This study will examine the impact of the hotly-debated sanctions against Iran from the perspective of the civilians who live in a country other than their sanctioned homeland, yet keep ties with their country of origin, specifically Iranians immigrants in Toronto and Halifax. Using transnationalism theory, this study shows that human consequences of the sanctions are not limited to the Iranians who live inside Iran but reach out to immigrants who live across borders. In particular, the more extensive these ties are, the more severe are the effects of the sanctions on all the people involved. Although sanctions are ostensibly to pressure a government, my study demonstrates that the effect of sanctions has transnational consequences beyond that which is desirable or foreseen. This study broadens our understanding of human consequences of economic sanctions. It also has implications for policy-makers to consider their immigration populations before imposing sanctions.

Contemporary international migrations take place during an “information age”, and information and communications technologies (ICT) have revolutionized transnational immigrant social networks. Immigrants can now maintain transnational connections with their source communities with less cost but more frequency than ever before. E-mail, web cameras, instant messenger services and social networking websites can be used to send very detailed reports about living and working in destination countries to contacts in social networks that span the globe. Drawing upon findings from 54 semi-structured interviews with immigrants in Toronto and other locations in Southern Ontario, this study examines the impact ICTs have had on the transnational social networks of Filipino immigrants in Canada. In this work I employ Pierre Bourdieu’s theories of social fields and forms of capital as a theoretical framework to develop the concept of “digital” capital, a valuable resource that can be converted into multiple forms of capital within transnational social networks. I illustrate how immigrants use digital technologies, and in particular social networking websites, to increase the size and diversity of their social networks, and to disseminate information about life in Canada. I also highlight how processes of social distinction and reproduction influence the accuracy of transnational information flows. This PhD project fills important gaps in the geographic literature, a discipline where ICT have been a relatively understudied research topic to date. It also contributes to the migration studies and transnationalism literature. Many studies that investigate immigrant ICT use have overlooked the importance of geography, and do not consider how uneven power relations between migrant source and destination countries shape immigrants’ on-line transnational activities. This research also makes important theoretical contributions to labour market theory. Classical ideas related to labour shortage and recruitment, hierarchies in the labour market, and the mechanisms of segmentation in labour markets have traditionally been grounded in processes that take place almost entirely in the destination country. This work demonstrates why a global or transnational perspective must be adopted when considering the labour market experiences of immigrants. The findings from this study demonstrate how the economic integration of newcomers in destination countries clearly has transnational dimensions.

The transnational migration of students is a vast yet under-researched area with most studies focusing on skilled and unskilled foreign immigrants. The transnational experience of studying outside their home country and constant negotiations of new social and cultural environments provides students with an opportunity to either challenge or reinforce their perspectives of gender. An examination of gender in a transnational context however continues to be a much neglected domain. Gender is salient in migration because not only do gender relations facilitate or constrain both men's and women's movements but they also structure the whole migration process including practices and the construction of self. This thesis interrogates the reconstruction of gender identities by foreign students of African origin at the University of KwaZulu-Natal (UKZN hereafter) in Durban South Africa. This study aims to contribute to the fields of gender and migration by examining ways in which gender shapes migratory flows and examining how migration shapes gender relations. Through exploring the tensions that students perceive and undergo and struggle with as they bring their own cultural insights , values and practices to a new context at UKZN, I seek to highlight the complexity of their gender identities as negotiated in a transnational context. By using an interpretivist theoretical paradigm which is a qualitative approach, I highlight how the communal process of the views and perceptions of the students and my multidimensional positionality intersected to produce knowledge. I also highlight the gender relations as an important dynamic in the data collection process. The body of data reveals that men and women cite different factors as influencing their propensity to migrate namely gender role socialisation on the part of the men and education and empowerment on the part of the women. In spite of the gender differences in facilitating their migration to South Africa, both men and women display resonance in terms of choosing South Africa and UKZN in particular as a study destination showing gender to be situational. This is in light of opportunity structures in place at UKZN that are available to both men and women thus enabling the foreign African women students to take advantage of opportunities they may not have had in their home countries The study also generates critical insights about the complexities experienced by these students as a result of immersing themselves in UKZN embedded in Durban a multiracial environment which is still a much divided society. I also examine how these students perceive and interpret gender norms in South Africa and how these gender norms challenge or support conceptions of gender norms in their country of origin. The themes presented in this study reveal that gender identity construction is related to the struggle over power and social status. A significant aspect of the findings was how the students were re-interpreting and re-defining their gender roles and expectations in the transnational space. Gender roles were enacted in different ways by students to express social status, position and power. This study also interrogates how the interplay of social ranking such as gender, class, ethnicity and nationality serve to construct several versions of masculinity and femininity in the transnational space. The exploration of the students' engagement with the gender discourse highlights the dilemma based on the dialectic between modern gender roles as a result of western education and maintaining traditional gender roles as a result of cultural upbringing. The study also explores the development of hybridised gender identities within the transnational space. In the course of the study religion was highlighted as key factor in influencing the ways in which migrants renegotiate their beliefs, practices and attitudes and personal as well as social identities in the host country. The study examined how religion informed the transnational students' ethnic and gender-based identities and their experiences of social life and their appropriations of religion to form alternative identities. / Thesis (Ph.D.)-University of KwaZulu-Natal, Durban, 2010.

