Made available in DSpace on 2014-06-11T19:26:35Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-08-26Bitstream added on 2014-06-13T20:54:48Z : No. of bitstreams: 1 lima_ab_me_assis.pdf: 1297340 bytes, checksum: 45de1c32a26013a400b6a9bddeee5c5a (MD5) / Para além da tríade prensa, papel e tinta, o jornal “A Voz da Raça” se constituíra em bastião simbólico no universo da cultura letrada e da experiência política e cultural dos afrodescendentes no decênio de 1930. Dimensionar as lides da palavra impressa do grupo em questão é, em linhas gerais, o escopo deste trabalho. / Further beyond the paper, ink, and printing triad, São Paulo City the “A Voz da Raça” press has established itself as a symbolic landmark in the universe of both the literate culture and the political and cultural experience of afro-descendants in the 1930 decade. Verifying some dimensions of that group's printed word battle is the overall scope of this work.

Orientador: Antonio Celso Ferreira / Banca: Lúcia Helena Oliveira Silva / Banca: Moacir José dos Santos / Resumo: Para além da tríade prensa, papel e tinta, o jornal "A Voz da Raça" se constituíra em bastião simbólico no universo da cultura letrada e da experiência política e cultural dos afrodescendentes no decênio de 1930. Dimensionar as lides da palavra impressa do grupo em questão é, em linhas gerais, o escopo deste trabalho. / Abstract: Further beyond the paper, ink, and printing triad, São Paulo City the "A Voz da Raça" press has established itself as a symbolic landmark in the universe of both the literate culture and the political and cultural experience of afro-descendants in the 1930 decade. Verifying some dimensions of that group's printed word battle is the overall scope of this work. / Mestre

Submitted by Angela Maria de Oliveira (amolivei@uepg.br) on 2017-09-29T13:31:27Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Alvaro Costa.pdf: 7226934 bytes, checksum: 64376d2cd610081a1a61945b958ddb45 (MD5) / Made available in DSpace on 2017-09-29T13:31:27Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Alvaro Costa.pdf: 7226934 bytes, checksum: 64376d2cd610081a1a61945b958ddb45 (MD5) Previous issue date: 2017-08-25 / A presente dissertação tem por escopo um estudo da memória e comemoraçãdo centenário da imprensa a partir da Revista do Instituto Histórico oe Geographico Brazileiro (IHGB). A edição comemorativa da revista IHGB visava elaborar uma espécie de inventário completo sobre todos os jornais publicados em território nacional até então. Cada estado teria um responsável por realizar esse levantamento que posteriormente seria publicado em formato de inventário. De acordo com o Instituto existiram no país aproximadamente 25 mil títulos impressos ao longo dos cem primeiros anos de imprensa oficial, contudo, foram contabilizados e publicados em forma de catálogos aap driosxciumsasdãaom seonbtree 5a cmoiml joermnaoirsa.ç Dãoe sdsoa cmenatneeniárar,io o d fao cimo pprreinncsiap aalt rdaevsétes deos tTudoom oé Consagrado à Exposição Commemorativa do Primeiro Centenário da Imprensa Periódica no Brasil, bem como outras edições regionais produzidas pelo IHGB como, por exemplo, dos estados de Pernambuco, Paraná e São Paulo. Neste caso, a imprensa como veículo fundamental na formação para a história escrita e história do Brasil. A empreitada pensada pelo Instituto serviu como uma revisão da produção impressa nacional e regional, além de ter sido um esforço intelectual coletivo que pensou a história da imprensa do Brasil. O presente estudo mostra também que o jornalismo brasileiro teve rápido desenvolvimento se for levado em consideração que a palavra impressa só foi oficialmente aceita no país no século XIX. Os discursos dos intelectuais do IHGB avaliaram a imprensa como fator importante do progresso do país, sendo esse pretexto mais do que relevante para a organização do centenário. / The present dissertation has as scope a study of the memory and commemoration of the centenary of the press from the Revista do Instituto Histórico e Geographico Brazileiro (IHGB). The commemorative edition of the magazine IHGB aimed to elaborate a sort of complete inventory of all the newspapers published in the national territory until then. Each state would have one responsible for conducting the survey that would later be published in inventory format. According to the Institute, there were approximately 25,000 titles printed in the country during the first 100 years of the official press, however, approximately 5,000 newspapers were published and published in the form of catalogs. In this way, the focus of this study is the discussion about the commemoration of the centennial of the press through the Consecrated Tomo to the Commemorative Exhibition of the First Centenary of the Periodic Press in Brazil, as well as other regional editions produced by the IHGB, such as the states of Pernambuco, Paraná and São Paulo. In this case, the press as a fundamental vehicle in training for the written history and history of Brazil. The project designed by the Institute served as a review of the national and regional print production, and was a collective intellectual effort that thought the history of the Brazilian press. The present study also shows that Brazilian journalism has developed rapidly if it is taken into account that the printed word was only officially accepted in the country in the 19th century. The speeches of the intellectuals of the IHGB evaluated the press as an important factor of the country's progress, being this pretext more than relevant for the organization of the centenary.

Este artículo explora las conexiones entre el trabajo profesional como historiador de Alberto Flores Galindo, su papel como intelectual público y la cultura política de izquierda en la que él se formó como miembro de la llamada generación del 68. El artículo muestra que, como partícipe de una forma de hacer política en la cual la palabra impresa desempeñó un papel crucial, Flores Galindo desarrolló una creativa y obsesiva relación con el libro y la cultura impresa,cuya reconstrucción nos ayuda a entender los mecanismos de formación de un intelectual público.---This article explores the connections between the work of Alberto Flores Galindo as a professional historian, his role as a public intellectual, and the leftist political culture in which he was formed as a member of the so-called 1968 generation.The article shows that, as a participant in a style of doing politics in which the printed word played a crucial role, Flores Galindo developed a creative and obsessive relationship with the book and the printed culture, the reconstruction of which helps us to understand the mechanisms which go into the formation of a public intellectual.

The present study inquires into the problematization of attention in the reception and distribution of photography in 19th-century Sweden. It investigates how photography’s alleged abundance of detail and indiscriminate reproduction became a problem in the reception of the medium. The problem became urgent when photographs were put to use by established discourses; specifically, when used in printed publications meant for a public. The thesis therefore argues that the problem of attention had a profound influence on how printed photographic or photographically illustrated editions (photo-texts) were modelled and arranged. For this purpose, the study affirms a particular focus on attention practices: the various ways in which the printed editions aim to regulate the reader’s attention before the supposedly distractive image. Specifically, the thesis focuses on how texts in these printed editions are arranged or juxtaposed in relation to the image, how they speak of and to the images, what values they reflect, and what effects they could be said to produce. Consequently, the present study is more than an investigation of a problem; it is also an inquiry into the various attempts to overcome this problem. The problem and its responsive practices will have different characteristics in the various contexts of individual discourses. Therefore, the study situates the problem of attention in four prominent genres of 19th-century photography: the topographical albums of photographic views, art books with photographic reproductions, the scientific atlas, and the photographically illustrated travelogue. These genres and forms of publication, as well as the discourses of attention relating to them, are discussed in separate chapters. Every chapter departs from a specific Swedish photographic edition from the nineteenth-century. In sum, the thesis aims – with its focus on the problematization of attention – at giving a new historical perspective on the emergent relation between photography and the printed word.