Spelling suggestions: "subject:"vespertino""
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14 Die Windeln des Christkinds: Ein Gebrauchsgegenstand als Heilssymbol?: [Universitätsvesper vom 13.12.2017]Blumenthal, Elke 23 October 2019 (has links)
No description available.
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29 Umstrittenes Impfen: Vom Heilen im Alten Ägypten und dem Umgang mit wissenschaftlichen Informationen: [Universitätsvesper vom 24.04.2019]Naether, Franziska 23 October 2019 (has links)
No description available.
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Cover, Inhalt, Vorwort, Einleitung23 October 2019 (has links)
No description available.
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Autorenverzeichnis23 October 2019 (has links)
No description available.
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30 „Körper, Ich und Seele“ aus altägyptischer Sicht: Ägyptologische Anmerkungen zu Gunther von Hagens' umstrittenen „Körperwelten“: [Universitätsvesper vom 26.05.2004]Seyfried, Friederike 23 October 2019 (has links)
No description available.
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From the "death of literature" to the "new subjectivity" examining the interaction of utopia and nostalgia in Peter Schneider's Lenz, Hans Magnus Enzensberger's Der kurze Sommer der Anarchie, and Bernward Vesper's Die Reise /Krüger, Thomas J. A. January 1900 (has links)
Thesis (Ph.D.). / Written for the Dept. of German Studies. Title from title page of PDF (viewed 2009/06/09). Includes bibliographical references.
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Die fälschlich so genannte ”Marien”-Vesper von Claudio MonteverdiHucke, Helmut 10 January 2020 (has links)
No description available.
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J. J. B. Münster: Sacrificium vespertinum, Augsburg 1729, unikátně dochovaná hudební sbírka z kláštera v Borovanech / J. J. B. Münster: Sacrificium vespertinum, Augsburg 1729, unique extant music collection from the Borovany monastery.TRÖSTL, Jiří January 2018 (has links)
The theme of this work is a collection of Vesper music Sacrificium vespertinum composed by J. J. B. Münster. It is the print published in Augsburg in 1729. One copy of the print is preserved in the collection of music prints from the Minorite convent in Český Krumlov. However, originally it was given to the Augustinian convent in Borovany. The print contains mainly psalm and Magnificat settings intended for festive Vespers in the style common in the late baroque catholic church music in the Central Europe. All texts are Latin. The operating apparatus includes solo voices, a mixed choir, two violins and an organ. The aim of the work is to describe and place the collection in the context of the music and liturgy of the time. The edition of selected compositions is a part of the work.
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