- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 2 of 2 (0.055 seconds)Spelling suggestions: "subject:"vibration"" "subject:"vibrational""
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Psykoakustisk påverkan av basfrekvenser : Blir vi påverkade av låga basfrekvenser som vi inte kan eller knappt kan höra med örat? / Psychoacoustic influences by bassfrequencies : Are we getting influenced by low bassfrequencies that we can’t or hardly can hear with the ear?Pålsson, Thomas January 2008 (has links)
<p>This survey tries to find out if and how we can be influenced of extreme low and strong frequencies in the area 0-40 Hz. A group of 52 teachers/musicstudents and non musicstudents was trying to assess what they thought, experiences and tried to describe why they thought as they did, when they listen on three different versions of same musical piece. Without low frequent bass, original and strengthened bass, randomly mixed. Several different musical pieces was used in same survey. The work also makes a commitment to theories about the people's hearing and the will of ‘selfmotion’. The result gives a hint that participators in the survey prefer to listen to music on “balance”, rather then music with reinforced low bassfrequencies.</p>
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Psykoakustisk påverkan av basfrekvenser : Blir vi påverkade av låga basfrekvenser som vi inte kan eller knappt kan höra med örat? / Psychoacoustic influences by bassfrequencies : Are we getting influenced by low bassfrequencies that we can’t or hardly can hear with the ear?Pålsson, Thomas January 2008 (has links)
This survey tries to find out if and how we can be influenced of extreme low and strong frequencies in the area 0-40 Hz. A group of 52 teachers/musicstudents and non musicstudents was trying to assess what they thought, experiences and tried to describe why they thought as they did, when they listen on three different versions of same musical piece. Without low frequent bass, original and strengthened bass, randomly mixed. Several different musical pieces was used in same survey. The work also makes a commitment to theories about the people's hearing and the will of ‘selfmotion’. The result gives a hint that participators in the survey prefer to listen to music on “balance”, rather then music with reinforced low bassfrequencies.
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