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Stereotypizace hudební hvězdy prostřednictvím dokumentu / Sterotypization of a music star through a documentaryRotnáglová, Marie January 2018 (has links)
This diploma thesis focuses on matters of stereotyping of documentary portraits depicting pop music icons. The theoretical part of the thesis deals with issues such as stereotyping as part of media representation of reality, and the definition of term "celebrity" and its specifics in the context of music industry. The term "documentary portrait" is also grasped theoretically. The practical part of the thesis introduces the documentary films which were examined. The methodology of the research and its design are described as well. The final part of the thesis consists of a research report, which includes results acquired by a qualitative survey on the basis of a grounded theory method.
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1970s and 1980s Representations of British Cultural Identity in Textbooks used in ESL Education in Swedish Upper-secondary Schools / 1970- och 1980-tals representationer av brittisk kulturell identitet i läroböcker som använts i undervisning i engelska som andraspråk i svenska gymnasieskolorOlsson, Jessica January 2020 (has links)
The aim of this study is to examine how British culture and British cultural identity is discursively constructed and represented in two texts, including images accompanying the texts, found in two textbooks used in the foundation course for English as a second language in the Swedish upper-secondary school, the textbooks published in the 1970s and the 1980s respectively. The aim also includes to see if British cultural identity is represented in a stereotypical manner and to see which views on culture are present in the texts. The methods used in the study are discourse analysis based on Laclau and Mouffe’s discourse theory, and Hall’s visual analysis. Two theories are applied to the material, these are Laclau and Mouffe’s discourse theory and Hall’s theory of stereotyping. The result of the present study shows that there are several representations of British cultural identity in the 1970s text and that all are stereotypical. In one of the representations, British cultural identity is understood as someone who is an Englishman which entails amongst other things being brought up in England as a real Englishman. The other representations of British cultural identity included the identities English people, Englishmen and cockneys. The identity English people includes both of the identities Englishmen and cockneys. The representation of English people is that background, class and the way you speak are important and that English people check each other’s background and class by listening to one another’s speech. The representation of Englishmen includes that they are upper-class proper Englishmen who speak the Queens English whereas cockneys are represented as lower-class people who speak a vulgar sort of English. In the 1980s text there are two representations of British cultural identity. The first one of these, which was found to be represented in a stereotypical manner, is constituted by the group identity pupils with British cultural background within a culturally and nationally diverse class in Britain. This representation is culturally exclusive since only pupils with British cultural background are included in this representation. The second representations of British cultural identity found in the 1980s text is a British class made up by a group of pupils with culturally and nationally diverse backgrounds. This representation was deemed to be non-stereotypical and culturally inclusive since this representation of British cultural identity is culturally diverse.
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