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Some aspects of the tragic hero's relationship to world order in Sophoclean and Shakespearean tragedyRider, Norma Jean January 1972 (has links)
This thesis considered seven aspects of the relationship of the tragic hero with his world in the four major tragedies of Shakespear—Hamlet, Othello, Macbeth, and King Lear—and in four tragedies of Sophocles—Oedipus, Antigone, Ajax and Women of Trachis. All the plays with the exception of Women of Trachis, were found depicting a hero who represented his society and had freedom of choice and action, but whose mistaken view of himself and his role in life led to conflict with the cosmos, to rebellion and a trial by suffering which resulted in a kind of insanity, and finally to self-recognition through submission and purgation.The thesis also discussed Sophocles’ and Shakespeare’s concern with justice as reflected in their use of trial imagery, and Shakespear’s indebtedness to the classic chain of being concept and to the Platonic emphasis on reason and courage in a hero, or leader.
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Skēnē tragikē eine Studie über die scenischen Anlagen auf der Orchestra des Aischylos und der anderen Tragiker,Noack, Ferdinand, January 1915 (has links)
Program--Tübingen (Doktorenverzeichnis der Philosophischen Facultät).
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Blankversveränderungen in Shakespeares späteren Tragödien eine Interpretation von Othello, King Lear, Macbeth und Antony and Cleopatra (mit einem Ausblick auf J. Websters Duchess of Malfi und Th. Middletons Women beware women, sowie einem Anhang zu Hamlet).Sedlak, Werner, January 1971 (has links)
Inaug.-Diss.--Ludwig-Maximilians-Universität zu München. / Bibliography: p. 242-246.
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Ausdrücke für Wahrheit und Lüge in der attische TragödieMielert, Ernest, January 1958 (has links)
Thesis (doctoral)--Ludwig-Maximilians-Universität zu München, 1958. / Vita. Includes bibliographical references (p. iii-v) and index.
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Melpomene en het Nederlands toneel opvoeringen van antieke Griekse tragedies door Nederlandse toneelgezelschappen tussen 1885 en 1975 /Haak, Abraham Cornelis. January 1977 (has links)
Thesis--Utrecht. / Vita. Summary in German. Includes index. Bibliography: p. 285-291.
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Studiën over Sophocles,Kamerbeek, J. C. January 1934 (has links)
Proefschrift--Utrecht. / "Stellingen" (4 p.) laid in. Description based on print version record. Includes bibliographical references.
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Die Chorlieder in Senecas Tragödien eine Untersuchung zu Senecas Philosophie und Chorthemen /Gil, Alberto, January 1979 (has links)
Thesis (doctoral)--Universität zu Köln. / Includes index. Bibliography: p. 203-216.
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Im und durch das Leiden lernen : das Buch Ijob als Drama /Klinger, Bernhard, January 1900 (has links)
Slight revision of the author's Thesis (doctoral)--Universität Passau, Wintersemester 2005/2006. / Includes bibliographical references (p. 337-369) and index.
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"Present fears" and "Horrible Imaginings" : Gothic elements in Shakespearean TragedyAppel, Ian S. 11 November 2003 (has links)
Gothic literary works are characterized as such by their ability to represent
and evoke terror. The form this representation takes is varied; often terror
originates in the atmospheric effects of settings, in the appearance of mysterious,
supposedly supernatural phenomena, and, perhaps most significantly, in the
behavior of villainous characters. Shakespearean tragedy participates in just such
an exploration of the origins and effects of terror. This thesis will examine three
aspects of the Shakespearean Gothic in three of his most frightening and
disturbing tragedies: Macbeth, King Lear and Titus Andronicus. All three of
these texts represent terror in ways that are significant not only for genre studies
but for historicist cultural studies as well. Shakespeare's particular vision of the
terrible tends to represent unruly women and ethnic minorities as demonized
others who threaten normalized social and moral order, and also evokes a
religious dread--a fear of the cruelty or, more radically, the nonexistence of
God--that would have proved particularly disturbing for Early Modem Christian
culture. This reading of Shakespeare demonstrates both the influence of his
vision on later writers and the trans-historic applicability of the Gothic aesthetic. / Graduation date: 2004
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Gleichnis und Metapher in der griechischen TragödieHörmann, Wolfgang, January 1934 (has links)
Inaugural-Dissertation--München, 1934.
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