This visual analysis of the Stay out of Gangs public service announcement (PSA) is a site for social investigations. The investigation follows the question of what kind of work the campaign does, in terms of the social discourses it works within and its broader social impact. More specifically, this paper explores the design of the campaign, focusing on the way it frames and interpellates intended audiences, paying attention to the discourses that are produced. The discourses observed in the campaign both reflect and reference popular representations of the gangster and the stereotypes of ethnic minority groups in our society. This paper concludes that the interpellation of both the marginalized at-risk and the law abiding subject positions is working within the PSA, thereby reinforcing social discourses of social inclusion and exclusion currently working in society.

The organization of Winnipeg from 1870 until 1885 can be described as an intense period of spatial transformation and expansion. After the Hudson’s Bay Company (HBC) surrendered Rupert’s Land and the North-West Territories to the Crown in 1870, the re-formulation of land tenure transformed the urban space. Different actors in the still young and small community used diverse mechanisms to secure common land as private property allowing the formation of a dynamic real estate market. During those years Winnipeg expanded rapidly and the availability of city lots soon became limited. Lot prices soared and land transformed into a commodity generated the conditions for the reproduction and circulation of capital in the city. The arrival of investors and financial institutions helped to create the real estate boom of 1881-82 and transform a small village into a modern capitalist city. By 1885, Winnipeg was ready to initiate an uneven and fast transition to industrial capitalism.

This practicum examines the opportunities and challenges for transit-oriented development (TOD) at strategic station areas along the Southwest Rapid Transit Corridor (SWRTC) in Winnipeg. Research included three case studies that investigated policy support, station area planning and implementation tools in the City and County of Denver, City of Boulder and the City of Ottawa. Three recommendations are outlined in the concluding chapter. The first is to develop Smart Growth land use policies that direct growth to station areas along the SWRTC. The second is to develop station area plans that indicate the permitted land uses, urban form and densities at station areas. The third is to create a zoning overlay for TOD to that embraces compact, pedestrian oriented development, mixed land uses and reduced off-street parking requirements. These recommendations are of particularly benefit to the City of Winnipeg and to other municipalities that are investing in rapid transit systems and TOD.

Community arts are potentially valuable tools in building community and regenerating distressed neighbourhoods. Community-based art organizations exist in most major cities across North America and abroad. These groups are concerned with social and environmental community issues (e.g., youth poverty, sustainability, racism) and use art as a medium for social change through community empowerment and personal development. Many of these organizations operate on limited funding and are required to complete program evaluations to demonstrate the merit of their programs. While some program evaluation literature touches on the role of arts-based research methods, very little focuses specifically on using these methods with community-based art organizations—particularly organizations with programming intended for children and youth. This Major Degree Project seeks to address this gap and explore the role of creative, arts-based evaluation methods for community-based art organizations’ program evaluation.

This research examines energy poverty in the Daniel McIntyre and St. Matthews (DMSM) neighbourhoods in the city of Winnipeg. Energy poverty, defined as households spending more than 6% of their income on energy expenditures, affects as many as 50% of households in DMSM. Energy poverty can be alleviated through energy retrofits for dwellings such as weather stripping; increasing insulation in exterior walls, the attic and basement; and installing a high-efficiency furnace. The recommendations include: establishing consistent housing and energy efficiency policies; increasing the flexibility of utility on-bill financing; levying the necessary capital for energy retrofits through municipal financing mechanisms; increasing the knowledge and capacity of local residents; increasing the knowledge and capacity of local contractors for sustainable design and construction; creating a provincial strategy to increase the energy efficiency of social housing; developing low-income energy efficiency programs for rental properties; and increasing access to renewable energy sources.

The sharing of needles among injection drug users (IDUs) is a common route of Human Immunodeficiency Virus and Hepatitis C Virus transmission. Through the increased utilization of social network analysis, researchers have been able to examine how the interpersonal relationships of IDUs affect injection risk behaviour. This study involves a secondary analysis of data from a cross-sectional study of 156 IDUs from Winnipeg, Manitoba titled “Social Network Analysis of Injection Drug Users”. Multiple logistic regression analysis was used to assess the individual and the social network characteristics associated with needle sharing among the IDUs. Generalized Estimating Equations analysis was used to determine the injecting dyad characteristics which influence needle sharing behaviour between the IDUs and their injection drug using network members. The results revealed five key thematic findings that were significantly associated with needle sharing: (1) types of drug use, (2) socio-demographic status, (3) injecting in semi-public locations, (4) intimacy, and (5) social influence. The findings from this study suggest that comprehensive prevention approaches that target individuals and their network relationships may be necessary for sustainable reductions in needle sharing among IDUs.

Thesis (D.W.S.)--Institute for Worship Studies, 2006. / Abstract. Includes bibliographical references (leaves 178-186).

Thesis (D.W.S.)--Institute for Worship Studies, 2006. / Abstract. Includes bibliographical references (leaves 178-186).

The legacy of James Shaver Woodsworth, according to the traditional biographies, has been an indelible one on the Canadian historical landscape. His biographers have elevated Woodsworth to not only a hero of the Canadian political left, but of the whole nation. Studies of Woodsworth’s life have traditionally rested their case on All Peoples’ Mission in Winnipeg, calling it a watershed moment in the ideological development of J. S. Woodsworth. They characterize his time as Superintendent, from 1908-1913, as the defining moment which would later lead him to found the Cooperative Commonwealth Federation. This Master’s thesis seeks to analyze the historical periphery of this period in order to illustrate Woodsworth’s standard approach to the Social Gospel in Canada. By employing a micro-historical methodology, a greater context reveals that All Peoples’ Mission was not the dynamic, revolutionary institution that his biographers describe. Instead, Woodsworth spent his time in Winnipeg experimenting with different and sometimes conflicting philosophies. This stage of Woodsworth’s ideological development can instead be best characterized by his strong nativist beliefs. His writings and speeches during this period indicate a struggle between Woodsworth’s understanding of assimilation and integration. James Shaver Woodsworth was a far more complex character during this period than his biographers would have us believe.

Centred on the architecture of the Winnipeg Civic Auditorium, this thesis tangentially investigates the presence of Anglo-Saxon race mindedness in a place civic planners call the metropolitan centre of North America (Watt, 1932). The introduction situates the building tangentially in Manitoba's history. By thinking about the Civic Auditorium in a tangential manner I aim to attack the linear and sequential framework found in Eurocentric historical accounts. Doing this, my thesis criticises western architectural history and welcomes Indigenous reinterpretations of civic planning and urban aesthetics. I aim to philosophically attack the informational rhetoric of the cultural turn (Fabian, 1983). My thesis participates in the production of a material turn discourse, wherein the important philosophical relationship between objects and occidental culture is demonstrated (Otter, 2010; Bennett & Joyce, 2010; Hamilton, 2013). It utilises the Civic Auditorium as a touch stone to demonstrate the important ways that architecture has agency in the production of racism. / February 2016