Includes the full and summary reports of State of the Tasmanian Wilderness World Heritage Area: an evaluation of management effectiveness, "bonus material ... and papers describing the management evaluation system."--Container insert. / Title from home page (viewed on June 9, 2005). Full and summary reports also available in print and on the internet.

At least four glacial stands occurred since 6.5 ka B.P. based on moraines located on the eastern flanks of the Three Sisters Volcanoes and the northern flanks of Broken Top Mountain in the Central Oregon Cascades. The youngest of these advances was the Little Ice Age (LIA) glaciation, which reached its maximum advance 150-200 yrs. B.P. and is defined by the large sharp crested and unvegetated moraines adjacent to the modern glaciers. In isolated locations less than 100 m downslope from these moraines, a second set of sparsely vegetated lateral moraines marks the Late-Neoglacial stand of the glaciers between 2.1 ± 0.4 and 7.7 ka B.P, A third set of Early-Neoglacial end moraines is 300-700 meters downslope of the modern glacier termini, and postdates 7.7 ka B.P. From SST temperature data (Barron et al., 2003) and a speleothem record (Vacco, 2003), we infer that this advance occurred between 4.5 and 6.5 ka B.P. Finally, the Fountonnor stand is marked by moraines 500-900 meters downslope of the modern glacier termini, and we infer these are latest Pleistocene or early Holocene. Modem equilibrium line altitudes (ELAs) at the Three Sisters and Broken Top are approximately 2500 - 2600 m. During the LIA, the ELAs were 40 - 180 m lower, requiring cooler mean summer temperatures by 0.7 - 1.0°C and winter snowfall to increase by 10 - 60 cm water equivalent. The average Early Neoglacial and Fountonnor ELAs were 130 - 300 m and 290 - 320 m lower than modem glaciers, respectively, requiring air temperatures to be 0.7 - 1.6°C and 1.5 - 1.7°C cooler during the summer and winter snowfall to be 40 - 100 cm water equivalent and 90 - 100 cm water equivalent greater.

How to Orient Yourself in the Wilderness is an exhibition presented in the style of a survival guide. The “wilderness” is a metaphor for the unknown. Within this category of the unknown are numerous literal and figurative spaces. I use the guide as an attempt to pin down why I gravitate towards the camera and what it means to me as a form of communication. Simultaneously I explore what it means to be “southern” and the manner in which it is traditionally represented in images. Also included in the wilderness tag is the “art world” and the relationship of straight photography towards and with it. The exhibition is loosely attached to the survival guide premise in order to highlight the shortcoming of photography’s ability to explain.

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James Fenimore Cooper’s 1826 novel The Last of the Mohicans has had a remarkable impact on American culture and modern critics have often viewed it as a myth of America itself. Cooper’s highly romanticized narrative has partly been seen as the less-than-historical “wish-fulfillment” (D.H. Lawrence) of an author who socialized in the salons of New York and Paris but dreamt of noble savages in the untamed American landscape but also as an expression of America’s difficulties in coming to terms with its conquest of the Indians. As a complement to these views, this essay attempts to show that the character Natty Bumppo, or Hawkeye, represents the new nation’s ambivalent relationship with the surrounding wilderness and therefore helplessly torn between vastly different ideals. On one hand, Hawkeye appears to show us a less confrontational way of relating to the wilderness: one that implies the possibility for man to transform himself and live in spiritual unity with nature—a notion that would make Hawkeye the forerunner of the ideals put forth in Ralph Waldo Emerson’s 1836 essay “Nature”. But Hawkeye’s relationship with the woods and the Indians is complex, self-contradictory and filled with deep inner struggles, and he is at other times a merciless figure who divides Indians into good and bad. As such, his very character seems to be the embodiment of an American identity that is highly conflicted. In addition to examining the novel’s depiction of Hawkeye, the Indians and the forest, the essay offers a wide historical perspective of the ideas of nature that were present or just emerging in Cooper’s time, including those expressed by Emerson, as well as their Romantic and Christian influences. By understanding how Americans struggled to deal with feelings of guilt and sorrow in the face of the perceived decline of the wilderness in the 19th century, we might better understand the persisting importance of Cooper’s work.

I challenge the dualistic view of wilderness that has influenced wilderness philosophy, politics and experience in recent years. In its place, I offer an alternative vision that recognizes wilderness areas and working landscapes as complementary elements of a larger, inhabited landscape characterized by a heterogeneous mixture of human-land relational patterns representing various points along an urban-wilderness continuum. In chapters 2 through 4, I explore the philosophical, political and experiential implications of this wilderness-in-context vision. Experienced and understood as part of the landscape we call home, wilderness may engender, renew, and sustain an engaged and integrated wilderness practice involving regular contact with wilderness places, committed activism on behalf of wild lands and their inhabitants, and grounded reflection on the meaning and value of wilderness in our everyday lives.

The volcanic stratigraphy and petrography is described for a 46 km2 area on the southern flank of Mount Jefferson in the north-central part of the Oregon High Cascades. Here, volcanic processes have been active throughout Quaternary time, resulting in complex stratigraphic relationships. In addition, three formerly recognized glaciations and a two-phase period of neoglaciation have eroded the terrain, depositing tills in contact or interstratified with the volcanic units. Collectively, these processes and the resulting deposits are characteristic of High Cascades development.

Thesis (M.A.)--Oregon State University, 1963. / Typescript. Mounted photographs. Includes bibliographical references (leaves 169-174). Also available on the World Wide Web.

This thesis places the values shared by recreational hikers, backpackers, kayakers, and others within the British Columbia Forest Debate in the second half of the twentieth century. Using the 1985-86 Wilderness Advisory Committee as a case study, it argues that the interpretation of the concept of “wilderness” expressed by these outdoor enthusiasts can only be understood through the study of North American consumer culture. They valued “wilderness” as a commodity, not unlike the ways that forest and mining companies did, yet also expressed environmentalist concerns about protecting “wilderness” areas from resource exploitation and overdevelopment.