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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 8 of 8 (0.045 seconds)| 1 |
A transvaloração dos valores em Assim falou Zaratrusta de Nietzsche / The transvaluation of the values in Nietzsche Thus spoke ZarathustraTiago Mota da Silva Barros 17 March 2011 (has links)
Instituto Federal de Educação, Ciência e Tecnologia do Rio de Janeiro / O principal objetivo da tese é o de avaliar e discutir a presença da transvaloração dos valores em Assim falou Zaratustra, tanto através dos conceitos quanto do estilo da obra. Diante da importância que Nietzsche confere a seu livro Assim falou Zaratustra e da centralidade que o projeto de transvaloração dos valores ocupa em sua filosofia, defendemos a hipótese interpretativa de que a trajetória do protagonista Zaratustra corresponde à concretização da transvaloração dos valores. / This thesis aims to evaluate and discuss the transvaluation of the values in Thus Spoke Zarathustra through the concepts and its stile. Central to Nietzsche's philosophy comprehension, the project of transvaluation leads us to an interpretative hipothesis that the trajectory of Zaratustra corresponds to the concreticity of the transvaluation of the values.
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Mezidruhová agresivita lindušky luční (\kur{Anthus pratensis}) a bramborníčka hnědého (\kur{Saxicola rubetra}) / Interspecific aggression in meadow pipit (\kur{Anthus pratensis}) and whinchat (\kur{Saxicola rubetra})LINHART, Pavel January 2007 (has links)
Interspecific aggression of meadow pipit (Anthus pratensis) towards treepipit (A. trivialis), whinchat (Saxicola rubetra) and skylark (Alauda arvensis) and interspecific aggression of whinchat towards meadow pipit was tested in playback experiments at the beginning of breeding cycle (both species) and during the brood feeding period (whinchat only). Neither meadow pipits nor whinchats responded aggressively to the playback of the heterospecific songs. Whinchats, however, chased or attacked meadow pipits that approached it in response to the meadow pipit songs in the brood feeding period. I suggest that the aggressive behaviour in whinchat is triggered rather by visual than acoustic cues. Another series of playback experiments with meadow pipits was carried out to investigate the effect of the sensitisation caused by previous playback of the conspecific song on performance during the playback of the tree pipit song 30 minutes later. No clear effect was discovered, but some of meadow pipits reacted in a way more characteristic for the intraspecific experiments.
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A transvaloração dos valores em Assim falou Zaratrusta de Nietzsche / The transvaluation of the values in Nietzsche Thus spoke ZarathustraTiago Mota da Silva Barros 17 March 2011 (has links)
Instituto Federal de Educação, Ciência e Tecnologia do Rio de Janeiro / O principal objetivo da tese é o de avaliar e discutir a presença da transvaloração dos valores em Assim falou Zaratustra, tanto através dos conceitos quanto do estilo da obra. Diante da importância que Nietzsche confere a seu livro Assim falou Zaratustra e da centralidade que o projeto de transvaloração dos valores ocupa em sua filosofia, defendemos a hipótese interpretativa de que a trajetória do protagonista Zaratustra corresponde à concretização da transvaloração dos valores. / This thesis aims to evaluate and discuss the transvaluation of the values in Thus Spoke Zarathustra through the concepts and its stile. Central to Nietzsche's philosophy comprehension, the project of transvaluation leads us to an interpretative hipothesis that the trajectory of Zaratustra corresponds to the concreticity of the transvaluation of the values.
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Kenosis and identities: pneumatological pointersNigrini, Jacques 11 1900 (has links)
In the thesis a methodology of understanding and explicating Christian faith consistent with the mystery of the simultaneous close connection and radical difference of God, human beings and the physical-organic cosmos environment is been mapped out. The theanthropocosmic principle as an expression of the mystery functions as the heuristic key in opening up the notion of kenosis (and incarnation) of Jesus Christ and the Holy Spirit within the scope of the enduring interaction of . The Spirit in the kenotic sense of the word connects and differentiates the overall processes of being and becoming, here and there, now and then of the mystery of the `presences' of God, human beings and the natural cosmic world in being there (Dasein), being thus and thus (Sosein) and being dynamically actual (Aktsein). God acts in terms of the Spirit's operational kenotic presence within the margins of the creatureliness of people and the natural cosmic world as the kenotic clothing of God. A dynamic interpretation of the integral and differential character of being and becoming suggests that making sense of the dynamics of the formation of identities and identification is an ever ongoing endeavour. It implies a continuous process of negotiation whilst experiencing various continuums, remaining open-ended in an ever-increasing sense of wonder and mystery of "exitus a Deo-reditus in Deum". / Systematic Theology and theological Ethics / D. Th. (Systematic Theology)
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Kenosis and identities: pneumatological pointersNigrini, Jacques 11 1900 (has links)
In the thesis a methodology of understanding and explicating Christian faith consistent with the mystery of the simultaneous close connection and radical difference of God, human beings and the physical-organic cosmos environment is been mapped out. The theanthropocosmic principle as an expression of the mystery functions as the heuristic key in opening up the notion of kenosis (and incarnation) of Jesus Christ and the Holy Spirit within the scope of the enduring interaction of . The Spirit in the kenotic sense of the word connects and differentiates the overall processes of being and becoming, here and there, now and then of the mystery of the `presences' of God, human beings and the natural cosmic world in being there (Dasein), being thus and thus (Sosein) and being dynamically actual (Aktsein). God acts in terms of the Spirit's operational kenotic presence within the margins of the creatureliness of people and the natural cosmic world as the kenotic clothing of God. A dynamic interpretation of the integral and differential character of being and becoming suggests that making sense of the dynamics of the formation of identities and identification is an ever ongoing endeavour. It implies a continuous process of negotiation whilst experiencing various continuums, remaining open-ended in an ever-increasing sense of wonder and mystery of "exitus a Deo-reditus in Deum". / Systematic Theology and theological Ethics / D. Th. (Systematic Theology)
