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Digitaliseringens påverkan på veckotidningsbranschen – En fallstudie på företaget Aller mediaHolmstedt, Jonas, Larsson, Rebecca January 2020 (has links)
På grund av digitaliseringens uppenbara påverkan på tidningsindustrin i kombination med brist på tidigare vetenskapliga studier kring detta ämne – söker denna studie att öka kunskapen och förståelsen för hur fenomenet digitalisering påverkat företag i veckotidningsindustrin. Studiens syfte är främst att undersöka hur företaget Aller media och dess affärsmodeller påverkats av digitaliseringen. För att ta reda på detta har inledningsvis två kvalitativa intervjuer genomförts med två chefer på Aller media. Intervjuerna har sedan kompletterats med en webbenkät som besvarades av Aller medias anställda. Resultatet från datainsamlingsmetoderna visar att digitaliseringen haft en påtaglig påverkan på Aller media med både positiva och negativa konsekvenser. Sammantaget har Aller media anpassat sig väl sedan digitaliseringen och har med anammandet av nya digitala affärsmodeller lagt en bra grund för att vara fortsatt relevanta i en alltmer digitaliserad framtid. / Due to the obvious impact of digitalisation on the magazine industry in combination with lack of previous scientific studies on the subject - this study seeks to increase the knowledge andunderstanding of how the phenomenon of digitalisation has affected companies in the magazine industry. The purpose of the study is primarily to investigate how the company Aller media and its business models have been affected by digitalisation. To investigate this, two qualitative interviews were initially conducted with two managers at Aller media. The interviews were then supplemented with a web survey that were answered by Aller medias employees. The results from the data collection methods show that digitalisation has had a significant impact on Aller media with both positive and negative consequences. In total, Aller media has adapted well since digitalization and with the adoption of new digital business models the company has laid a good basis for remaining relevant in an increasingly digitalized future.
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How magazines could remain competitive in the transition from print to digital mediaStange, Olof January 2015 (has links)
During the past decades, the world has seen a fast development in information technology. This has led to significant changes in many different industries including the media industry. The transformation is in progress and is unceasingly changing the game rules for media companies. Many magazines are struggling in the new competitive media landscape since existing business models in the print industry are hard to apply to the digital industry. In order for magazines to remain competitive they need to develop their revenue models and adjust to the new game rules in the industry. This thesis is focused on how magazines could develop their businesses in order to remain competitive in the transition from print to digital media. The research methods used were semi-structured interviews and a survey. The interviews were conducted with seven different media experts in order to find possible directions for Swedish magazines in general. The survey was aimed exclusively to the entertainment magazine Nöjesguiden in order to decide what additional revenue models fit them best. The results from the interviews implicate that magazines should continuously evaluate their print business using a holistic perspective, adopt long-term perspectives, initiate cost cutting in the print business and put the cost savings into investments for the future. In addition, they should have four main areas of focus in the digital business – strategy, content, target group and data. Strategy relates to focusing on the digital business, being innovative and trying new things. The results also show that it is beneficial to separate the old business from the new since the old business is linked to outdated industry structures. Regarding content, the direction should be either very broad or very niched. Thereto, magazines should focus on unique content, which refers to content that is not available elsewhere by other content providers. In addition, magazines should evaluate what makes their content unique. This is closely related to the target group, which is going to become more important in the future media climate. For magazines, getting to know their specific target group and focusing on improving the brand recognition are going to be advantageous factors in being competitive in the digital media climate. In conclusion, magazines should use data to continuously evaluate their business and use that knowledge to improve their offer. The results from the survey shows that the best new revenue model for Nöjesguiden at the moment is events.
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Stohovač palet / Pallet destackerKubíček, Lukáš January 2014 (has links)
This thesis focuses on the design pallet stacker for 15 pallets in accordance to economy and simplicity of design. Thesis involves critical research of stackers several producers, design of construction, fundamental calculations of construction, construction design of components, FEM analyses of components and drawing documentation.
