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This thesis looks at the characteristics of Henry David Thoreau through his writings rather than through what other critics have written.

L’écriture de la nature de Thoreau plonge ses racines dans la Nouvelle-Angleterre du XIXe. Nourri de ses valeurs, l’auteur montre comment la vie doit être économisée et non dépensée en vain dans des activités frivoles. Pour se faire, il choisit la voie de la simplicité et de la solitude dans la nature ce qui lui permet de remettre en cause ce que la société considère d’ordinaire comme des vertus. Vivre seul dans la nature sauvage est un moyen anthropocentrique pour accéder au bonheur car la nature apporte à l’homme tout ce dont il a besoin. Ainsi, Thoreau est un naturaliste qui vit dans la nature et la parcourt. Son naturalisme s’éloigne de plus en plus des théories emersoniennes sur l’immanence. Le véritable scientifique sait regarder les animaux en engageant sa subjectivité et peut aller jusqu’à voir dans certains animaux l’incarnation de vertus.Pour nuancer cet anthropocentrisme, Thoreau appelle au zoocentrisme. Celui-ci peut même amener à une cohabitation pacifique entre les espèces. Toutefois, l’écriture et la pratique de Thoreau sont nourries de paradoxes en ce qui concerne la chasse, la pêche et le végétarisme. Pour vivre en harmonie avec la nature, Thoreau se rapproche du modèle indien qui a ses limites. Parmi quelques suggestions, Thoreau est le premier à proposer la création de parcs nationaux. / Thoreau’s nature writing is rooted in 19th century New-England. Fed on New-England’s values, the author shows life should be spared and not spent in vain in mundane activities. In order for him to do so, he chooses the way of a life of simplicity and solitude in nature, which enables him to question what society traditionally sees as virtues.Living alone in the wild is an anthropocentric means to reach happiness because nature provides man with all that he needs. Hence, Thoreau is a naturalist who lives in nature and walks in ii. His naturalism becomes more and more estranged from Emerson’s theory on immanence. The real scientist can watch animals using his subjectivity and can go so far as to see in certain animals the incarnation of some virtues.To nuance this anthropomorphist approach, Thoreau advocates zoocentrism. This point of view can even lead to a peaceful cohabitation between species. However, Thoreau’s writing and actions are fed with paradoxes as far as hunting, fishing and being a vegetarian is concerned. To live in harmony with nature, Thoreau gests closer to the Indian model which has limits. Thoreau makes many suggestions, among which the creation of national parks.

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Through careful analysis of sound in Walden with some attention to related works, this study demonstrates the three major facets of Thoreau's use of sound: first, an unusual aural sensitivity illustrated by his many varied sound images, which add concreteness and experiential immediacy; next, the depth of meaning that sound has as his metaphysical symbol in perception and expression of spiritual truth; finally, his effectiveness with such auditory devices as rhythm, alliteration, assonance, and onomatopoeia to achieve a poetic quality-. Of equal importance to Thoreau are the sounds of his writing and the sounds in his writing. Realizing the reality, depth, and texture Thoreau gives his prose through his remarkable treatment of sound increases one's appreciation of Walden as art and of Thoreau as literary artist.

Ce mémoire sur les fondements de la désobéissance civile se divise en trois parties. Le premier chapitre concerne la définition de la désobéissance civile d’après l’analyse d’Hugo Adam Bedau. Le deuxième chapitre traite des origines historiques du concept à partir des textes de David Henry Thoreau et Léon Tolstoï jusqu’aux campagnes de Mohandas Gandhi et Martin Luther King. Le dernier chapitre porte sur la pratique de la désobéissance civile dans les régimes démocratiques selon John Rawls. L’objectif de ce mémoire est de démontrer que la désobéissance civile est conforme à la justice malgré son caractère illégal, qu’elle a été bénéfique historiquement à l’évolution des mentalités et qu’elle est nécessaire en démocratie. / This study regarding the foundation of civil disobedience is divided in three parts. The first chapter concerns the definition of civil disobedience by Hugo Adam Bedau. The second chapter deals with the historical origins of the concept from the writings of David Henry Thoreau and Leo Tolstoy to the campaigns of Mohandas Gandhi and Martin Luther King. The last chapter focus on the practice of civil disobedience in democratic regimes according to John Rawls. The purpose of this study is to prove that civil disobedience is true to justice despite being illegal, that it has been historically beneficial in the evolution of mentalities and that it is essential to democracy.

Thesis (Ph. D.)--University of Chicago. / Includes bibliographical references. Also available on the Internet.

This thesis situates a discussion of Thoreau's later natural history essays in the context of the author's other writings. Beginning with an examination of the writings of Thoreau's friend and mentor Ralph Waldo Emerson, this paper examines Thoreau's relation to and departure from Emerson's understanding of time, place, and pattern in nature. Through a close reading of Thoreau's journal entries and natural history essays, this thesis follows Thoreau's development as a naturalist and examines the relationship between his natural history writings and the American transcendentalist movement. / Graduation date: 2002

Recent conflicts in America concerning the environment (the harvesting of old growth timber in the Pacific Northwest, or the proposed opening of public lands in southern Utah to mining interests, for instance) have precipitated a personal examination of "historical others" (Jensen 64), individuals that possess very different sensibilities from a larger capitalist culture. Two such writers, Henry Thoreau and Gary Snyder, use the wilderness to enact alternative patterns of living that are designed to change cultures that have lost touch with the land, and have spiraled into a future where nature is a mere afterthought. In response to the growth of his society, Thoreau built a cabin at Walden pond as an experiment to determine if life could be lived simply and morally. His activities were an effort to "wake up" his "neighbors" who were just beginning to explore capitalism. "Moral reform," Thoreau believed, "is the effort to throw off sleep" (WAL 61). Thoreau's criticism of capitalism, agricultural reform, and slavery were generated to help his culture understand what it is to live morally, and "awake." Gary Snyder is the voice of Thoreau in the late 20th century, and his work addresses a world fully enveloped in capitalism. The exploitation of wild creatures and places by world governments and multi-national corporations is the problem of the modern age for Snyder, and place-based living is a way of dissenting from a consumption-oriented culture. Reform begins with the individual living close to the land, but also involves people living in communities and creating patterns of living that are ecologically stable. This paper is, in an immediate sense, a comparison of two "American" non-conformists, but it is also a response to cultural and environmental crises that both writers faced. Chapter I of this study introduces Thoreau and Snyder and establishes the parameters of this paper. Chapter II discusses Thoreau's views on capitalism, agricultural reform, and environmental degradation. Chapter III highlights Snyder's interest in place-based living and bioregionalism. Chapter VI brings Thoreau and Snyder together in a discussion of political and social reform. The final chapter of this study reflects how Thoreau and Snyder mesh as ecological philosophers. / Graduation date: 1997