本論文主要是在探討帝俄時代俄國戲劇發展與階層轉變之間的關係。在研究方法上，乃以歷史研究途徑為主要研究方法。本文的架構是以歷史發生的事件、階層角色的轉變為時間順序與研究主軸，結合戲劇功能、主題、流派、與劇作中探討的階層角色來分析彼此之間的相互影響。
本論文共分五章。第一章說明本文之研究方法與架構。第二章的討論對象是統治階層中的“沙皇”。十九世紀中葉之前，俄國戲劇政策的制定與初期教會權力鬥爭、政治社會變遷、沙皇模仿西方宮廷生活等有密切關聯。在政策限制下的俄國劇院、劇作家、演員仍然有積極的表現。
本文第三章是討論統治階層中的“貴族”。十八世紀的貴族在社會地位改變、女皇的鼓勵、與模仿皇室等原因驅使下開始對戲劇發生興趣。「農奴劇院」就是貴族在莊園生活中，特殊的戲劇生活方式。十九世紀衛國戰爭後，“懺悔的貴族”開始表達愛國意識，並且在文學、戲劇領域上成為社會真相的揭露者與批判者。
第四章本文討論的社會階層，是一九一七年革命之前，存在不多時的俄國中產階層。農奴解放之後，為了改變公眾形象，中產階級積極參予文化活動。一八九八年莫斯科藝術劇院的成立是中產階級新穎的文化、社會意識的具體展現。而中產階級形象的轉變也清楚表現在戲劇創作中。在社會階層轉變之時，戲劇對於時代的脈動展現出強烈的預知性與同理心。第五章則是本文的歷史回顧與總結。 / This dissertation focuses on the relationship between the development of Russian drama and the change of social class. The methodology for this thesis is based on the Historical Approach. According to Russian historical and political events and the change of social class role, we find that the functions, topics, and schools of the Russian drama and the class roles in dramas are quite different.
There are five parts to this thesis. Each part has a chapter devoted specifically to it. In chapter one the methodology and framework of this dissertation will be expounded. In chapter two and three the ruling class are discussed respectively as tsars and nobles. In chapter two tsars are mainly discussion object. Before the middle of 19 century, the formulation of Russian theatre policy has a deep relation to the conflict between church and government in the beginning of Romanov Dynasty, the political and social changes, and the emperor’s imitation to the western court. Although the policies are made strictly, Russian theatre, dramatist, and actors still grow up actively.
Chapter three shows the Russian nobles. Russian nobles in 18 century take a great interest in drama because of their change of social status, the encouragement of empresses, and the imitation to the court. “Serf theatre ” is a unique output in the Russian nobles’ estate. Besides, after French invaded Russia, Russian remorseful nobles become patriot, expositor and critics of social truth in their drama.
In chapter five we investigate the temporary Russian bourgeoisie before the October Revolution in 1917. Russian bourgeoisie supports culture activities enthusiastically in order to change their public image. The establishment of Moscow Art Theatre in 1898 is the concrete expression of the new culture and social ideology of Russian bourgeoisie. The change is also expressed clearly in drama. Chapter five is the conclusion of this thesis.
| Identifer | oai:union.ndltd.org:CHENGCHI/A2002001661 |
| Creators | 賴玉琪 |
| Publisher | 國立政治大學 |
| Source Sets | National Chengchi University Libraries |
| Language | 中文 |
| Detected Language | English |
| Type | text |
| Rights | Copyright © nccu library on behalf of the copyright holders |
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