The aim of this dissertation is to contribute to an understanding of the changing relationship between collectivist ideals and individualism within dispersed, transnational, and heterogeneous cultural spaces. I focus on musicians working in professional folk music, a field that has strong, historic associations with collectivism. This field consists of folk festivals, music camps, and other venues at which musicians from a range of countries, affiliated with broad labels such as ‘Celtic,’ ‘Nordic,’ ‘bluegrass,’ or ‘fiddle music,’ interact. Various collaborative connections emerge from such encounters, creating socio-musical networks that cross boundaries of genre, region, and nation. These interactions create a social space that has received little attention in ethnomusicology. While there is an emerging body of literature devoted to specific folk festivals in the context of globalization, few studies have examined the relationship between the transnational character of this circuit and the changing sensibilities, music, and social networks of particular musicians who make a living on it. To this end, I examine the career trajectories of three interrelated musicians who have worked in folk music: the late Canadian fiddler Oliver Schroer (1956-2008), the Irish flute player Nuala Kennedy, and the Italian organetto player Filippo Gambetta. These musicians are all notable for their taste for transnational collaboration and their reputations as mavericks and boundary-pushers. Through case studies of their projects, relationships, and collaborative networks, I explore transformations in the collectivist folk ideal by focussing on how these musicians are implicated in three phenomena: transnational festivals, new folk music sensibilities, and touring as social practice. This research is based on multi-dimensional, multi-sited fieldwork undertaken in Toronto, Genoa, Edinburgh, and at various festivals in Europe and North America between 2007-2013. I conclude that Schroer, Kennedy, and Gambetta experience transnational folk music space as a field of intersecting transnationalisms that are imaginaries and collectivities of varying size and scope. While festivals in this space increasingly celebrate a transcultural ideal and foster the formation of transnational networks, stable, heterogeneous transnational relationships are proving more difficult to attain. I argue that touring on this circuit generates a desire for community continuity that becomes part of the poetics of new instrumental folk music.

The aim of this dissertation is to contribute to an understanding of the changing relationship between collectivist ideals and individualism within dispersed, transnational, and heterogeneous cultural spaces. I focus on musicians working in professional folk music, a field that has strong, historic associations with collectivism. This field consists of folk festivals, music camps, and other venues at which musicians from a range of countries, affiliated with broad labels such as ‘Celtic,’ ‘Nordic,’ ‘bluegrass,’ or ‘fiddle music,’ interact. Various collaborative connections emerge from such encounters, creating socio-musical networks that cross boundaries of genre, region, and nation. These interactions create a social space that has received little attention in ethnomusicology. While there is an emerging body of literature devoted to specific folk festivals in the context of globalization, few studies have examined the relationship between the transnational character of this circuit and the changing sensibilities, music, and social networks of particular musicians who make a living on it. To this end, I examine the career trajectories of three interrelated musicians who have worked in folk music: the late Canadian fiddler Oliver Schroer (1956-2008), the Irish flute player Nuala Kennedy, and the Italian organetto player Filippo Gambetta. These musicians are all notable for their taste for transnational collaboration and their reputations as mavericks and boundary-pushers. Through case studies of their projects, relationships, and collaborative networks, I explore transformations in the collectivist folk ideal by focussing on how these musicians are implicated in three phenomena: transnational festivals, new folk music sensibilities, and touring as social practice. This research is based on multi-dimensional, multi-sited fieldwork undertaken in Toronto, Genoa, Edinburgh, and at various festivals in Europe and North America between 2007-2013. I conclude that Schroer, Kennedy, and Gambetta experience transnational folk music space as a field of intersecting transnationalisms that are imaginaries and collectivities of varying size and scope. While festivals in this space increasingly celebrate a transcultural ideal and foster the formation of transnational networks, stable, heterogeneous transnational relationships are proving more difficult to attain. I argue that touring on this circuit generates a desire for community continuity that becomes part of the poetics of new instrumental folk music.

