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Master's thesis recital (baritone)Pettey, Brian 09 June 2011 (has links)
Performance of songs by: C. Berberian, E. Klein, E. Carter, V. Thomson, C. Naginski, C. Dougherty, V. Duke, P. Bowles, R. Hundley, C. Ives, J. Corigliano, W. G. Still, J. Cage, P.D.Q. Bach, N. Rorem, S. Barab, E. Bacon, J. Duke, T. Chanler, D. Suesse / text
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The big kiss off a musical noir /Sakry, Rachel. January 2008 (has links) (PDF)
Thesis (M.A.) -- University of Portland, 2008. / Title from PDF t.p. (viewed on Sept. 23, 2008).
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Reconsidering the lament form, content, and genre in Italian chamber recitative laments, 1608-1640 /Chung, Kyung-Young. January 2004 (has links)
Thesis (Ph. D.)--University of North Texas, 2004. / System requirements: Adobe Acrobat Reader. Includes bibliographical references (p.260-267).
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Bawa a Javanese solo vocal music /Dea, Alexander. January 1900 (has links)
Thesis (Ph. D.)--Wesleyan University, 1980. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 293-297).
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Context and style in the vocal music of the Muranao in Mindanao, Philippines /Cadar, Usopay Hamdag, January 1980 (has links)
Thesis--University of Washington. / Vita. Bibliography: leaves [225]-231.
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Étude d'un modèle continu des cordes vocales sous forme de deux poutres bi-articulées : premières simulations.Perrier, Pascal, January 1900 (has links)
Th. doct.-ing.--Électronique--Grenoble--I.N.P., 1982. N°: DI 313.
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Les Opérateurs cepstres : application à la séparation d'échos rapprochés.Balluet, Jean-Claude, January 1900 (has links)
Th. doct-ing.--Grenoble, I.N.P.G., 1979. N°: DI 79.
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Détection du voisement et de la fréquence fondamentale d'un signal de parole.Boulogne, Michel, January 1900 (has links)
Th. doct.-ing.--Grenoble, I.N.P.G., 1979. N°: DI 121.
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A hybrid model of vocal fold vibration with application to some pathological casesWong, Darrell January 1985 (has links)
It has been hypothesised (Moore 1976) that vocal fold pathology will manifest itself in voiced sounds when vibratory characteristics are disrupted. This thesis examines the effects that pathologies have on the vocal folds through the use of a computer simulation model of the human phonatory system.
A damped, nonlinear, multiple-mass spring model combined with a transmission line vocal tract model, was developed and mathematically simulated on a computer. Configurational parameters were then varied asymmetrically in order to examine the vibratory characteristics of the system. In particular, the glottal flow and speech signals from the glottal and vocal tract subsystems were observed for perturbations. Next, jitter, shimmer, and harmonics to noise ratio analyses were made and the results compared to a database of analysed speech recordings from Vancouver General Hospital. Finally, an approximate mathematical analysis was made examining the underlying nonlinear oscillatory phenomena.
The study showed that the model, a hybrid between the simple two mass Ishizaka and Flanagan model (1972) and the more complex Titze (1973, 1974) model, was able to simulate the desired asymmetrical conditions. Perturbation phenomena were successfully simulated and the results found to be in good agreement with both real data and data obtained from previously published models. The mathematical analysis revealed the observed perturbations to be characteristic of second and third order subharmonics found in nonlinear oscillatory systems. It was also shown that the driving forces discussed by Titze (1980) (ie the Bernoulli effect, vertical phasing and vocal tract loading) all appear directly in the proposed dynamical equation. / Applied Science, Faculty of / Electrical and Computer Engineering, Department of / Graduate
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"Is pluralism in vocal register designations a problem or not?" : A study to highlight problems and opportunities with varied voice register narratives.Eriksson, Magdalena January 2023 (has links)
The purpose of the study is to gain an overview of the prevailing vocal register vocabulary in Sweden today and to examine how the existing pluralism has a positive or negative impact. There is currently a diverse narrative surrounding vocabulary, and new vocal discourse trends have influenced the conversation about vocal register terminology.The vocabulary taught in higher music education will shape future narratives, prompting the question of whether voice instructors at academies of music believe that the wide range of vocabulary can influence vocal instruction and which discourses these instructors consider relevant.
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