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Silser See, Engadin : Gabriele Münter, Friedrich Nietzsche et le genius lociSéguin, Virginie 12 1900 (has links)
Silser See, Engadin (1927) est un paysage qui fait partie des œuvres les moins connues de Gabriele
Münter. La marginalisation de ce tableau dans le corpus de l’artiste s’explique d’une part par le
fait que celui-ci est toujours resté à l’intérieur du cercle restreint des collections privées, et d’autre
part, du fait qu’il s’inscrit dans une phase peu productive de Münter. Cette phase correspond aux
années 1920-1930, soit une décennie durant laquelle la production de Münter se trouve grandement
affectée par les nombreux bouleversements que la Première Guerre mondiale entraîne dans sa vie
personnelle et artistique. Le but de ce mémoire est de réfléchir la signification Silser See, Engadin
pour Münter et de démontrer comment ce tableau s’intègre dans le dénouement de la crise qu’elle
connait en 1920-1930. Pour ce faire, j’explore d’abord les différents événements qui ont défini le
développement artistique et personnel de Münter. J’approfondis ensuite l’importance du paysage
dans son œuvre en étudiant son rapport à la nature et à Murnau. Puis, je m’intéresse au genius loci
de Sils-Maria et à l’influence de Friedrich Nietzsche sur Münter. En tenant compte de l’ensemble
de ces éléments, j’analyse finalement les différents symboles contenus dans Silser See, Engadin et
démontre comment Münter s’est appropriée les composantes du paysage de Sils-Maria pour
exprimer sa renaissance après une longue période de crise. Ce mémoire s’inscrit dans un désir de
contribuer à la réflexion sur l’importance de la nature et des lieux dans l’épanouissement de l’être
humain. / Silser See, Engadin (1927) is a landscape painting that is among the least known works of Gabriele Münter. The marginalization of this painting in her corpus can be explained on one hand by the fact that it has always remained within the restricted circle of private collections, and on the other, by the fact that Silser See, Engadin is part of a less productive phase of Münter’s work, which has so far received little interest from art historians. This phase corresponds to the years 1920-1930, a decade during which Münter’s production was greatly affected by the many upheavals that the First World War brought about in her artistic and personal life. This thesis argues for the importance of Silser See, Engadin for Münter, and demonstrates how this painting fits into the resolution of the crisis she went through during that decade. To do so, I first explore the various events that defined her artistic and personal development. I then establish the importance of landscape in Münter’s work by examining her relationship to nature and Murnau. Next, I study the genius loci of Sils-Maria and the influence of Friedrich Nietzsche on Münter. Taking all these elements into account, I finally analyze the different symbols contained in Silser See, Engadin and demonstrate how Münter transformed the components of the Sils-Maria landscape to express her rebirth after a long period of crisis. This thesis invites the reader to consider the importance of nature and places in relation to the development of the human being.
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The legalisation and regulation of online gambling in South AfricaMorgan, Kirsty Kate January 2017 (has links)
Magister Legum - LLM (Mercantile and Labour Law)
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INTERTEXTUALIZAÇÃO NA OBRA DE MARINA COLASANTI: O TEAR E O TECIDOCosta, Ivonete Ferreira da 23 March 2016 (has links)
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Previous issue date: 2016-03-23 / The text brings the analysis of aspects of the literary discourse as the processes of
construction of the scenes and the magical universe, in which the narratives of
Marina Colasanti are realized, having as it shows the tales of the works Doze reis e a
moca no labirinto do vento (2006): "The woman ramada", Uma ideia toda azul
(2006): "Beyond the frame", "Between the leaves of green ó" and "Yarn after yarn".
The general and specific objectives are to highlight and distinguish the
encompassing and generic scenes present in the narratives, to identify the nature of
the verbal sign in its relation to the nonverbal sign, and to analyze intertext
resources, paratext, among others, as an artistic procedure. The narrative plans are
approached, in which the characters are realized mimically, starting from the initial
assumption formulated by Dominique Maingueneau. Non-verbal language is an
invitation to read verbal language and vice versa. Both are associated with the signs
that are constructed through the textual writing: loom and fabric. They can be seen
now either explicitly or implicitly, and put in the service of a power that is realized by
the act of reading. Thus, in the narrative text, there are traces of a speech in which
the text is staged. / O texto traz a análise de aspectos do discurso literário como os processos de
construção das cenas e o universo mágico, em que se realizam as narrativas de
Marina Colasanti, tendo como mostra os contos das obras Doze reis e a moca no
labirinto do vento (2006): “A mulher ramada”, Uma ideia toda azul (2006): “Além do
bastidor”, “Entre as folhas do verde ó” e “Fio após fio”. Os objetivos geral e
específicos são destacar e distinguir as cenas englobante e genérica presentes nas
narrativas, identificar a natureza do signo verbal na sua relação com o signo não
verbal e analisar recursos de intertexto, paratexto, entre outros, como procedimento
artístico. Abordam-se os planos narrativos, nos quais se dá a realização dos
personagens mimeticamente, partindo do pressuposto inicial formulado por
Dominique Maingueneau. A linguagem não verbal é um convite à leitura da
linguagem verbal e vice-versa. Ambas se associam aos signos que se constroem
por meio da escritura textual: tear e tecido. Elas podem ser vistas ora de modo
explícito, ora implícito, e se colocam a serviço de um poder que se realiza pelo ato
de leitura. Assim, no texto narrativo, há rastros de um discurso em que o texto é
encenado.
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