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Kulturell globalisering i tidningsbranschen : En studie om visuell design på kvinnomagasins omslag i olika kulturer / Cultural globalization in the magazine industry : A study about visual design on women’s magazine covers in different culturesSyversen, Zara, Nilsson, Emma January 2013 (has links)
Vilken roll har den kulturella globaliseringen på visuell design i tidningsbranschen? Medier är i konstant rörelse och världen har blivit ett öppet kulturellt utrymme där olika kulturer kan förmedlas via medier. Företag globaliserar sin verksamhet vilket gör att kulturella produkter som Coca-Cola och Nike är välkända runt om i världen. Samtidigt diskuteras de konsekvenser som globaliseringen av kulturella produkter kan ha på världen och om detta leder till homogenisering eller hybridisering av kultur. Kvinnomagasinet Cosmopolitan är ett globalt varumärke som existerar i över 100 länder. Den fråga som uppstår är om en stark kulturell produkt som Cosmopolitan har satt en standard för andra kvinnomagasins estetiska uttryck i andra länder. Vilka likheter och skillnader finns det i den visuella designen mellan det amerikanska kvinnomagasinet och populära kvinnomagasin i andra länder? I denna studie analyserades den visuella designen på populära kvinnomagasins omslag i Brasilien, Förenade Arabemiraten, Indien, Thailand, Tjeckien och USA under året 2012 och urvalet av länder baserades på religiös tillhörighet i de olika länderna. Eftersom religion är intimt förknippat med kultur var detta ett effektivt sätt i ett försök att få material som representerade olika kulturer i världen. Genom att använda både en kvantitativ och kvalitativ innehållsanalys kunde flera olika delar av materialet analyseras på olika nivåer. Resultatet av vår undersökning visade att det finns en variation av både likheter och skillnader i den visuella designen på kvinnomagasinens omslag. Med hjälp av teorier i kultur och globalisering gick det att se att både homogenisering och hybridisering av kultur är aktuellt inom tidningsbranschen, då det verkar finnas en viss standardisering av visuell design, samtidigt som det finns en blandning av kulturella referenser. Studien visar att kulturell globalisering kan påverka den visuella designen på kulturella produkter på olika sätt och öppnar upp för intressant vidare forskning inom ämnen som kulturell globalisering, homogenisering och hybridisering av kultur samt hur kulturella estetiska uttryck kan ta form i olika kulturer. / What role does cultural globalization have regarding visual design in the magazine industry? The media is in constant motion and the world has become a more open cultural space where different cultures can be communicated through media. Companies globalize their business, which makes cultural products like Coca-Cola and Nike well known all around the world. There are discussions about the implications that globalization of cultural products will have on the world and if this might lead to homogenization or hybridization of culture. The women's magazine Cosmopolitan is a global brand that exists in over a 100 countries. The question that arises is whether a strong cultural product that Cosmopolitan is setting a standard forwomen’s magazines in other countries regarding their aesthetic expressions. What kind of similarities and differences are there in the visual design of the American women's magazine and popular women's magazines in other countries? This study analyzed the visual design on covers of popular women’s magazines in Brazil, United Arab Emirates, India, Thailand, the CzechRepublic and the United States over the year 2012. The selection of countries was based on religious affiliation in the different countries and since religion is closely related to culture, this was an effective way in an attempt to access material that represented different cultures in the world. By using both a quantitative and qualitative content analysis, several different parts of the material could be analyzed on different levels. The results of our study showed that there are a variety of both similarities and differences in the visual design of women's magazines covers. Using theories about culture and globalization made it possible to see that both homogenization and hybridization of culture is current in the magazine industry. There seems to be some kind of standardization of visual design but at the same time, there is also a mix of cultural references on the covers. The study shows that cultural globalization can affect the visual design of cultural products in different ways and opens up for interesting topics in further research, such as cultural globalization, homogenization and hybridization of culture and how cultural aesthetic expressions takes shape in various cultures.
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