This investigation of the studioli, small contemplation chambers in the ducal palaces of Urbino and Gubbio, considers their position in the western tradition of the memory arts. Drawing upon select images in the studioli, as well as text sources readily available to Duke Federico da Montefeltro (1422--82) and the members of his court, this inquiry examines how the discipline of architecture equipped the late quattrocento mind with a bridge between the mathematical arts, which lend themselves to mechanical practices, and the art of rhetoric, a discipline central to the cultivation of memory and eloquence. As ramifications of material and mental craft, the studioli offered the Urbino court models for education and prudent governance.

No description available.

Thesis (Ph.D.)--University of Virginia, 2004. / Includes bibliographical references (leaves 236-246).

Th. Ph. D.--Hist. de l'art et de l'archéol.--New York--Columbia University, 1990. Titre de soutenance : Le platonisme de Ficin et la Cour d'Urbin : histoire des idées et histoire de l'art. / Bibliogr. des oeuvres de Ficin p. 183-184. Bibliogr. p. 185-224.

No description available.

La ricerca si focalizza sulle espressioni artistiche a Crema durante il Cinquecento, prendendo in considerazione artisti, episodi particolari, commissioni pubbliche e private. Partendo dall’intervento di Benedetto Diana in Santa Maria della Croce, passando per la bottega di Vincenzo Civerchio, si giunge ad analizzare le figure di Aurelio Buso e Carlo Urbino, fino alla fine del secolo. Il lavoro presenta alcuni documenti inediti, quali uno che attesta la presenza di Aurelio Buso a Genova e altri che mostrano l’origine di Carlo Urbino . / This study is focused on the artistic expressions in Crema along the XVI century, considering artists, happenings, public and private commissions. Starting from the work of Benedetto Diana in Santa Maria della Croce, through the workshop of Vincenzo Civerchio, we arrive studying Aurelio Buso and Carlo Urbino, at the end of the century. This study presents come new documents, as one that certificate the journey of Aurelio Buso to Genua and others that show the origin of Carlo Urbino.

Orientador: Luiz Cesar Marques Filho / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-04T09:46:44Z (GMT). No. of bitstreams: 1 Meneses_PatriciaDalcanale_M.pdf: 8894128 bytes, checksum: 81da8af625498974d32dee145363c4fc (MD5) Previous issue date: 2005 / Resumo: o objetivo desta pesquisa é estudar três pinturas de cenas urbanas conhecidas como painéis de Urbino, Baltimore e Berlim e, mais especificamente, o ambiente cultural que as produziu. Considerando a cidade de Urbino como o mais provável local de origem dessas obras, o estudo concentra-se na relação entre arte e política, e no papel da arquitetura e cultura humanistas no ducado dos Montefeltro / Abstract: The purpose of this research is to study the three paintings of urban scenes, known as the Urbino, Baltimore and Berlin panels, and more particularly the cultural milieu that produced them. Considering the city of Urbino the most probable place of origin of the works, this study focuses on the relationship between politics and art, and the role of architecture and humanistic culture at the Montefeltro ducal estate / Mestrado / Historia da Arte / Mestre em História

Thesis (Ph. D.)--Harvard University, 1998. / Includes bibliographical references (leaves 268-274).

Il lavoro si occupa dell'evoluzione diacronica del sito incastellato di Monte Copiolo (Italia, regione Marche, provincia di Pesaro e Urbino) tra X e XVI secolo. / The work deals with the diachronic evolution of the Monte Copiolo’s castle, in Montefeltro (Italy, Marche region, province of Pesaro and Urbino) between X and XVI century.

At the end of the 15th century in Bohemia penetrates the Renaissance style, which appeared in 1493 at the Prague Castle in the form of windows of the Vladislav Hall in the Old Royal Palace. Their appearance is historically and stylistically linked to the Buda Castle, where Vladislaus II. Jagiello relocated in 1490. Here he met the prime marble carvings of the court of Matthias Corvinus, for which worked Italian masters. Patterns of fragments of windows founded in Buda can find at the Palazzo Ducale of Federico da Montefeltro in Urbino, because Hungary was due Queen Beatrice of Aragon from Naples in live contact with Italy.