Vilken roll har den kulturella globaliseringen på visuell design i tidningsbranschen? Medier är i konstant rörelse och världen har blivit ett öppet kulturellt utrymme där olika kulturer kan förmedlas via medier. Företag globaliserar sin verksamhet vilket gör att kulturella produkter som Coca-Cola och Nike är välkända runt om i världen. Samtidigt diskuteras de konsekvenser som globaliseringen av kulturella produkter kan ha på världen och om detta leder till homogenisering eller hybridisering av kultur. Kvinnomagasinet Cosmopolitan är ett globalt varumärke som existerar i över 100 länder. Den fråga som uppstår är om en stark kulturell produkt som Cosmopolitan har satt en standard för andra kvinnomagasins estetiska uttryck i andra länder. Vilka likheter och skillnader finns det i den visuella designen mellan det amerikanska kvinnomagasinet och populära kvinnomagasin i andra länder? I denna studie analyserades den visuella designen på populära kvinnomagasins omslag i Brasilien, Förenade Arabemiraten, Indien, Thailand, Tjeckien och USA under året 2012 och urvalet av länder baserades på religiös tillhörighet i de olika länderna. Eftersom religion är intimt förknippat med kultur var detta ett effektivt sätt i ett försök att få material som representerade olika kulturer i världen. Genom att använda både en kvantitativ och kvalitativ innehållsanalys kunde flera olika delar av materialet analyseras på olika nivåer. Resultatet av vår undersökning visade att det finns en variation av både likheter och skillnader i den visuella designen på kvinnomagasinens omslag. Med hjälp av teorier i kultur och globalisering gick det att se att både homogenisering och hybridisering av kultur är aktuellt inom tidningsbranschen, då det verkar finnas en viss standardisering av visuell design, samtidigt som det finns en blandning av kulturella referenser. Studien visar att kulturell globalisering kan påverka den visuella designen på kulturella produkter på olika sätt och öppnar upp för intressant vidare forskning inom ämnen som kulturell globalisering, homogenisering och hybridisering av kultur samt hur kulturella estetiska uttryck kan ta form i olika kulturer. / What role does cultural globalization have regarding visual design in the magazine industry? The media is in constant motion and the world has become a more open cultural space where different cultures can be communicated through media. Companies globalize their business, which makes cultural products like Coca-Cola and Nike well known all around the world. There are discussions about the implications that globalization of cultural products will have on the world and if this might lead to homogenization or hybridization of culture. The women's magazine Cosmopolitan is a global brand that exists in over a 100 countries. The question that arises is whether a strong cultural product that Cosmopolitan is setting a standard forwomen’s magazines in other countries regarding their aesthetic expressions. What kind of similarities and differences are there in the visual design of the American women's magazine and popular women's magazines in other countries? This study analyzed the visual design on covers of popular women’s magazines in Brazil, United Arab Emirates, India, Thailand, the CzechRepublic and the United States over the year 2012. The selection of countries was based on religious affiliation in the different countries and since religion is closely related to culture, this was an effective way in an attempt to access material that represented different cultures in the world. By using both a quantitative and qualitative content analysis, several different parts of the material could be analyzed on different levels. The results of our study showed that there are a variety of both similarities and differences in the visual design of women's magazines covers. Using theories about culture and globalization made it possible to see that both homogenization and hybridization of culture is current in the magazine industry. There seems to be some kind of standardization of visual design but at the same time, there is also a mix of cultural references on the covers. The study shows that cultural globalization can affect the visual design of cultural products in different ways and opens up for interesting topics in further research, such as cultural globalization, homogenization and hybridization of culture and how cultural aesthetic expressions takes shape in various cultures.

On opening women's magazine the reader is bombarded with page after page of advertisements featuring highly sexualised images of women. This thesis explores the use of sexuality in contemporary women's magazine advertising and how women respond to this. A year-long analysis of twelve different monthly magazines, spanning three different age demographics was undertaken. A comprehensive coding schedule was developed, and over 5000 advertisements were analysed in a quantitative manner to determine the level of sexuality. Nearly 500 women took part in an online survey. It was designed to gauge their responses to the use of sex in advertising, as well as the influence of advertising overall. This analysis found that sex is a tool used by advertisers in almost every advertisement that appears in women's magazines, particularly those targeted at the youngest age demographics. Some products, such as fragrances, rely more heavily on the use of sex in their advertising campaigns than others. The women surveyed believed that average and older women are under-represented in advertising. Women tend to recollect advertisements that promote a 'promise' or an idealised lifestyle set in a sexual context. Recollection is, of course, the aim of advertising, so it would appear that the use of sex is here to stay.