friedrich-Wilhelms-Universität, Bonn, 1980. / Includes bibliographical references (p. 751-779).

Magister Artium - MA / The minithesis provides a detailed socio-political and literary analysis of A Walk in the Night: Seven stories from the streets of Cape Town. It investigates and systematically compares each short story to the novella or compares the short stories with each other and shows their thematic and formal similarities and differences. The results of the study will provide a valuable contribution to the study of African literature. It will complete what other critics have left out. No one among La Guma’s scholars has analysed the anthology as a single entity; most critics have analysed the novella and have not analysed the accompanying short stories. As a result, the relationships between the novella and the short stories are unknown to many readers. I argue that this needs to be corrected. In order to situate the thesis, the study also presents a selected list of critics who have studied the novella and the short stories, and indicates their achievements and their shortcomings. The study will be carried out from a Marxist perspective, and will explore the use of realist and naturalist literary styles. Marxism will provide the socio-political and theoretical framework. Naturalism and realism are the two main literary genres that occur in the anthology. / South Africa

The traditional notion of Western liberal democracy has in recent years been met with a barrage of negative criticism. Liberal democracy from both a minimalist and substantive position appears to be backsliding, and once more falling into what Samuel P. Huntington (1991) termed a reverse wave. The analysis which Huntington (1991) presented ended in an era in which liberal democracy once more dominated the political landscape for a third consecutive wave, without any indication that it was going to relapse. In light of Huntington’s (1991) closure, this study has attempted to continue with his analysis and point to the possible existence of a third wave reversal. In order to do so, this study has meticulously used the same methodological approach as Huntington (1991) did to highlight previous wave reversals. This has been done by critically discussing, with examples, the existence of those factors that lead to a global decline in liberal democratic practice as prescribed by Huntington (1991). This study attempts not only to point to the possible existence of a third wave reversal, but also to explain the contextual reasons behind such an increase in anti-democratic rhetoric. The application of Huntington’s (1991) wave theory does not explain the subjective reasoning behind the contemporary deterioration of liberal democracy, as his factors leading to wave reversals may be too pragmatic for this study. It is in this light that a second argument as brought forward by Huntington in 1996, serves as the contextual layer for the decrease in democratic support as it provides the basis for the application of a critical discourse analysis. Therefore, this study serves not only as an investigation of the possible existence of a current third wave reversal, but also as an analysis into the discursive nature of liberal democracy’s historical and future trajectory.

In this thesis I explore instances of literary engagement with the major transitions in national political formation in Malawi and South Africa; both countries moved from a totalitarian regime to democratic government, brought in by multi-party elections, in 1994. Most analyses of the wave of democratic transitions in Southern Africa are either historical, political or economic in their approach. The shift of political power from one constituency to another also requires another kind of study, of the impact of the political changes on lived experience through an analysis of people's creative expression. The artistic expressions of the experi nce of change are at times strikingly similar in the two countries, especially how artists imagine newness and simultaneously negotiate a past which was subject to repression. Literature is important in this political process, for it has a licence to reinterpret conventional representations and dominant narratives, often through fictionalising and creating new imaginative possibilities. I consider whether literary production in Malawi and South Africa is comparable in the light of this idea, despite the obvious differences in political configuration, geographic factors and levels of industrialisation and urbanisation, and ask whether political transition is a legitimate point of departure for interpreting literature. In the process I seek to identify similarities, and even overt influences or alliances between the literary practices in Malawi and South Africa during and since the transition. I analyse a wide variety of literary forms, some of which may transgress conventional definitions of 'literature'. Examples include the reader-contributions sent in to a newspaper's literary pages by its readers and the two historical accounts of women's experience. I discuss the porous distinction between fiction and history, realism and magic realism, as well as the subjective distinctions between formal and popular literature. The ambiguity of the title of my thesis therefore conveys the fact that the more established modes of literary interpretation are themselves also currently in transition. My intention here is not to argue what kind of literature is good or bad, valuable or trivial, but to discuss and interpret contextually the kinds of literature which are being produced and published. Chapter 1 of my thesis discussesth e work of JackM apanje and Nadine Gordimer, two 'veterans' of censorship under their respective regimes, suggesting how their writing has changed with freedom of expression. With the transition came experimentation and a wave of writing on fantastical, magical and irrational subjects. The writers discussed in Chapter 2 serve as a contrast to the engaged realism of Gordimer and to some extent, Mapanje. Steve Chimombo, Lesego Rampolokeng, Seitlhamo Motsapi and Zakes Mda convey a burlesque, transgressive style, which I discuss, drawing on Bakhtin, under the eading 'carnivalesque'. Chapter 3's emphasis on newspaper literature from Malawi reflects the importance of the form in contrast to South Africa where popular writing largely finds its main outlet in literary journals and magazines rather than in daily newspapers. Chapters 4 and 5 are related in their considerations of memory and searches for truth. In Chapter 4 Antjie Krog and Emily Mkamanga challenge the distinction between literary and factual chronicle in their woman-centred accounts of the past. The final chapter discusses two texts that are overtly literary, yet function in a mode of mourning and reflection, returning from the bustle of the present moment to a continuing, necessary reflection of the past which defines the new present. I conclude by suggesting that the comparative analysis is viable and enriching and that this study of literature from societies in transition demonstrates how poetry and fiction tell stories of history.

Thesis (Ph. D.)--Cornell University, 1997. / Vita. Includes bibliographical references (p. 181-193).