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Tragische Kunst bei HerodotFohl, Hans. January 1913 (has links)
Thesis (Ph. D.)--Universität Rostock, 1913. / Cover title. Includes bibliographical references.
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Problems of authority and the state in seventeenth century drama : Shakespeare and Racine consideredHiscock, Andrew William January 1991 (has links)
No description available.
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Alienation in the Tragedies of CorneilleShort, William N. 08 1900 (has links)
The type of alienation discussed in this thesis is not related to the famous Verfrenidungseffekt attempted by Brecht, where the audiences are prevented from identifying with the characters of the drama in the hope that the public will reflect on the ideas presented more rationally and objectively. "Alienation" in this thesis is a psychological force which acts divisively between the characters in the drama and thus contributes to the development of a tragic situation.
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Die kosmische Dimension in den Tragödien SenecasSchmitz, Christine. January 1993 (has links)
Originally presented as the author's Thesis (doctoral--Friedrich-Wilhelms-Universität, Bonn, 1991). / Includes indexes. Includes bibliographical references (p. [237]-242).
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Studien zu Samuel Daniels Tragödie Cleopatra; Quellenfrage und literarischer Charakter.Müller, Amandus, January 1914 (has links)
Inaug.-Diss.--Leipzig. / Vita. Bibliographical footnotes.
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Die Funktion des Pathetischen im Aufbau sophokleischer und euripideischer TragödienJaene, Hans Erich. January 1929 (has links)
Inaug.-Diss.--Kiel. / Lebenslauf. Includes bibliographical references.
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The Idols of the Tribe: A Study of the Role of the Commentator in Shakespeare's TragediesBrennan, Anthony Stuart 10 1900 (has links)
General problems concerning Shakespeare's ethical stance are related to the role of the commentator in his drama. A survey of Elizabethan and Jacobean drama indicates that there was a development from formal choric devices toward commentating characters who are absorbed into the dramatic structure. Factors which may have influenced Shakespeare's use of the commentating figure are suggested. After a preliminary study of Shakespeare's methods of presenting commentary in his history plays, the thesis concentrates on the varied ways in which Shakespeare develops the role of the commentator in his major tragedies. The conclusion relates the problems which Shakespeare examines by means of this distinctive feature of his tragic vision to the work of other major Renaissance writers. / Thesis / Doctor of Philosophy (PhD)
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Rotrou's conception of the tragicDawson, Fielden K. January 1952 (has links)
The aim of this study is to show what was Rotrou's conception of the tragic, which is concomitantly to point out in what ways it differed from the conception of tragedy held by his precursors, such as Hardy, and his contemporaries.
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The concept of choice in selected tragedies of ShakespeareOyeleke, Oyebanji Adekeye 01 August 1978 (has links)
No description available.
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A Challenge to Charles Lamb's "On the Tragedies of Shakespeare"Walworth, Alan M. (Alan Marshall) 12 1900 (has links)
This study challenges Charles Lamb's 1811 essay "On the Tragedies of Shakespeare, Considered with Reference to their Fitness for Stage Representation," which argues that Shakespeare's plays are better suited for reading than stage production. Each of the four chapters considers a specific argument Lamb raises against the theatre and the particular Shakespearean tragedy used to illustrate his point. The Hamlet chapter examines the supposed concessions involved in the actor/audience relationship. The Macbeth chapter challenges Lamb's Platonic view of Shakespearean characterization. The Othello chapter considers whether some characters and images, while acceptable to the reader's imagination, are improper on stage. Finally, the King Lear chapter considers the portrayal of the mind in the theatre, employing semiotic principles to examine the actor's expressive resources.
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