It has often been claimed that contemporary societies are shaped by globalization; the rapid interconnections of societies, economies, markets, flows and information potentially linking all places in the world to each other. In search for experiences, variation, escape or comfort, individuals are travelling, circulating, and migrating between places, challenging the notions of ‘home’ and ‘away’, ‘everyday’ and ‘extraordinary’. This thesis addresses the ways lifestyle-led mobilities are produced and performed, by studying the mobility trajectories and experiences of Swedes dividing their time seasonally between Sweden and Malta. It explores how movers are faced with a structural framework that both facilitates and directs their choices concerning mobility, and how they interpret and respond to these structures. It also explores the imaginaries, meanings, and feelings for place, identity, and lifestyle that the movers negotiate through their mobility practices and through the links they create and sustain in places. Thus, this thesis is situated in an evolving field of research on lifestyle mobilities. Lifestyle mobilities are here defined as those mobility practices undertaken by individuals based on their freedom of choice, of a temporal or more permanent duration, with or without any significant ‘home base(s)’, that are primarily driven by aspirations to increase ‘quality of life’, and that are primarily related to the individuals’ lifestyle values. The thesis is based on four individual papers exploring different aspects lifestyle mobility. The aim is to understand how production and performance aspects of lifestyle mobilities are related, and how notions of identity and belonging are negotiated in relation to lifestyle mobility practices. The production aspect relates to those structures and frameworks that create, facilitate, or sometimes delimit opportunities for lifestyle mobility while the performance aspect focuses on individual agency and meaning of lifestyle mobility practices. The studies are based on in-depth interviews with Swedish movers in Malta, and focus on how structural frameworks and mediations influence the ways that movers manoeuvre, manipulate or adapt to structures and influences in order to arrange their life context to achieve ‘quality of life’. A second aim focuses on the ways that movers reflect upon their identities and belongings as they travel routinely between two (or more) significant places, and how this may influence mobility practices. It is concluded that structures and mediations are both facilitating and delimiting movers’ space of choice regarding mobility decisions. Through their agency, movers negotiate their space of choice by allocating resources and experience, accessing supportive networks and tailoring their access to entitlements. The production and performance aspects of lifestyle mobility practices are interlinked in complex ways.

Despite the fact that many countries participated in the Vietnam War, their war stories tend to marginalize one another. In this study, I use a transnationalist critical lens to compare the ethnocentric stories of the U.S. and South Korea. Instead of presenting transnationalism as a focus on the changes that arise through travel between different cultures, I rely on another meaning of transnationalism as a form of consciousness. In order to compare differing perspectives on the Vietnam War as represented in the U.S. and South Korea, I compare Tim O’Brien’s In the Lake of the Woods and Suk-Yong Hwang’s The Shadow of Arms, based on the writing style of the texts, the shared theme of friendly fire, and representation of the My Lai massacre. As a result, this comparison challenges readers in each nation to recognize perspectives on the Vietnam War which they may have missed.

Between 1857 and 1913 approximately 120,000 of the labouring poor from the East End of London were assisted to emigrate to Canada, Australia, New Zealand, and sometimes South Africa in order to transplant surplus urban labour to emerging colonial markets and to provide the poor with a means of personal and financial improvement. These charities described the work they did as building “The Bridge of Hope for East London.” By the end of the nineteenth century, Eastenders had long been plagued by poverty, dependency on the Poor Law, and periods of unemployment. Typecast as morally, socially, economically, and racially degenerate in an emerging slum discourse, Eastenders were rarely considered ideal colonial emigrants. For Canada, these emigrants made poor prospects for the westward-expanding nation intent on recruiting agricultural immigrants. At times over the course of these six decades, the Canadian government grew so concerned about their migrations that it took legal measures to bar their entry. By 1910, Canada effectively banned charitably assisted emigration from East London in an attempt to control its borders and dictate the kinds of immigrants it desired even when they were English. Despite these shortcomings and obstacles, assisted emigrants from East London made new lives for themselves and their families in Canada most often in cities. We know something about their experiences from letters some of them wrote to the emigration charities that sponsored them. As a migrant group, they present a unique type of English settler in Canada. Forever failing, despite their many successes and their integration, to meet the ideal imperial British standard, Eastenders were considered undesirable on both sides of the Atlantic – a blight on British prosperity at home and unsuitable representatives abroad. Eastenders occupied an uneasy “third space” struggling to fit in somewhere between home and empire. This dissertation, employing analytical models and methodologies inspired by the ‘New Imperial History,’ the ‘British World’ model, post-colonial theory, and transnationalism seeks to understand why and under what circumstances Canada restricted charitable emigration from East London by 1910. It examines how British charities, politicians, commentators, and, above all, emigrants developed and experienced an imperial discourse and practice of assisted emigration over the course of six decades under ever-changing economic circumstances at home. Overall, it argues that British emigration charities, under the mounting pressures of poverty at home and spurred on by liberal and imperial reformist attitudes, rarely heeded Canadian warnings about the sending out of poor urban emigrants from East London even though they were English. Instead, these emigrationists developed a system of assisted emigration that largely suited their own objectives of poverty management. East End emigrants experienced this system with varying degrees of success, failure, benefit, and harm. The dissertation explores their experiences in two case studies in addition to three chapters on the evolution of assisted emigration discourses and practices in the East End. In placing assisted emigration of the urban poor from East London at the centre of a discussion of late nineteenth and early twentieth century intra-imperial responses to poverty, the dissertation reveals a complex interplay between social welfare, liberalism, and migration in two disparate but connected parts of the ‘British World,’ home and abroad. In doing so it fosters a deeper understanding of the evolution of colonial immigration policy and complicates the limits of race and class for studies of English emigration.

No description available.

No description available.