This dissertation deals with the notion of centration in the work of Teilhard de Chardin, the notion being examined with regard to two related aims: 1) to illustrate the logical structure of Teilhard's Christian theory of evolution, and 2) to explain the relation between centration carried out by created beings and centration assigned to God as the focal point of evolution. In other words: to explore the connection between fundamental freedom attributed by Teilhard to created beings and culminating in human beings according to him, and God's freedom demonstrating itself in controlling the universe and directing it to a goal being the fullness of being (pleroma). The first part presents Teilhard's life and the contexts of his work. The second part explains the main notions of Teilhard's theory and metaphysics, such as "consciousness", "spirit", "energy", "centro-complexity", and "matter", and relates them to the notion of centration. Centration is presented here as an activity of the consciousness consisting in the unifying formation of multitude by its interconnection with different types of relations around one centre. In such unification, the main law of evolution manifests itself - the Law of Differentiating Unity. This means that parts unified in such way start differentiating again. What is...

In her doctoral thesis the author would like to present the play Yoshitsune and the Thousand Cherry trees (Yoshitsune senbonzakura) as a unique piece of Japanese drama which has a great complexity and an outstanding place within the corpus of Japanese literature. Even if the play can be compared to Chushingura mono in its importance, Yoshitsune senbonzakura has not been widely translated to western languages. There are two exceptions, however: the English translation (Jones, Jr. 1993) and the German translation (Klopfenstein 1982). While comparing the two translations and using the most full original texts available (as preserved in Takeda Izumo and Namiki Sosuke Joruri Collection and Yuda Yoshio's Bunraku Joruri Collection), the author's goal is to present the play to Czech readers and its interpretation to Czech scholars. As for the flow and structure of the interpretation of Yoshitsune senbonzakura the author begins with an analysis of the historical background of the legend of Minamoto Yoshitsune, capturing the life of Yoshitsune from the time of Heiji rebellion (1159) when he was born to his death in 1189. Next the author concentrates on the legend itself as it evolved within the course of Japanese literature. With a shift from the court literature of Heian period towards the battlefield...